CONF: Intermediaries? Women in the artistic spheres, between actions and constraints: 17th-18th centuries (Paris INHA, 8 Jun 2023)
While the figure of the woman artist in the seventeenth and eighteenth centuries has been the subject of research interest for several years, the role of women as intermediaries within the various artistic…
CFP: Space – Museum – Gender. Material and Immaterial Manifestations of Female (Art) Collectors (1750-2024); a section of the 37th German Congress for Art History (Erlangen-Nürnberg, 13-17 Mar 2024)
During their lives, many women distinguished themselves as collectors and art patrons. Early examples like Isabella D’Este and Eleanor of Naples influence the collecting practices as well as artistic production of their times,…
CFP: European Society for Nineteenth-Century Art (ESNA) Conference 2023 – Beyond ‘ The Obstacle Race’. Women’s Role in the History of Nineteenth-Century Art Revisited (The Hague, 1-2 Jun 2023)
Beyond ‘The Obstacle Race’. Women’s Role in the History of Nineteenth-Century ArtRevisitedRKD – Netherlands Institute for Art History, The Hague, 1-2 June 2023 Rephrasing John Donne’s famous poem, ‘No man or woman is an island entire of itself’, the 2023 ESNA conference will investigate women’s interrelations within the art world and their impact on art objects and art…
ANN: The Americas Chapter of SHC: MAD WOMEN: Kornblee, Jackson, Saidenberg, and Ward, Art Dealers on Madison Avenue in the 1960s (21 Oct 2022)
The Americas Chapter of The Society for the History of Collecting invites members to a special curatorial tour of the exhibition: MAD WOMEN: Kornblee, Jackson, Saidenberg, and Ward, Art Dealers on Madison Avenue…
TIAMSA Member News: The Art Market in the Nineteenth Century – A Conversation Co-Hosted by AHNCA and the Dahesh Museum of Art (online, 7pm EDT)
On Wednesday, October 20th, at 7PM EDT, the Association of Historians of Nineteenth Century Art (AHNCA) and the Dahesh Museum of Art will co-host their October Virtual Salon on The Art Market in…
TIAMSA Member News: CFP Born from the Margins: Women Gallerists Creating New Markets, 1800-1990 – Session at the 2022 Annual Conference for Art History (Goldsmiths, University of London, 6-8 April 2022)
In 1966, Linda Givon founded the Goodman Gallery in Johannesburg, South Africa, with the goal of championing contemporary art as an agent of social change and political activism. Her work as a gallerist serves…
TIAMSA Member News – CONF: “Recovering Women’s Legacies: Artists, Dealers, Collectors, and Patrons” (online, Wildenstein Plattner Institute / Frick Art Reference Library, 2 / 9 June 2021)
On 2 June and on 9 June, the Center for the History of Collecting at the Frick Art Reference Library and The Wildenstein Plattner Institute (WPI) are hosting a Wednesday lunchtime series spotlighting archival resources on…
TIAMSA News – Cherith Summers: Radical Female Role Models: A Blueprint For Success As An “Outsider” – Publication of a contribution from TIAMSA’s past half-day conference on Refugee Art Dealers in Britain (2 Nov 2019)
On 2 November 2019, Sotheby’s Institute of Art in London hosted a conference organised by The International Art Market Studies Association on the topic of Refugee Art Dealers in Britain. For the occasion,…
TIAMSA Member News: Webinar: Four Creative Women: An Artist, a Collector, a Curator and a Gallerist talk about women artists
Véronique Chagnon-Burke, TIAMSA member and Christie’s Academic Director is delighted to invite you to a conversation between Regina Bogat, Floriane de Saint Pierre, Gwenolée Zürcher and Barbara Stehle.