TIAMSA welcomes the establishment of sub-committees as they are a great way of exploring specific themes or providing local access to art market studies! There are many possibilities for activities (gatherings, field trips, lectures, seminars, etc.) and many sensible approaches (regular or irregular gatherings, larger or smaller groups, etc.). The TIAMSA board takes a very liberal approach to sub-committees, so their programming is really up to those who run them. TIAMSA is happy to provide an individual web-page for each sub-committee and to circulate planned events through its blog.
Below is a list of the sub-committees that have already been proposed or established. We invite you to contact the named individuals if you want to join or get involved (click the names to open an e-mail link). As a rule, Sub-Committees’ events should only be open to TIAMSA members or those who are seriously considering becoming one.
To know more on TIAMSA Sub-Committees, you may also browse our guidelines.
Berlin: Christine Howald, Research Associate | Teaching Fellow “Art Market and Provenance”, Department for Modern Art History, Institute of Art Studies and Historical Urban Studies at TU Berlin and Anne Luther, Research Associate at the Department for Modern Art History, Institute of Art Studies and Historical Urban Studies at TU Berlin.
Statement: The TIAMSA Berlin subcommittee welcomes members who are based in Berlin or nearby. It will organize visits to sites relevant for the study of the art market (galleries, archives, libraries, museums, etc.) and mobilize our members coming from both academia and the art market to meet on a regular basis. It aims to uncover relationships between historical research, contemporary art markets as well as institutions and businesses. Members will introduce their know-how and are invited to host discussion groups, talks, round tables and visits at their sites with a topic of their choice related to their field of expertise. Please let us know if you would like to join the group. Herzliche Grüße! Anne and Christine
New York NY: Natasha Degen, Associate Chair, Art Market Program, Fashion Institute of Technology, State University of New York, NYC
Paris: Léa Saint-Raymond, Résponsable de BasArt at the Ecole normale supérieure (artlas.ens.fr) / PhD Candidate, Université Paris Ouest Nanterre La Défense, Paris; Bénédicte Miyamoto, Maître de conférences, Université Sorbonne Nouvelle (Paris 3), Paris
Rome: Paolo Serafini, Lecturer in “Economia, gestione e comunicazione dei beni culturali“, Scuola di Specializzazione in Beni Storico-Artistici, Università “La Sapienza”, Roma
Spain: Marta Perez Ibañez, Profesora de Mercado del Arte, Escuela de Arquitectura, Arte y Diseño, Universidad Nebrija, Madrid
US West Coast: Agnès Penot-LeJeune, Independent Scholar, Los Angeles CA
The London Art Market: Harry Dougall, Courtauld Institute of Art Alumnus; Elizabeth Pergam, Lecturer, Sotheby’s Institute of Art, New York; Barbara Pezzini, Editor-in-Chief, Visual Resources.
Statement: London has been a principal centre of the art market since at least the seventeenth century and its record-breaking sales still make headlines in the present day. It is a rich and versatile market. Antiques, furniture, sculpture, old master paintings, modern art and works on paper: the secondary market sustains principal sales in all these categories and many more. In addition, a fertile art scene fuels a healthy and lively primary market. Undoubtedly the London art market, both in its current state and historic development, presents an apt theme for investigation by TIAMSA members. We have thus started a thematic sub-committee on the theme of the London art market, to explore the nature of this complex phenomenon in its entirety. This sub-committee is not confined to a specific period, it incorporates both fine and decorative arts, exploring relationships between historical and contemporary London art markets, as well as institutions and businesses. While the focus is on London it welcomes opportunities to situate London’s markets in relation to other regions in the UK or internationally. Through organised visits (including galleries, museums, libraries, archives etc.), informal meetings and study days/seminars it aims to provide an opportunity for members to network/exchange information and encourage research on the London art market. Please contact us if you would like to join the group and news on our first event will be coming soon!
Contemporary Markets: Stephanie Dieckvoss, Lecturer, Culture and Enterprise Programme, Central Saint Martins, University of the Arts, London
Decorative Arts: Barbara Lasic, Lecturer, Department of History of Art and Heritage Studies, University of Buckingham
Gender: Barbara Lasic, Lecturer, Department of History of Art and Heritage Studies, University of Buckingham
Modern: Christel Force, Associate Research Curator Modern and Contemporary, Metropolitan Museum of Art, NYC
Translocations: Diana Kostyrko, Visiting Fellow, School of Literature, Languages and Linguistics, Australian National University, Canberra and David Challis
Statement: A new thematic sub-committee under the rubric of ‘Translocations’ has been formed by Diana Kostyrko of the Australian National University, and David Challis of the University of Melbourne. The focus of this sub-committee is on, but not limited to, the Australian and New Zealand art markets: either regional collectors/collections and galleries, or international collectors, dealers, and auction houses trading in this region’s art and artefacts. Traditionally this region’s collectors and museums looked to Europe, but during the later twentieth century a lively interest developed towards Aboriginal, Pacific Islander, and South-east Asian art. But has the Eurocentric narrative in Australasia gone completely underground (been translocated)? All are welcome to join us in building this TIAMSA chapter as we plan colloquia and gallery visits; and we warmly encourage submissions for future activities which address the theme of Translocations.
Our first event is to conduct a session at the Art Association of Australia and New Zealand’s (AAANZ) annual conference in December, with speakers David Challis, Michael Moignard (La Trobe University), and Victoria Souliman (University of Sydney/Université Paris Diderot). Our session explores selected aspects of art travelling outwards from its natural and spiritual ‘heart’ and the forces – engineered, spontaneous or predictable – which spurred that movement.
If you are interested in running a regional or thematic Sub-Committee please write to our TIAMSA OFFICE