As part of the 200th celebrations, Lord Anthony Crichton-Stuart and the Directors of Agnews invite you to a
Series of Lectures in the Great Room
27 St. James’s Place
London SW1A 1NR
Saturday, 1st July 2017
Barbara Pezzini: “Agnews as dealers of Nineteenth Century British Art in Manchester and London 1830-1890”
Light lunch and refreshments
Joseph Friedman: “Treasure Houses of London: The Golden Age”
Professor Liz Prettejohn: “Modern Painters, Old Masters: The Art of Imitation from the Pre-Raphaelites to the First World War”
A few spaces are still available and will be granted on a first come first served basis. Please specify which lecture(s) you would like to attend. RSVP asap to: email@example.com
6 St.James’s Place
Tel: +44 (0)20 7491 9219
The latest number of the journal Visual Resources, published by Routledge/Taylor and Francis, presents a Special Issue Guest-Edited by MEAGHAN CLARKE and FRANCESCO VENTRELLA (University of Sussex), entitled ‘Women’s Expertise and the Culture of Connoisseurship’.
This issue has many articles that may interest the historian of the art market (especially appealing for those concerned with the linkages between the market and art historiography), such as ‘Mrs. Berenson, Mrs. Gardner and Miss Toplady: Connoisseurship, Collecting and Commerce in London (1898–1905)‘ by MACHTELT ISRAELS, and ‘“This Feminine Scholar”: Belle da Costa Greene and the Shaping of J.P. Morgan’s Legacy‘, by art market scholar FLAMINIA GENNARI SANTORI.
Visual Resources Vol. 33 Continue reading “Visual Resources, Volume XXXIII, Nos. 1-2, 2017”
Celebrating Female Agency in the Arts
Following the success of the 250-anniversary conference held in London in July 2016, Christie’s Education is organizing its second academic conference on the theme of women in the arts. The Conference will take place at Christie’s, 20 Rockefeller Plaza in New York on Tuesday June 26 and Wednesday June 27, 2018.
Christie’s Education New York
Deadline is July 15, 2017.
This spring, the Liebieghaus Skulpturensammlung will take a look back at a chapter in its history that has rarely been a focus of attention to date: the Nazi period and the acquisitions made during those years. With the aid of twelve selected objects, the exhibition will offer insights into the history of the museum in the years 1933 to 1945 and tell the stories of the people intimately linked with the twelve works. Since 2001, the Städel Museum has been examining its collections with regard to artworks whose owners were deprived of them in connection with Nazi persecution. It was thus one of the first museums in Germany to embark on this task.
In the spring of 2015, its provenance research activities were expanded through the addition of a comprehensive project supported by the German Lost Art Foundation and the city of Frankfurt am Main: the systematic examination of the Liebieghaus Skulpturensammlung holdings. The special exhibition will now present this initiative’s current research results by way of a tour through the sculpture collection’s three main departments – Antiquity, Middle Ages and Renaissance to Neoclassicism. Continue reading “Exh: Between Definite and Dubious, Liebieghaus, Frankfurt a.M., until 27 Aug 2017”
Berlin, 3 July 2017, 7.00pm
Christine Howald and Anne Luther proudly announce the launch of TIAMSA’s Berlin sub-committee and cordially invite to the first meeting on
3 July 2017, 7.00pm
Centre for Art Market Studies
Technische Universität Berlin
Straße des 17. Juni 150/152 (corner of March-Straße)
The TIAMSA Berlin sub-committee welcomes members who are based in Berlin or nearby and who would like to contribute to a lively and scholarly discourse on art and its markets. Our first casual meet-and-greet is hosted by the Centre for Art Market Studies at the Technische Universität Berlin and is also open to those who consider joining TIAMSA.
– The sub-committee will organize visits to sites relevant for the study of the art market (galleries, archives, libraries, museums, etc.) and mobilize our members coming from both academia and the art market to meet on a regular basis. It aims to uncover relationships between historical research, contemporary art markets as well as institutions and businesses. Members will introduce their know-how and are invited to host discussion groups, talks, round tables and visits at their sites with a topic of their choice related to their field of expertise. Please let us know if you would like to attend, we are very much looking forward to seeing you.
Herzliche Grüße! Anne Luther and Christine Howald
Dr. Christine Howald is Research Associate and Teaching Fellow at Technische Universität Berlin, Institut für Kunstwissenschaft und Historische Urbanistik (Research Area “Art Market and Provenance”).
Dr. Anne Luther is a researcher at Technische Universität Berlin, and arts manager and software developer with focus on the contemporary art market and data visualization in qualitative research.
Literaturhaus Berlin, 22.06. – 16.07.2017
Peers praised the highly successful books of the art critic and critic Julius Meier-Graefe as a “new school of seeing”. In his writings, he focused on modern painting, sensitized the aesthetic re-evaluation and literary verve of the German public for French art of the nineteenth century and decisively shaped the canon of today’s art history.
Continue reading “ANN: Julius Meier-Graefe (1867-1935) – Grenzgänger der Künste”
Deadline: Sep 15, 2017
The German-American exchange program ‘Provenance Research Program for Museum Professionals’ (PREP) has been running since the beginning of 2017. The three-year program is aimed at provenance researchers, curators, archivists, and other museum experts. Anyone interested in the 2018 program can apply until 15. September 2017.
Stiftung Preußischer Kulturbesitz (Zentralarchiv der Staatlichen Museen zu Berlin)
Smithsonian Institution, Washington, USA (Smithsonian Provenance Research Initiative)
Staatliche Kunstsammlungen Dresden
Zentralinstitut für Kunstgeschichte München
Metropolitan Museum of Art, New York
Getty Research Institute, Los Angeles
Deutsches Zentrum Kulturgutverluste (Beratender Teilnehmer)
US PREP Page of the Smithsonian Institute
German PREP Page of the Zentralarchiv, Staatliche Museen zu Berlin
ANN: Call for Applications für PREP Austauschprogramm zur Provenienzforschung. In: H-ArtHist, Jun 15, 2017 (accessed Jun 20, 2017).