ANN: Rembrandt and the Art Market / Rembrandt und der Kunstmarkt (Städelmuseum Frankfurt – online, 20 Oct 2021 – 12 Jan 2022; four lectures in German and English)
Bis heute ist Rembrandt eine internationale Marke und seine Werke sind heiß begehrte „Blue Chips“. Im 17. Jahrhundert behauptete sich der Künstler mit seiner Werkstatt auf dem hart umkämpften Kunstmarkt in Amsterdam. Die Online-Vortragsreihe…
CFP: Confronting Colonialism in Dutch Art, Session at RSA Dublin (Dublin, 31 Mar-2 Apr 2022)
In recent years, the study of early modern European visual and material culture has focused increasingly on colonial expansion and its consequences. This session aims to address the impact of this trend on the study…
CONF: Amsterdam and Rembrandt: New Research (online / National Gallery of Canada, 16 June 2021, 11am-1pm EDT)
The Rembrandt in Amsterdam exhibition traces the central decades of Rembrandt’s career, from his arrival in Amsterdam to the emergence of his late style in the mid-1650s, in the transformative context of the dynamic city that…
TIAMSA Member News: Rembrandt and the NS Regime / Kunstpropaganda und Marktmacht: Rembrandt im Nationalsozialismus; lecture by Dorothee Wimmer (Forum Kunst und Markt / online, in German)
How could Rembrandt, a Dutch painter, etcher, draughtsman, collector and entrepreneur of the 17th century, be declared Germany’s “most national” artist around 1900, the “educator of the German people” and in National Socialism even a “true Aryan and…
PUBL: ‘Rembrandt’s insolvency: The artist as legal actor’ by Dave De ruysscher & Cornelis M. in ’t Veld (in: Oud Holland 134-1, 2021, pp.9-24)
Article Abstract: The life of Rembrandt van Rijn (1606-1669) has received considerable attention and, moreover, his filing for ‘bankruptcy’ in July 1656 has been re-examined. Especially Paul Crenshaw distilled – from a detailed…
ANN: Lecture Series / Vortragsreihe: Forum Kunst und Markt (online / TU Berlin, 10 May-28 Jun 2021; in German)
Institut für Kunstwissenschaft und Historische Urbanistik, Fachgebiet Kunstgeschichte der Moderne, Technische Universität Berlin10 May – 28 Jun 2021 In dieser Vortragsreihe werden aktuelle Forschungen zu den historischen und gegenwärtigen Spannungsfeldern und Dynamiken zwischen…
ANN: Online lecture series, Princeton and St Petersburg: Collecting Art in Imperial Russia (from 24 Sep 2020)
Collecting Art in Imperial RussiaA series of lectures (webinars) organised jointly by Princeton University and the European University at St Petersburg on ZOOMThursdays at Noon (12.00 EST) (+5 hours for London, +6 for Paris, +7…
TIAMSA Members 50% Discount: The Orleans Collection (exh. cat. New Orleans Museum of Art, 2018-2019), £22.47 instead of £44.95 (until 31 Aug)
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TIAMSA Member News: Article by Antoinette Friedenthal: “Sketched, Not Etched: ‘Jan Six’ and the Mariettes’ Rembrandt ‘Oeuvre’ for Prince Eugene of Savoy“ (Print Quarterly, vol. XXXVII, no.2, June 2020)
This contribution publishes a drawing in the Albertina that shows a skilful copy of Rembrandt’s etched portrait of Jan Six. The drawing’s early context of preservation can be reconstructed on the basis of archival material: