CONF: Entangled Art Histories between Germany and the United States, 1960-1990: Production, Diffusion, Reception (9-11 Nov, WIELS, Brussels)
While documenta 2 in 1959 allowed the German public to discover Abstract Expressionism as a specifically American art movement, it was not until the early 1960s that a sustained and intense transatlantic dialogue…
CONF: Expanding and Redirecting Historical Research Related to Franco-American Artistic Relationships between 1918 and 1964 (Online / FRAME & INHA, 21 May 2021, 17:00 CET)
FRAME, in partnership with the Institut national d’histoire de l’art (INHA) in Paris, will host a virtual symposium about “Expanding and Redirecting Historical Research Related to Franco-American Artistic Relationships between 1918 and 1964” on…
CFP: Crossing Borders; Constructing Canons: Post-Impressionism in Britain, America and Beyond
May 1 and 2, 2020 Courtauld Institute of Art, London “Post-Impressionism,” a term invented and used by Roger Fry in the exhibition he organized in London in 1910, became a deeply influential critical and…
CFP: Relics and the Arts between Europe and America (Bogota, 8-12 Jun 20)
Universidad de los Andes, Bogotá /Sede Caribe, Cartagena de Indias, June 8 – 12, 2020Deadline: Sep 30, 2019 Relics and the Arts between Europe and America: Debating Shared Histories This international conference aims…