London, Kenneth Clark Lecture Theatre
The Courtauld Institute of Art
Somerset House, Strand, June 8 – 09, 2017
Registration deadline: Jun 7, 2017
The Courtauld’s New Research Symposium 2017 is a platform for third-year PhD candidates to present and exchange their research to their peers, the wider scholarly community and the public. Ranging from medieval England to contemporary Bosnia-Herzegovina via Renaissance Florence the conference will bring questions concerning materiality, identity and institutions to bear on art and politics. Whether performing a close analysis of a late-fifteenth-century altarpiece frame or a Marxist reading of photographic technologies after the 2008 financial crisis, what are the pressing methodological questions for the discipline? This conference provides a place to consider how the cohort has been collectively thinking through critical challenges and new directions for the History of Art.
Including a keynote by Lynda Nead (Pevsner Professor of History of Art, Birkbeck, University of London)
Free, all welcome, but booking required:
Attendees are welcome to come to a single session if they wish.
PROGRAM for Part of Friday, June 9
11:30–12:25 Session 6: Modernisms, Materials, Markets
Giovanni Casini: ‘A Dealer’s “Dictatorship”? Giorgio de Chirico, Léonce Rosenberg and the Parisian Art Market in the late 1920s’
Rachel Mustalish: ‘Arthur Dove: Modernism through Materials’
12:30–13:25 Session 7: Collections and Canons
Naomi Speakman: The Virtuoso Appetite: The Medieval Antiquities of Ralph Bernal’
Imogen Tedbury: ‘After the “game of grab”: collecting, displaying and selling Sienese painting after the “Burlington Magazine wars” of 1903’