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Calls for Papers

28th February 2026 — Calls for Papers, News

CFP:  AI: The Death of Culture or Just Another Technology?

2026 Global Cultural Management ForumShanghai Jiao Tong University | Shanghai, China | 22–24 May 2026 OverviewAs artificial intelligence (AI) technologies, and the discourses that legitimise, contest, and govern them, circulate globally, the cultural…

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28th February 2026 — Calls for Papers, News

CFP: Who Cares? Collecting, Preserving, and Curating (Krems, 1-3 Jul 26)

DAC (Department for Art and Cultural Studies) Summer School 2026: “Who Cares? Collecting, preserving, and curating in museums, archives, and organizations” at the University for Continuing Education Krems, July 1-3, 2026. Chairs:– Department for…

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28th February 2026 — Calls for Papers, News

CFP: Collecting to Shape and Reflect the Nation (London, 22-23 Oct 26)

“Collecting to Shape and Reflect the Nation: Changing Museum Strategies from the Nineteenth to the Twentieth Century”. The Victoria & Albert Museum (V&A) and the Germanisches Nationalmuseum (GNM) are collaborating to organize a…

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21st February 2026 — Calls for Papers, News

CFP: Transnational Artistic Relations in the Cold War Era (Institute of Art History of the Academy of Sciences of the Czech Republic, Prague, 25 Nov 2026)

The Cold War was an overriding force that profoundly shaped the conditions under which artists, curators, and cultural institutions could establish and maintain international contacts. While the global landscape was complex, the metaphor…

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21st February 2026 — Calls for Papers, News

CFP: Collections et marché de l’art au XIXe siècle (Institut national d’histoire de l’art, Paris – 26 June 2026)

Le petit mobilier qui circule sur le marché de l’art au XIXe siècle et peuple nombre de collections publiques et privées constitue une catégorie hétérogène : dimensions, matériaux, techniques, usages et provenances sont…

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21st February 2026 — Calls for Papers, News

CFP: Material Memory and the Provenances of Medieval Artefacts (TU Berlin, 3-4 September 2026)

Objects record their material pasts: A medieval manuscript’s parchment pages, for instance, retain traces of animal bodies and thus reflect their physical source. Similarly, varying states of silver corrosion and shades of gold…

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21st February 2026 — Calls for Papers, News

CFP: Challenges in provenance research and art restitution (Kunsthistorisches Museum Vienna, 30 Nov-1 Dec 2026)

The signing of the Washington Declaration in 1998 marked the beginning of a new phase in the examination of the Nazi era – in particular, the confiscation of art and cultural assets as…

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14th February 2026 — Calls for Papers, News

CFP: transfer – Zeitschrift für Provenienzforschung und Sammlungsgeschichte / Journal for Provenance Research and the History of Collection

The online journal transfer is an academic publication platform in the area of provenance research and the history of collection as well as adjacent fields of investigation, like art market studies, reception history,…

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14th February 2026 — Calls for Papers, News

CFP: Annual Conference 2026: (Re)Positioning Provenance Research – Changed Frameworks – New Challenges?

The Annual Conference of the Arbeitskreis Provenienzforschung e.V. will will take place in Hanover from 3 to 5 November. The new German „Court of Arbitration for Nazi-Looted Cultural Property“, which began its work…

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Recent Posts

  • ANN: While the world races toward AI-generated answers, one founder is going back to the Source
  • CFP: Provenienz jüdischer Objekte erforschen und vermitteln (Berend Lehmann Museum für jüdische Geschichte und Kultur, Halberstadt – 31 Aug 2026)
  • ANN: The 10th Hugo Helbing Lecture 2026 held by Michael Hutter / Commemorative Event for Hugo Helbing and his Family (Zentralinstitut für Kunstgeschichte / Former Seat of the Helbing Firm, Munich – 22-23 April 2026)
  • CONF: Art and Archives between Algeria and France (St Andrews, 24 Apr 26)
  • ANN: In-person Event for the Musée d’art moderne de la ville de Parisexhibition on April 16 2026

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