Tag: art markets

CONF: Impressionism Around the World (Philadelphia, 12-14 Apr 19)

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Philadelphia Museum of Art, Philadelphia, April 12 – 14, 2019

“IMPRESSIONISM AROUND THE WORLD”
10TH ANNUAL ANNE d’HARNONCOURT SYMPOSIUM 2019

Philadelphia Museum of Art, Perelman Auditorium

organized by André Dombrowski (University of Pennsylvania), Kathleen Foster and Jennifer Thompson (Philadelphia Museum of Art)

How did a quintessentially French art movement like Impressionism become an international phenomenon and global success around the year 1900? Why were its attempts to condense representation so completely into the here and now, into an experiential moment, a flicker of light, and the material conditions of painting such a favorite with audiences of highly disparate nationalities, traditions, religions, political regimes, and imperial ambitions? Leading scholars explore Impressionism’s global reach at the turn of the twentieth century, focusing on the style’s infatuation with speed and commodity culture, mass travel, the telegraph, the moving image, and thus the complete re-organization of modern global time and space these innovations set in motion.

REGISTRATION for this event required (Registration is free and open to the public):
https://www.sas.upenn.edu/arthistory/events/anne-dharnoncourt-symposium-2019

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PUB: ‘Art Crossing Borders – The Internationalisation of the Art Market in the Age of Nation States, 1750-1914’ ed. Jan Dirk Baetens and Dries Lyna

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Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.

This publication is open access and can be freely downloaded directly from the Brill website here.

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ANN: Institute of Art and Law Courses 2019 – UK and Australia

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  • The Diploma in Intellectual Property and Collections will run over three days in London from 24 to 26 June 2019 and in Sydney from 17 to 19 July 2019 . This course will teach you everything you need to know about IP in the context of art and collections management.
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CONF: Dynamics of Mediterranean Artistic Interaction (Valletta, 10 Apr 19)

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Valletta campus, University of Malta, Malta, April 10, 2019

“Dynamics of Mediterranean Artistic Interaction in the Late Medieval and Renaissance Periods” will once again be the theme of the second edition of the international conference being organised by the University of Malta’s Department of Art and Art History to be held on the afternoon of Wednesday 10th April 2019 at the Auditorium of the University of Malta Valletta Campus.

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ANN: Kunst und Markt – Evening Lectures Summer Term 2019

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The lecture series of the Forum Kunst und Markt / Centre for Art Market Studies is dedicated to interdisciplinary and inter-institutional exchange for current research on the art market and its history. We cordially invite you to this year’s summer term lectures.

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CFP: Migration of artists and architects (Riga, 26-28 Sep 19)

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Art Academy of Latvia, Riga, September 26 – 28, 2019
Deadline: May 10, 2019

International Conference
“The Migration of Artists and Architects in Central and Northern Europe 1560–1900”

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PUB: Caterina Caputo, Collezionismo e mercato. La London Gallery e la diffusione dell’arte surrealista, Florence: Pontecorboli, 2018.

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Research on the art market related to the avant-garde remains still largely unexplored today. The author of the present book aims to contribute to this field through a study of collecting, art market strategies, and networks that fostered and sustained Surrealism in the interwar and post-war periods in Britain. The volume focuses on the London Gallery, the only Surrealist gallery to be active in England since the end of the 1930s. It was managed by two Surrealist artists who were also collectors: the Belgian E.L.T. Mesens and the British Roland Penrose. The London Gallery opened in 1938, two years after the significant International Surrealist Exhibition held at the New Burlington Galleries in London, an exhibition followed by the foundation of the Surrealist British group.

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