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News

26th May 2023 — Calls for Papers, Events, News

CFP: Contesting Objects: Sites, Narratives, Contexts – 5th Transregional Academy on Latin American Art (Lima, 4-12 May 2024)

The German Center for Art History (DFK Paris, Max Weber Foundation), the Bibliotheca Hertziana – Max Planck Institute for Art History in Rome (BHMPI), and the Museo de Arte de Lima (MALI) invite…

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26th May 2023 — Events, News

ANN: Journée d’études – Provenances archéologiques (INHA, Video of the Study Day on 17 April 2023 now available)

Au sein du marché des antiquités qui s’organise au XIXe siècle en Europe, les objets qui s’échangent sont pour une bonne part issus de fouilles archéologiques, plus ou moins licites, organisées dans des…

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26th May 2023 — News, Publications

ANN: Out now: Sediment – Resources for and Studies in the History of the Art Market no. 32 (ZADIK Cologne)

Anlässlich des 30. Jubiläums nimmt das ZADIK die eigene Historie sowie Bestände, die Kontexte zur Kunst und die Vielfalt im Kunstmarkt in den Fokus: Die Meilensteine führen durch drei Jahrzehnte der Geschichte des…

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26th May 2023 — Calls for Papers, News, TIAMSA Activities

TIAMSA News: CFP: Hand and Glove – Art Market Studies and the History of Collecting 

The Society for the History of Collecting and The International Art Market Studies Association are pleased to announce a joint session chaired by Blair Asbury Brooks (Graduate Center, CUNY) and Natasha Degen (FIT)…

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19th May 2023 — Apply Now, Events, News

ANN: Deadline Extended – International Summer School – Art Markets: An Integrated Perspective (Lisbon, 10-14 Jul 2023)

Inspired by the success of the two previous Art Markets Summer School held in Lyon, in June 2019, and in Antwerp-Brussel, in July 2022, a third edition of this unique research, training and networking experience…

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19th May 2023 — Calls for Papers, Events, News

CFP: How Artists Interact with the Market (TIAMSA Business Meeting, 112th CAA Annual Conference)

​Artists are often viewed as being merely at the whim of the market in which they work. This assumption, however, is not entirely true. In fact, artists have much more agency than is…

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19th May 2023 — News, Publications

ANN: Max Hollein’s Reflections on The Met Collection and Cultural Property (Metropolitan Museum of Art)

Read the Met Museum’s blog post by director Max Hollein who reflects on current discussions about cultural property, provides background on The Met collection, and previews several important initiatives, among them the hiring…

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19th May 2023 — Conference, News

CONF: Gold or Lead? The Alchemy of Crypto Art & its Markets (University of Zurich, Art Market Studies; 8 June 2023)

Gold or Lead? The Alchemy of Crypto Art & its MarketsUniversity of Zurich Limited number of seats! Please register here: eventbrite.ch/e/gold-or-lead-the-alchemy-of-crypto-art-its-markets-tickets-552684934517.

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19th May 2023 — Events, News

ANN: Wie kamen die Objekte ins Museum? Eine Spurensuche. (Berlin, 25 May-5 Oct 2023)

Die neue Gesprächsreihe in den Ausstellungen der Staatlichen Museen zu Berlin fragt nach der Herkunft und der Bedeutung der Objekte: Wem haben sie einst gehört und wer hat sie hergebracht? Die Gespräche geben…

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Recent Posts

  • JOB: wissenschaftliche:r Mitarbeiter:in (m/w/d) für Provenienzforschung (Zentralarchiv, Staatl. Museen zu Berlin)
  • ANN: Research Group “L’età delle Dispersioni. Collezionismo tra Italia ed Europa nell’età moderna”
  • CFP: Art within Reach: Photomechanical Reproductions of Works of Art from Print to Digital (Institute of Art History, Czech Academy of Sciences, Prague, 5-6 Dec 2023)
  • ANN: Booked and Busy. Syncretic Methodologies Towards Provenance Research into East Asian Objects, lecture by Tullia Fraser (V&A Museum, London, 6 June 2023, 16:00-17:30)
  • CONF: The Mutability of Collections – Transformation, Contextualisation and Re-Interpretation (Collecting & Display, London, 7 July 2023)

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