CFP: Space – Museum – Gender. Material and Immaterial Manifestations of Female (Art) Collectors (1750-2024); a section of the 37th German Congress for Art History (Erlangen-Nürnberg, 13-17 Mar 2024)
During their lives, many women distinguished themselves as collectors and art patrons. Early examples like Isabella D’Este and Eleanor of Naples influence the collecting practices as well as artistic production of their times,…
TIAMSA Member News: Symposium – Fair Equality of Opportunity and the Art World (Online/Loughborough University 8 Nov 2021)
Symposium: Fair Equality of Opportunity and the Art World8 November, 2021Loughborough University and online via zoom To register, please email the organizer Dr Kathryn Brown (k.j.brown@lboro.ac.uk)
CFP: I Congreso Internacional “Artista y Sociedad en el siglo XIX”(Universidad de Valladolid / online, 10-11 Nov 2021)
Call for papers for:I Congreso Internacional “Artista y Sociedad en el siglo XIX” (Universidad de Valladolid / online, 10-11 Nov 21)Deadline: 15 Sep 2021 [English info below] El congreso pretende constituirse como un…
CFP: Collection, Modernism and Social Identity. Art Collecting in Europe Between 1880 and 1940 (online, Centre for Historical Research of the Polish Academy of Sciences in Berlin, Sep 15–16, 2021)
Call for papers for conference and peer-reviewed publication: Collection, Modernism and Social Identity. Art Collecting in Europe Between 1880 and 1940 Deadline for submission: 10 May 2021 The end of the 19th century…
TIAMSA Member Julie Codell’s CAA 2020 Panel “The Collector and Cultural Narratives” (Abstracts ed. Julie Codell)
“The Collector and Cultural Narratives”Chair, Julie Codell, Arizona State University From the mid-19th century, a new kind of narrative about private collectors appeared in Europe and the US, e.g., Anna Jameson’s Companion to…