Visit ‘The Birth of the Art Market’ exhibition in Hamburg with TIAMSA

The Birth of the Art Market.
Rembrandt, Ruisdael, van Goyen and the artists of the Golden Age

Die Geburt des Kunstmarktes.
Rembrandt, Ruisdael, van Goyen und die Künstler des Goldenen Zeitalters

Wednesday, 22. November 2017 

TIAMSA Berlin is offering a one day program to see Hamburg’s Bucerius Kunstforum and the Hamburger Kunsthalle!

Ausstellungsansicht: “Die Geburt des Kunstmarktes”, © Bucerius Kunst Forum, 2017, Foto: Uli Perrey


10.00 am  The Birth of the Art Market. Rembrandt, Ruisdael, van Goyen and the artists of the Golden Age, exklusiv tour with curator and director Prof. Dr. Franz Wilhelm Kaiser. – The Bucerius Kunst Forum presents the first large-scale exhibition devoted to the birth of the art market in the Golden Age of the Netherlands. Tracing the careers of artists such as Rembrandt, Ruisdael, van Goyen and many others, the exhibition explores how the transformation of Dutch society during the seventeenth century brought forth a new art market, with artworks tailored to its demands.

12.00 pm lunch and coffee

2.00 pm Hamburger Kunsthalle, conversation with Dr. Andreas Stolzenburg, director of the prints and drawings room, and Dr. David Klemm, curator of Italian Drawings, about the history of collecting and current developments of collecting in the print room. We will particularly consider Georg Ernst Harzen, the 19th century art dealer whose donation provided one of the foundations of the Kunsthalle’s collection. We will also visit the exhibition of Claude Lorrain’s drawings currently on show there.

This is an exclusive event for members, potential members and their guests.
To book your place please write to Veronika Korbei: office@artmarketstudies.org by Nov. 15.

Apply Now: Research Assistant (Stuttgart)

JOB: Research Assistant / Wissenschaftliches Volontariat (Stuttgart)

Application deadline: Dec 8, 2018

Der 2005 fertig gestellte Neubau des Kunstmuseums Stuttgart im Zentrum der Stadt beherbergt die kommunale Kunstsammlung mit Werken der klassischen Moderne und zeitgenössischen Kunst. Auf 5.000 qm Ausstellungsfläche werden neben der Sammlung regelmäßig große Sonderausstellungen und andere Ausstellungsformate präsentiert.

Das Kunstmuseum Stuttgart sucht zum 1. Februar 2018

eine wissenschaftliche Volontärin / einen wissenschaftlichen Volontär.

Wir erwarten ein abgeschlossenes Hochschulstudium der Kunstgeschichte, möglichst mit Promotion, großes Interesse an den vielfältigen Aufgaben eines Museums, Flexibilität, Teamfähigkeit sowie große Einsatzbereitschaft.

Die Vergütung beträgt 50% der Vergütung der Entgeltgruppe E 13 TVöD, Stufe 1.

Es handelt sich um ein auf zwei Jahre befristetes Volontariat.

Ihre vollständigen Bewerbungsunterlagen senden Sie bitte bis 8. Dezember 2017 an die Stiftung Kunstmuseum Stuttgart gGmbH, Kleiner Schlossplatz 13, 70173 Stuttgart.

Bitte beachten Sie, dass wir Bewerbungsunterlagen nicht zurückschicken.

Für weitere Informationen steht Ihnen gerne Herr Günter Eckert, Telefon 0711 216-19610, zur Verfügung.

Reference: JOB: Wissenschaftliches Volontariat (Stuttgart). In: ArtHist.net, Nov 15, 2017. <https://arthist.net/archive/16751>.

L: Thomas W. Rieger, Konrad Fischer Galerie (Cologne, 16. Nov., 2017)

Lecture Series ‘Art Market here and now’

Thursday, 16.11.2017

Thomas W. Rieger, Konrad Fischer Galerie

„Eigentlich ist es ein einfacher Beruf.“ Kunsthandel & Galerie

(further information about the talk in German below)

Universität zu Köln
Kunsthistorisches Institut, Hörsaal E
50923 Cologne

See the full program here
Continue reading “L: Thomas W. Rieger, Konrad Fischer Galerie (Cologne, 16. Nov., 2017)”

Apply Now: Research Award on Art Market Subjects

Once again the Sotheby’s Institute of Art is sponsoring a research award for students writing on the subjects of art collecting or the art market http://www.sothebysinstitute.com/news-and-events/news/call-for-student-paper-submissions-arlis-award/. This generous award of $3000 to the winner (individual or group effort) and $1000 to the assisting library will be presented at the 2018 ARLIS conference in New York.

The deadline is December 15 which allows for papers written this semester to be considered. Any paper written in this calendar year up to the deadline, graduate or undergraduate, by a current or recently-graduated student is eligible.

Address and email entries to:

Lee Sorensen
Chair, Sotheby’s Institute of Art Research Award
Lilly Library, Duke University

CFP: Session Celebrating Female Agency in the Arts (New York, 26-27 Jun 18)

“Public Agency in Private Spaces: Politics, Painting, and Patronage in the Long Eighteenth Century”

New York, NY, June 26 – 27, 2018
Deadline: Jan 10, 2018

Christie’s Education Symposium 2018: Celebrating Female Agency in the Arts

Scholars across disciplines have long probed the relationship between politics and art in the public sphere in the long eighteenth century—the tumultuous, seminal historical period that saw the rise of the Enlightenment, modern systems of representative democracy, and, eventually, the Industrial Revolution. Yet, to date, scholarship of this period has largely failed to notice female artists and patrons, despite their omnipresence in public shows and frequent initiation of substantial commissions. Similarly, political history has overlooked non-royal women, despite their strong influence as the wives, mothers, and sisters of politicians. Continue reading “CFP: Session Celebrating Female Agency in the Arts (New York, 26-27 Jun 18)”

CONF: The Limits of Art in the Museum (Madrid, 28-30 Nov 17)

Madrid, Facultad de Geografía e Historia
28-30 November, Madrid (Spain)

MUSACCES Consortium (UCM-UNED-UAM) invites you to attend the International Conference «The Limits of Art in the Museum», which will be held the 28th, 29th and 30th of November in Madrid (Spain).

The Conference aims to create a space of exchange and debate for museum managers, professors, researchers, artists, students and professionals of the cultural world. The frontiers or limits in the conception of art and its shape in museums will be subjects of debate.

Our International Conference has the will to become a forum of reflection about the conceptual problematic of art in the museums nowadays. We hope that the permeability of intellectual frontiers in the different disciplines (Art History, museology, art critics, aesthetics, communication, education, technology, heritage preservation and restoration, etc.) will allow us to caress the limits of art.

Webpage: http://www.musacces.es/limitsofart/

Program: http://www.musacces.es/wp-content/uploads/Programa-digital.pdf

CONF: Art Dealers, America and the International Art Market, 1880-1930 (Los Angeles, Jan 18-19, 2018)

The Getty Research Institute presents a symposium on the role of international art dealers in creating the collections, museums, and intellectual culture of the American art world in the late 19th and early 20th century. Bringing together rich archival resources from the Getty Research Institute and peer institutions, and capitalizing on new methodologies made possible by the extraordinary quantity of information contained in the documentary record, this symposium illuminates the ways in which art dealers contributed to making America a prominent arena in the international art market, and their role in creating the major private collections that became the foundation of great American museums.

Free tickets available beginning November 29, 2017 at www.getty.edu/visit/cal/talks.html
Separate reservation is required for each day of the symposium Continue reading “CONF: Art Dealers, America and the International Art Market, 1880-1930 (Los Angeles, Jan 18-19, 2018)”