CFP: Promoting the Made in Italy Brand: 1948-1960. Histories of Italian craft and design for the 21st century (Politecnico di Milano, 16-18 May 2023)
This 3-day international conference is organized as part of the VO Project – Voices of Objects. Italian Design from Museum to Home, a FARB 2021 project funded by the Department of Design at…
ANN: Giancarla Cilmi ‘Collecting and art market between Florence and Rome at the end of the 19th century: the Jacquemart-André Collection’ (Online, 3 Nov 2022)
The Society for the History of Collecting presents an online lecture (via Zoom) organised by the Italian Chapter on Thursday 3rd November at 7pm (CET); 6pm (GMT). Giancarla Cilmi will deliver a lecture entitled ‘Collecting and art market between…
ANN: Call for Applications 2023/24, Villa I Tatti, The Harvard University Center for Italian Renaissance Studies (Settignano / Florence)
I Tatti, The Harvard University Center for Italian Renaissance Studies in Florence, Italy, warmly invites applications for the 2023–2024 academic year. We offer the following eleven fellowships (n.b. deadlines vary):
ANN: Seminario – Il mestiere del conoscitore, Bernard Berenson, Herbert Horne, Roger Fry: Firenze-Londra 1900 (Bologna / Firenze, 20-23 Sep 2022)
All’esordio del XX secolo, nell’ambiente londinese e anglo-sassone in genere, in un intreccio fitto di relazioni verso la Toscana e verso gli Stati Uniti, fra ricerche, editoria, letteratura, fotografia, mercato, collezionismo e musei,…
TIAMSA Member Discount: PUB: When Michelangelo Was Modern: Collecting, Patronage and the Art Market in Italy, 1450 – 1650 (Brill, Studies in the History of Collecting & Art Markets Vol. 14, Edited by Inge Reist)
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ANN: Botticelli on Tour: Italian Old Master Exhibitions in the 1930s between Publicity and Propaganda, lecture by Matilde Cartolari (Forum Kunst und Markt, 27 Jun 2022 18:15 CEST, online)
In January 1930, the great anthological exhibition Italian Art 1200-1900 opened at the Royal Academy of London under the auspices of Benito Mussolini’s government. The exhibition received wide popular acclaim, attracting some 450,000 visitors in less…
CFP: Max Liebermann and Italy in the context of German-Italian artistic exchange from the 1860s to the 1930s (Liebermann Villa, Berlin & Casa di Goethe, Rome, Spring 2023)
As the leading museum and centre of research on Max Liebermann (1847-1935) the Liebermann-Villa am Wannsee is planning an exhibition project “Max Liebermann and Italy” (WT) for 2024. This project, carried out in collaboration…
CONF: Why are we still looking for Nazi-looted art in Italy? The importance of provenance research and negotiated solutions (Venice, Ateneo Veneto, 25 Mar 2022; also online)
The objective of this conference is to raise awareness of Nazi-looted art in Italy, emphasizing the urgent need of provenance research in Italian art collections and offering practical solutions to those who in the years…
ANN: Spoliation and Recovery of Art and Antiquities from Italy (The Society for the History of Collecting/Online, 22 Mar 2022, 3pm GMT)
As Italy’s artistic heritage, both antiquities and fine art, has been hardest hit by the illicit art trade, these papers will focus on the country’s historic spoliation during the Renaissance, Napoleonic and Grand…