The history of art in early modern Europe would be unthinkable without Antwerp. And yet until quite recently, Antwerp was a place that nobody talked much about. Scholarship on the southern Netherlandish city (now part of Belgium) long remained the province of local historians, the indefatigable Floris Prims notable among them. And while first Pieter Paul Rubens and then Pieter Bruegel the Elder met with increasing art-historical interest following Belgium’s assertion of independence in 1830, a dogged nationalistic approach to their oeuvres meant that the city in which they lived and worked did not generate much attention in its own right. It was the artist as Flemish genius, and not the city as stimulus, that mattered.
Agnew's art basel Art Basel 2017 art dealer Art dealers art fair art fairs art history art law art looting Art Market Art Market Dictionary art markets art market studies art trade big data analytics CAA CAA 2018 CAA 2018 Los Angeles CAA Annual Conference Collecting collecting practices collectors Conferences Connoisseurship Contemporary Art cultural heritage digital art history Digital Humanities Fokum Berlin Getty Research Institute history of collecting Joseph Duveen Lectures looted art Pablo Picasso (1881-1973) PREP Provenance Research Exchange Program provenance provenance research Rene Gimpel restitution Sotheby's Institute of Art Surrealism TIAMSA TU Berlin