THE EXHIBITION: HISTORIES, PRACTICES AND POLITICS
will be the next issue of Revista de História da Arte (IHA-FCSH-NOVA)
Deadline: Jul 31, 2018
Exhibitions have become, at least since the 1990s, particularly attractive case studies to museologists, cultural researchers and art historians. The growing interest in the history and theory of exhibitions has promoted a relevant national and international discussion, fruitfully crossing academic, artistic and museological contexts. Within the frame of museum studies, the specific field of exhibitions histories is still expanding, also challenging and reshaping important art historical frontiers and methodologies. At the same time, museums are critically re-evaluating their exhibitionary heritage in an unprecedented way: projects like multimedia archives, catalogues raisonés of exhibitions, virtual and physical restaging of exhibitions, etc., promote particular forms of disseminating, documenting and recovering the histories and memories of meaningful exhibition events.
Such wide and complex movement of “remembering exhibitions,” to use Reesa Greenberg’s words, demonstrates how the exhibition is defining a rich and manifold field of inquiry and research. Thus, a comprehensive investigation of exhibitions and their impacts proves necessary, given that the analysis of exhibitions’ histories, images, critiques, voices and circulations can importantly contribute to broadening the grounds of museum studies, art history, visual theory, cultural studies, photographic history, intermedial and digital cultures. Continue reading “CFP: The Exhibition: Histories, Practices and Politics (Revista de História da Arte 2019)”
With The Birth of the Art Market. Rembrandt, Ruisdael and van Goyen and the Artists of the Dutch Golden Age the Bucerius Kunst Forum presents the first large-scale exhibition devoted to the birth of the art market in the Golden Age of the Netherlands. Tracing the careers of artists such as Rembrandt, Ruisdael, van Goyen and many others, the exhibition explores how the transformation of Dutch society during the seventeenth century brought forth a new art market, with artworks tailored to its demands. Artists, art dealers and their workshops had to keep pace with the evolving market situation, leading to art prices ranging from just a few Dutch guilders to astronomical sums. The Birth of the Art Market: Rembrandt, Ruisdael, van Goyen and the Artists of the Dutch Golden Age is the first exhibition curated by Prof. Dr. Franz Wilhelm Kaiser in his new role as artistic director of the Bucerius Kunst Forum.
The exhibition features master works on loan from internationally renowned museums and collections, including the Rijksmuseum, Amsterdam; Museum Boijmans Van Beuningen; National Portrait Gallery, London; Dresden State Art Collections, Old Masters Picture Gallery; Staatliche Museen zu Berlin, Gemäldegalerie; Hamburger Kunsthalle; Bavarian State Painting Collections, Alte Pinakothek; State Museum of Schwerin/ Ludwigslust/ Güstrow; Museumslandschaft Hessen Kassel, Gemäldegalerie Alte Meister; The Kremer Collection, Leipzig Museum of Fine Arts; SØR Rusche Collection, Oelde/ Berlin; National Museum in Warsaw; Liechtenstein, The Princely Collections, Vaduz/ Vienna; and other museums and private collections.
Please find the press release below and attached to this email. Do not hesitate to contact the Bucerius Kunst Forum’s press department (below) for high resolution press images. The press preview takes place on Thursday, 21 September 2017, 11 a.m. at the Bucerius Kunst Forum in Hamburg, Germany.
Head of Press
BKF_Pressrelease_The Birth of the Art Market_En (.pdf, 262 KB)