TIAMSA Legal: „Know Your Customer – Compliance im Kunstmarkt“, 20.6.2019, Berlin
TIAMSA Legal, die juristische Sektion der International Art Market Studies Association – TIAMSA, freut sich, Sie in Zusammenarbeit mit dem Bundesverband Deutscher Galerien und Kunsthändler e.V. und der Kanzlei dtb Rechtsanwälte zu einer…
TIAMSA Blog: Creativity is Human, But Technology Helps to Sell – The Impact of AI Art and Blockchain on the Art Market By Claudia S. Quiñones Vilá
In August 2018, Christie’s New York announced that it would be auctioning a computer-generated artwork created by a Paris-based art collective named Obvious (https://www.npr.org/2018/10/22/659680894/a-i-produced-portrait-will-go-up-for-auction-at-christie-s). At the time, this was seen as a novelty…
ANN: Responsible Art Market Conference New York Thursday, May 23, 2019
SAVE THE DATEResponsible Art Market Conference, New YorkThursday, May 23, 2019, 1:30 pm–5:30 pm, Columbia University The Responsible Art Market (RAM) Initiative is coming to New York! Join us for the first US RAM conference organized jointly with Columbia University and PAIAM.RAM…
TIAMSA Blog: Summary of “Exploring the Gilded Age Art Market through a Digital Lens” by Anne Helmreich
On the 13th February, through the auspices of Louisa Woodbury, Head of Research, The Frick Art Reference Library, and Ellen Prokop, co-founder of the Digital Art History Lab, the Frick Art Collection, TIAMSA…
ANN: Hugo Helbing Lecture – Prof. Dr. Michael Kauffmann: “Hugo Helbing in London”, May 8th 2019 (7pm), NS-Dokumentationszentrum and Zentralinstitut für Kunstgeschichte, Munich
You are cordially invited to the fourth Hugo Helbing Lecture: Exploring the Art Market on May 8th, 2019 in Munich, whose the speaker, Prof. Michael Kauffmann (Director Emeritus, Courtauld Institute of Art) will…
TIAMSA Blog: CAA 2019 TIAMSA Panel “The Studio as Market” abstracts ed. Julie Codell
At the College Art Association conference in New York City, Feb 13-16, 2019, TIAMSA, recently granted CAA-affiliate status, was allotted a 1½ hour panel session. The organization’s committee selected the panel, “The Studio…
PUB: “From Florence to London to New York: J.P. Morgan’s Bronze Doors,” Nineteenth-Century Art Worldwide, vol. 16, no. 3, Autum by Lynn Catterson
This article, based on recently discovered material in several archives, tells the story of the bronze doors of the Morgan Library.[1] It narrates the travel of the allegedly Renaissance bronze doors from their…
Student Blog: TIAMSA Conference 2018 – Section 5: Launching TIAMSA Legal by Kirsten Pilling
The classical pathway of most art history students leads from learning the basics about architecture and iconography, to the study of the Italian Renaissance, to the confrontation with the avant-garde movements and contemporary…
Student Blog: TIAMSA Conference 2018 – Section 3: “Elites and the People” by Theresa Auer
The last panel on the second day of the 2018 TIAMSA conference addressed a very promising topic: “Elites and the people” in relation to the contemporary art market. Even though Friday’s schedule was…