TIAMSA CAA 2020 CFP: Market Data: Beyond Prices and Provenance
Chairs: Diana Seave Greenwald,National Gallery of Art – d-greenwald@nga.gov and Kim Oosterlinck,Université libre de Bruxelles – koosterl@ulb.ac.be When studying the art market or provenance, scholars consult numerous data sources: auction catalogues, historic exhibition…
TIAMSA Blog: CAA 2019 TIAMSA Panel “The Studio as Market” abstracts ed. Julie Codell
At the College Art Association conference in New York City, Feb 13-16, 2019, TIAMSA, recently granted CAA-affiliate status, was allotted a 1½ hour panel session. The organization’s committee selected the panel, “The Studio…
Student Blog: TIAMSA Conference 2018 – Roundtable discussion – ‘The Art Market and the Internet’ by Lukas Fuchs
Following the inaugural TIAMSA conference in London in 2017, TIAMSA members met in Vienna, an equally rich city in art and culture, in late September 2018, for the second TIAMSA conference provocatively titled…
PUB: ‘How to become a judgment device: valuation practices and the role of auctions in the emerging Chinese art market’, Socio-Economic Review, 16 (3), 2018, pp. 459-477 by Svetlana Kharchenkova & Olav Velthuis
We are very happy to let you know about this publication by Svetlana Kharchenkova & Olav Velthuis! This article studies the role of judgment devices in the emergence of markets for singularities. In…
PUB: ‘Local contexts as activation mechanisms of market development: contemporary art in emerging markets’ by Nataliya Komarova & Olav Velthuis
Is available to read here! The paper studies how local contexts contribute to the emergence of markets. In particular, it explains how potential entrepreneurs are motivated to become active in establishing new markets….