JOB: Juniorprofessur Digitale Provenienzforschung / Digital Provenance, TU Berlin

Junior Professorship – salary grade W1 – for the chair of “Digital Provenance”

Technische Universität Berlin
Application deadline: Jun 15, 2018
[German version below]

Faculty I, Reference number: I-205/18 (starting at 01/01/19 / for a period of 3 years; an extension of three more years / closing date for applications 15/06/18)

Working field
We are looking for candidates with an international profile, who have significant research and teaching experience in the field of Digital Provenance. We are seeking a candidate to lead research toward the objective of developing new digital tools for provenance research. The candidate is welcome to apply this research in any specialized branch of provenance research related to his or her existing expertise. The candidate shall work in cooperation with the current professors at the Institute of Art History and Historical Urban Studies. The professor will teach courses for the Bachelors program “Kultur und Technik”, and the Masters program “Kunstwissenschaft”. The willingness and ability to teach in the English language is a prerequisite. The position entails the supervision of Bachelors and Masters theses as well as Ph.D. dissertations. In addition, the Professor shall take active part in duties related to academic administration. Continue reading “JOB: Juniorprofessur Digitale Provenienzforschung / Digital Provenance, TU Berlin”

TOC: Exhibiting Art for Sale, Journal for Art Market Studies Vol.2, No. 1

Louise Lawler, Life After 1945 (Faces), 2006/2007, cibachrome mounted on museum box 40 x 33-1/4 inches (101.6 x 83.2 cm) Courtesy of the artist and Metro Pictures, New York. Based on a cover design by Amichai Green Grafik

The third issue of the Journal for Art Market Studies focuses on the role and development of the exhibition space in a commercial context, from the American barbershop to veritable art trade palaces built in Munich around 1900, as well as both forerunners of and alternatives to today’s commercial gallery spaces.

https://www.fokum-jams.org/index.php/jams/issue/view/5/showToc

ISSN: 2511-7602 Continue reading “TOC: Exhibiting Art for Sale, Journal for Art Market Studies Vol.2, No. 1”

L.: Anne Luther, Collecting Contemporary Art: Data Visualization in Qualitative Research

The Forum Kunst und Markt / Centre for Art Market Studies cordially invites you to attend the upcoming lecture of Dr. Anne Luther.

Monday, 15/05/2017

Dr. Anne Luther, New York/Berlin

Collecting Contemporary Art: Data Visualization in Qualitative Research

The lecture begins at 18:15 and is held in Room A 111, Architecture Building
of the TU, Straße des 17. Juni 150/152, 10623 Berlin.

www.fokum.org

Entity Mapper

JOB: 2 pos­i­tions – Research Assist­ant (Postdoc), ‘Translocations’, TU Berlin

Salary grade E13 TV-L Ber­liner Hoch­schu­len

“We Want to Go Back Home” – caricature published for the sale of Yves Saint Laurent’s & Pierre Bergé’s collection (2009) Lupe © www.cl2000.com

Part-time employ­ment may be pos­sible

The research cluster “Trans­lo­ca­tions” at the Insti­tute for Art His­tory and His­tor­ical Urban Stud­ies at the Tech­nis­che Uni­versität Ber­lin is seek­ing to hire two postdoc­toral research­ers for its team. The pro­ject is fun­ded through the Gottfried Wil­helm Leib­niz-Prize of the DFG, awar­ded to Prof. Dr. Béné­dicte Savoy in 2016. The research cluster will study large-scale dis­place­ments of cul­tural assets from antiquity to the 20th cen­tury such as: art theft and spo­li­ation organ­ized by the state in times of war and occu­pa­tion, seizure of cul­tural goods dur­ing colo­ni­al­ism, dis­place­ments as a res­ult of a par­ti­tion of excav­a­tion dis­cov­er­ies or research exped­i­tions, mater­ial dia­spora of entire civil­iz­a­tions exped­ited by the art trade, and con­fis­ca­tions jus­ti­fied through ideo­logy, nation­al­iz­a­tion, or en masse dis­posal of private prop­erty. The key object­ive of “Trans­lo­ca­tions” is to com­pile a com­pre­hens­ive selec­tion of his­tor­ical find­ings in order to deliver ori­ent­a­tion and dir­ec­tion for deal­ing with the chal­lenges posed by this topic now and in the future. For fur­ther inform­a­tion on the research cluster see www.kuk.tu-berlin.de/menue/translocations/parameter/en. Continue reading “JOB: 2 pos­i­tions – Research Assist­ant (Postdoc), ‘Translocations’, TU Berlin”

Job: Post-Doc Art History, TU Berlin

The TU Berlin, Institute for Art History and Historical Urban Studies is seeking to find a Post-Doc research fellow working on the research project

“The French art market during the occupation, 1940 – 1945. Actors – Places – Networks”.

This project is being carried out in cooperation with the Institut National d’histoire de l’art (INHA) in Paris and is funded by the German Center for Cultural Heritage.

Information (in German) can be found here: https://tub.stellenticket.de/de/offers/33523/

For further questions please contact
Eyke Vonderau
Forschungskoordinator – FG Kunstgeschichte der Moderne
Technische Universität Berlin
Sekretariat A56 | Straße des 17. Juni 150/152 | 10623 Berlin
+49 (0)30 314-23750
www.kuk.tu-berlin.de

TU_Berlin Job Description (pdf, 872kB)

NEW RESOURCE: Journal for Art Market Studies – JAMS

Launch of the  
Journal for Art Market Studies 
FOKUM JAMS
Georg Weissbach: Manet Monet Money, 2014, © Georg Weissbach, Courtesy: galerieKleindienst, Design von Amichai Green Grafik.

Forum Kunst und Markt / Centre for Art Market Studies at Technische Universität Berlin is delighted to present its first issue of the Journal for Art Market Studies – JAMS.

It is a peer-reviewed open-access journal for current international research on the art market of all periods. The articles are published in English. The first issue is dedicated to The Pricing of Art: Makers – Markets – Museums, the second one will be devoted to Theories of the Art Market.

 

The Pricing of Art. Makers – Markets – Museums

Volume 1, Number 1, 2017

Issue Editor: Dr. Dorothee Wimmer
Editorial Team: Susanne Meyer-Abich, Nadia El-Obaidi

Who or what determines the prices of artworks, their development and volatility? The first edition of the Journal for Art Market Studies looks at how the players and institutions affect the pricing of art, its development and volatility.

 

Table of Contents

Bénédicte Savoy, Johannes Nathan, Dorothee Wimmer: Editorial

Dorothee Wimmer: Introduction

Anja Grebe: Marketing Favors: Formal and Informal Criteria for Pricing Albrecht Dürer’s Works between 1500 and 1650

Bénédicte Savoy: „Invaluable Masterpieces“: The Price of Art at the Musée Napoléon

Lukas Fuchsgruber: The Hôtel Drouot as the stock exchange for art. Financialization of art auctions in the nineteenth century

Jeroen Euwe, Kim Oosterlinck: Art Price Economics in the Netherlands during World War II

Franz Schultheis: On the price of priceless goods. Sociological Observations on and around Art Basel

ISSN: 2511-7602