“What to do with all the stuff?” This is one of many questions posed—and provisionally answered—in the most recent issue of Art Journal, in an extensive multiauthor forum that delves into the complex matter of artists’ estates. “The Politics of Legacy,” guest-edited for the journal by Rachel Middleman and Anne Monahan, comprises contributions by no fewer than twenty-one artists and scholars. The texts include interviews (with, for example, Flavin and Rainer Judd, Mira Friedlaender, and Jane Kallir of Grandma Moses Properties, Inc.) and position papers (by Caroline A. Jones, Michael Corris, and Nancy J. Troy, among others). Central to the forum are three commissioned artists’ projects by Danh Vo (on the estate of Martin Wong), Mimi Gross (the estate of her father Chaim Gross, as well as her own legacy as an artist), and Jill Magid (the contested estate of the Mexican architect Luis Barragán).
Artists Legacies Unpacked – CAA News
The CAA-Getty International Program, generously supported by the Getty Foundation, provides funding to between fifteen and twenty art historians, museum curators, and artists who teach art history to attend CAA’s Annual Conferences. The goal of the project is to increase international participation in CAA, to diversify the association’s membership, and to foster collaborations between North American art historians, artists, and curators and their international colleagues.
Since it began in 2012, the program has brought ninety scholars to the conferences, from forty-one countries located in Central and Eastern Europe, Russia, Asia, Southeast Asia, Africa, the Caribbean, and South America. Each year, a preconference colloquium on international topics in art history inaugurates the week, kicking off four days of conference sessions, meetings with new colleagues, and visits to museums and galleries. Subsequent to these events, the program has generated many scholarly collaborations, including publications, conferences, and exhibitions. Continue reading “CAA-GETTY INTERNATIONAL PROGRAM”