New Resources Online: Metropolitan Museum of Art Archives

The Metropolitan Museum of Art Archives announces the availability for research of the Margaretta M. Salinger records and the Textile Study Room records.

Margaretta M. Salinger records

Margaretta M. Salinger had a long and distinguished career at The Metropolitan Museum of Art. In 1930 she joined the Met’s Department of Paintings as Special Cataloguer, going on to become a Research Fellow, Senior Researcher and Associate Curator. In 1970 Salinger was named Curator in the European Paintings department, and upon her retirement in 1972 she was named Curator Emeritus. In addition to her curatorial work, Salinger was active on various Museum committees related to publications, most notably the Editorial Advisory Committee, which is the focus of the bulk of these records. Included are proposals for publications, notes from meetings, budget documents, memoranda and correspondence, mostly dating from the 1940s-1960s. There are several files as well from other committees on which Salinger served, mostly related to Museum publication projects. Finding aid: http://libmma.org/digital_files/archives/Margaretta_Salinger_records_b19413130.pdf

Textile Study Room records

The Textile Study Room of The Metropolitan Museum of Art opened in 1908. From then until the mid-1990s, when its activities were integrated into those of the Antonio Ratti Textile Center, the Textile Study Room was consulted by students, designers, and others seeking knowledge or inspiration from historical and contemporary examples of fabrics. In its early years, research supported by the Textile Study Room focused on European textiles and laces, as well as Japanese and Chinese textiles. The Textile Study Room frequently hosted lectures about its holdings by curators and specialists in the field. It also acquired photographs of fabrics and textiles from Central and South America, Asia, and India. The records include correspondence, invoices, fabric samples, photographs and other items that document the work of curators and other staff of this department over several decades. Finding aid:

http://libmma.org/digital_files/archives/Textile_Study_Room_records_b19447814.pdf

For information about access to these collections at The Metropolitan Museum of Art Archives, contact archives@metmuseum.org or visit our website at http://libmma.org/portal/museum-archives/.

Reference: WWW: New Art Historical Resources on the Web [4]. In: ArtHist.net, Oct 9, 2017. <https://arthist.net/archive/16427>.

CFP: The Art of Exhibiting Art (Rome, 27-28 Apr 17)

CFP: Doctoral Study Day – RAHN (Rome Art History Network) 2017

Rome, April 27 – 28, 2017

Deadline: Dec 15, 2016

In situ / Ex situ. The Art of Exhibiting Art: Relationships between Art and Architecture in their Spatial Context

The fifth international doctoral study day of the Rome Art History Network, which will be held on 27-28 April 2017, and organised in partnership with the University of Notre Dame Rome Global Gateway and the Sovrintendenza Capitolina ai Beni Culturali, Museo di Roma di Palazzo Braschi, proposes a theoretical and methodological reflection upon the relationships and strategies of installing art and architecture, both inside and outside their original spatial contexts.
It is evident that the work of art always relate to the surrounding spaces. Indeed, the strategies and methods of exhibiting works in situ / ex situ are at the heart of contemporary art-historical debates.

But how does the manipulation of the original spatial context alter the perception of a work of art, or the organic nature of an architectural system? How does a given layout highlight specific characteristics of an artwork? What new meanings does an object assume, following its contextual switch? Are traditional concepts of historiographical concepts still valid for current issues of museology or museography? Does an object’s de-contextualization potentially “save” the art in critical cases, or does it always imply an alteration of its original meanings?

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