TIAMSA MEMBERS: PUB: Santander Art and Culture Law Review » 2018 » 2/2018 (4) » Circulation of Cultural Objects in Russian Law – An Overview
by Yulianna Vertinskaya [Abstract] “The aim of this article is to offer an introduction to the Russian Federation’s cultural property legislation. More precisely, this article focuses on the civil and criminal law provisions…
PUB: When Gekko Collects Art: The intersection of art and finance By Stoyan V. Sgourev
[Abstract] The lack of transparency in the art market, the high degree of uncertainty about product quality and the resultant tendency for underinvestment in innovative, high-risk forms of art, are some of the…
PUB: Santander Art and Culture Law Review » 2018 » 2/2018 (4) » Cultural Heritage in the European Union: An Outsider’s Perspective
by Claudia S. Quiñones Vilá [Abstract] “Cultural heritage protection has risen to the forefront of EU politics and policies in recent years, as a response to its intrinsic value and social benefits. Nonetheless,…
PUB: Santander Art and Culture Law Review, 2018, 2/2018 (4)
Editor-in-Chief: Alicja Jagielska-Burduk, Anna KoziczakAssistant Editor-in-chief: Wojciech Szafrański, Andrzej JakubowskiPublished: 2018Issue Editors: Andrzej Jakubowski, Alicja Jagielska-Burduk
PUB: Santander Art and Culture Law Review » 2018 » 2/2018 (4) » Art for the People? Questioning the Democratization of the Art Market TIAMSA’s Second International Conference, Vienna, 27-29 September 2018
by Marius Müller “Deloitte’s Art and Finance Report 2016 states that “the art market [is] opening up to new audiences – this is the biggest challenge, but it is also the biggest opportunity”;…
PUB: London and the Emergence of a European Art Market, 1780-1820 (Yale University Press / Getty Publications 2018) ed. by Susanna Avery-Quash and Christian Huemer
In the late 1700s, as the events of the French Revolution roiled France, London displaced Paris as the primary hub of international art sales. Within a few decades, a robust and sophisticated art…
PUB: Transatlantic Transactions and the Domestic Market: Agnew’s Stock Books in 1894–1895 by Barbara Pezzini and Alan Crookham
open access: https://www.britishartstudies.ac.uk/issues/issue-index/issue-12/agnews-stock-books This essay uses the case study of a prominent firm of art dealers, Thos. Agnew and Sons (Agnew’s), to present a methodological discussion of how digital tools can be used…
ANN:Getty Provenance Index® expands its coverage of German auction sales catalogs (previously spanning 1930–1945) to include those from 1900 to 1929
Getty Provenance Index® has expanded its coverage of German auction sales catalogs (previously spanning 1930–1945) to include those from 1900 to 1929, enabling a fuller understanding of this volatile period and of the…
CFP: Ars Judaica journal
Deadline: Jan 1, 2020 Ars Judaica: The Bar-Ilan Journal of Jewish Art calls for papers for its prospective volumes. Ars Judaica is delighted to announce it has made an agreement with Liverpool University…