CONF: Art Dealers, America and the International Art Market, 1880-1930 (Los Angeles, Jan 18-19, 2018)

The Getty Research Institute presents a symposium on the role of international art dealers in creating the collections, museums, and intellectual culture of the American art world in the late 19th and early 20th century. Bringing together rich archival resources from the Getty Research Institute and peer institutions, and capitalizing on new methodologies made possible by the extraordinary quantity of information contained in the documentary record, this symposium illuminates the ways in which art dealers contributed to making America a prominent arena in the international art market, and their role in creating the major private collections that became the foundation of great American museums.

Free tickets available beginning November 29, 2017 at www.getty.edu/visit/cal/talks.html
Separate reservation is required for each day of the symposium Continue reading “CONF: Art Dealers, America and the International Art Market, 1880-1930 (Los Angeles, Jan 18-19, 2018)”

New Book: Agnès Penot, La Maison Goupil, Mare & Martin publishers

La maison Goupil.
Galerie d’art internationale au XIXe siècle, by Agnès Penot

Between 1846 and 1884, one of the most successful French art dealers of its time, Goupil & Co, developed a marketing strategy that employed an international network of alliances to expand its sales of art – prints, paintings, drawings and sculptures. Their focus during that time was mainly on contemporary European Salon artists. Newly established offices in New York, London, The Hague, Berlin and Brussels were linked to the headquarters in Paris. For example, William Schaus and later Michael Knoedler concentrated on the American market while Vincent Van Gogh, an uncle of the painter, facilitated business relations with the Netherlands. The firm was a profitable business. Its many branches and its participation in most major international events, such as the Universal Expositions were an ever-renewable source of clients and artists. As a result, many international museums owned – and sometimes still own – at least one piece of artwork with a Goupil & Co provenance. This dissertation analyses the stock books that were used to record sales in Paris and which reveal themselves to be an invaluable source of the Nineteenth Century art market, especially as it relates to the history of taste and collecting.

Agnès Penot is an independent art historian and a specialist in 19th century French art, the art market, and provenance.

Published in French
ISBN : 979-10-92054-56-9
€ 39,00

La Maison Goupil – Buy the book here

 

Publ.: Agnès Penot, The Perils and Perks of Trading Art Overseas: Goupil’s New York Branch

Detail of Advertisement page, Collector and Art Critic 1, no. 1 (April 15, 1899): 16.

The peer reviewed online journal Nineteenth-Century Art Worldwide just published the article:
Agnès Penot, The Perils and Perks of Trading Art Overseas: Goupil’s New York Branch