ANN: Histoire des galeries d’art en France du XIX au XXI siècle, ALICE ENSABELLA, NATHALIE MOUREAU,AGNÈS PENOT, LÉA SAINT-RAYMOND et JULIE VERLAINE
Les galeries d’art, intermédiaires méconnues entre les créateurs et leur public, sont au cœur de cet ouvrage. Cinq spécialistes – historiennes, historiennes de l’art et économistes – s’appuient sur les recherches les…
CFP: Exchanges, Mobility and Collaborations – The World of Silk between France and Italy, 16th-19th Century (Université de Franche-Comté, Besançon – 22 Nov 2024)
Silk has been approached in recent historiography as a material whose production and consumption played a crucial role in the formation of the modern world, notably due to the multiplicity and complexity of…
TIAMSA Blog: An Insight into the French Print Market
by Luc Bertrand Andy Warhol’s Dollar Sign Serigraph. Credit: Photographer unidentified. Continuing the examination of the print market, I turn to the print dealers in France following the previous blog Overview of the…
ANN: Nouvelle séance du séminaire Patrimoine spolié pendant la période du nazisme (13 Dec 2024; recording available)
La dernière séance de l’année 2023 du séminaire « Patrimoine spolié pendant la période du nazisme (1933-1945) – Conséquences, mémoires et traces de la spoliation », mercredi 1er décembre 2023, à 18h30, est…
CFP: From Linguistic Innovation to Cultural Transformation: Unpacking the Implications of ICOM’s New Museum Definition in Italy and France” (Bologna, 18-19 Mar 2024)
Call for AbstractsWorkshop, University of Bologna, Bologna 18-19 March 2024Deadline: 19 Nov 2023 Cultural heritage has been continuously impacted by innovations, particularly in recentyears, as a result of the digital revolution, the NFT…
CFP: Art and Diplomacy. Actors of Cultural Affairs and their Archival Sources in Berlin and Paris (Berlin, Technische Universität, 20-22 March 2023 / Paris, INHA, 26-28 April 2023 / Berlin, Technische Universität, Spring 2024)
Since the 19th century, diplomatic actors have been involved not only in the management of cultural policies abroad, but also in the transnational circulation of artworks. Purchases, donations and loans often passed bureaucratically…
STIP: Francois Daulte Grant, Academic Year 2023-2024 (Musée Fabre de Montpellier Mediterranée Metropole)
Annual Francois Daulte Grant, Academic Year 2023-2024. Application deadline: 14 Oct 2022 The Musée Fabre of Montpellier Méditerranée Métropole, created in 1828 by the painter François-Xavier Fabre and entirely renovated in 2007, is…
TIAMSA Live Book Discussion: Dr David Challis “Foreign Currency Volatility and the Market for French Modernist Art” (Online, 26 May 2022, 12:00 noon CEST / 20:00 AEDT)
TIAMSA is pleased to announce its seventh book discussion – Foreign Currency Volatility and the Market for French Modernist Art. Dr David Challis will present his book, followed by a discussion with Christel…
TIAMSA Member News:„Das Privatmuseum im 21. Jahrhundert. Frankreich und Deutschland im Vergleich“ – Deutsch-Franzoesischer Studienkurs 22/23 (DFK Paris/Sueddeutschland, 5-7 Sep 2022 / 6-8 Mar 2023)
[texte français ci-dessous] Im Frühjahr 2021 eröffnete in der Bourse de Commerce in Paris eine neue Ausstellungsinstitution, für die der Unternehmer und Kunstsammler François Pinault das historische Gebäude der ehemaligen Handelsbörse von Tadao…