Art & Market: Alienation or Emancipation? (St. Gallen, November 2016)
International congress organised by the Research committee Sociology of Arts and Culture (RC‐SAC) of the Swiss Sociological Association and the Institute of Sociology of the University of St. Gallen (Switzerland)
Organising committee: Andrea GLAUSER (UNILU), Olivier MOESCHLER (UNIL), Valérie ROLLE (LSE) and Franz SCHULTHEIS, Patricia HOLDER, Thomas MAZZURANA (UNISG) Scientific committee: the above‐mentioned persons and Jens KASTNER (Akademie der bildenden Künste, Vienna), Alain QUEMIN (University Paris VIII) and Ulf WUGGENIG (Leuphana University, Lüneburg).
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Call for Papers: International on-line scientific peer reviewed journal MDCCC 1800 [Italian text below]
Deadline for abstracts: 12 October 2016.
Deadline for submission of papers: 30 December 2016.
Arts on display: the 19th century international expositions.
The international online peer reviewed journal MDCCC1800 wishes to celebrate the 150th anniversary of the Exposition universelle held in Paris in 1867 with an issue dedicated to the phenomenon of the international exhibitions set up during the 19th century. We welcome original, unpublished articles offering in-depth analysis of the developments, significance and legacy of this phenomenon starting from the Universal Exhibition of London (1851).
Contributors are free to propose any topic related to the general theme, such as the study of single national participations, the impact of the events on public opinion, the display architectures, the diffusion of decorative arts and photography etc.
A list of suggested topics, by no means exhaustive, includes:
- The national participation to the events (committees, single artists, works of art)
- The art market: private collectors and museum acquisitions
- The divulgation of the arts: publicity, magazines, exhibitions catalogues
- The social and pedagogical role of international exhibitions
- Architecture, outfitting, national pavilions
- The use of decorative arts and photography at the events
- Colonialism and the influence and reception of non-European cultures
- Literature and the arts: the narration of the exhibitions
- Correspondence (relationships among artists, architects, art critics etc)
- The role played by the Antiquities at the exhibitions (as models for inspiring artists; means for showing prestige; physical emblems for the building of identity; political propaganda etc)
Continue reading “CFP: Rivista MDCCC 1800 n. 6 – Arts on display: the 19th century international expositions”