TIAMSA Blog: State of the UK Art Market 2016-2019: Are Brexit and Boris Johnson a Double Threat? By Claudia S. Quiñones Vilá
According to the 2019 Art Basel/UBS report, 2018 was the second highest-grossing year for the art market in the past decade, netting $67.4 billion in sales and a 6% growth.[i] Despite the upward…
TIAMSA Blog: Art and Offshore Finance: Aesthetic Value Reshaped, by Mathew Henrickson
The influence of offshore financial practices, used to own and trade art, and their effect on the perception of art as an aesthetic object is an under-researched yet highly significant area of Art…
TIAMSA Blog: Creativity is Human, But Technology Helps to Sell – The Impact of AI Art and Blockchain on the Art Market By Claudia S. Quiñones Vilá
In August 2018, Christie’s New York announced that it would be auctioning a computer-generated artwork created by a Paris-based art collective named Obvious (https://www.npr.org/2018/10/22/659680894/a-i-produced-portrait-will-go-up-for-auction-at-christie-s). At the time, this was seen as a novelty…
TIAMSA Blog: Summary of “Exploring the Gilded Age Art Market through a Digital Lens” by Anne Helmreich
On the 13th February, through the auspices of Louisa Woodbury, Head of Research, The Frick Art Reference Library, and Ellen Prokop, co-founder of the Digital Art History Lab, the Frick Art Collection, TIAMSA…
Student Blog: TIAMSA Conference 2018 – Roundtable discussion – ‘The Art Market and the Internet’ by Lukas Fuchs
Following the inaugural TIAMSA conference in London in 2017, TIAMSA members met in Vienna, an equally rich city in art and culture, in late September 2018, for the second TIAMSA conference provocatively titled…
Apply now: TIAMSA Conference Student Sponsorship Opportunity (dead line Sept 15, 2018)
This year TIAMSA is sponsoring 5 tickets to its conference Art for the People? Questioning the Democratization of the Art Market (27-29 September, 2018) for students, by application only In order to apply for…
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