CFP: Women and Mail Art: Gendered Perspectives on Marginal Artistic Practices (Online Workshop – Univ. of Warsaw / Univ. of Berne; 11-25 Oct 2024)
There is extensive research on international contacts, forms of connection and networks among neo-avant-garde artists developed through their artistic production, yet, their gender aspect remains largely ignored. Meanwhile, in the same period, feminist…
CONF: Gold or Lead? The Alchemy of Crypto Art & its Markets (University of Zurich, Art Market Studies; 8 June 2023)
Gold or Lead? The Alchemy of Crypto Art & its MarketsUniversity of Zurich Limited number of seats! Please register here: eventbrite.ch/e/gold-or-lead-the-alchemy-of-crypto-art-its-markets-tickets-552684934517.
CONF: Artists’ colonies in the world / The world in artists’ colonies (Online / The University of Melbourne, 28-30 Nov 2022)
Models for writing art history range between globalised studies, national, regional or local histories, and the enduring individual monograph. None of these fully accommodate the artists’ colony. Colonies historically attract artists from elsewhere,…
CFP: Reproductions (Histoire de l’art, n° 92)
« Il est du principe de l’œuvre d’art d’avoir toujours été reproductible. » Depuis cette célèbre assertion de Walter Benjamin, la question de la reproduction en art s’est considérablement actualisée. Bien loin de susciter une…
CONF: Mobilités artistiques à l’epoque moderne : XVIIe et XVIIIe siècles (Centre allemand d’histoire de l’art, Paris, 27-28 Oct 2022)
How does the analysis of artistic mobilities in the modern era enable us to shape the cartography of art differently? Studying the mobility of artists calls into question our criteria for classifying artistic…
CFP: Print Albums: From Artistic Collaboration to Geo-political Ramifications (ASECS – American Society for Eighteenth-Century Studies Annual Meeting, St. Louis, 9-11 Mar 2023)
We invite scholarship on the production, collaboration, dissemination, and the market of print albums and/or art books during the long 18th century, along with inquiries on theoretical frameworks that scholarship applies to understand…
ANN: Pop Places 1958–1966 – Weekly Webinar Series dedicated to different key exhibition spaces of the era (Wildenstein Plattner Institute, online; 20/27 Sept, 4/11 Oct 2022)
Join the WPI this fall for Pop Places 1958–1966, a series of mid-day talks, dedicated to a different key exhibition space of the era. The series’ overarching thesis is that what became known as Pop…
ANN: Towards Environmentally Responsible Exhibition Making (Cental Saint Martins London/Online, 28 Jul 2022, 1pm)
We have reached a critical moment in the history of our planet, with the impacts of the climate crisis now being felt in every region of the globe. The science is very clear…
CFP: After Canova. Sculpture made in Rome from 1822 to 1870 (Kunstakademie Düsseldorf, 27–28 Oct 2022)
What happens to Rome – the unrivalled European center of neo-classical sculpture – after Canova’s death in 1822? The workshops of Bertel Thorvaldsen, Adamo Tadolini and John Gibson continue to produce works for…