CFP: Women Collectors in Britain from the 18th Century to the Present Day (Edinburgh, 28 Sept 2019)

Gabrielle Style [Keiller], 1948, National Galleries of Scotland

Call for Papers

NGS Research Conference:

Women Collectors in Britain from the 18th Century to the Present Day

Hawthornden Lecture Theatre

Scottish National Gallery, Edinburgh

28 September 2019

In recent years, as part of our annual Research Conference, the National Galleries of Scotland has examined topics such as Art and National Identity, Collecting Performance and When We Were Young. This year we invite papers that explore the theme of Women Collectors in Britain from the 18th century to the present day.

A significant number of works in the National Galleries of Scotland were acquired by women, either individually, or in collaboration with their partner or agent. Rosalind and Alexander Maitland, for example, amassed a magnificent collection of Impressionist and Post-Impressionist art, including key works such as Van Gogh’s Orchard in Blossom and Gauguin’s Three Tahitians, which were presented to the National Galleries in 1960.  In 1995 the Scottish National Gallery of Modern Art benefited from the magnificent bequest of the Scottish golfer, photographer and collector of surrealism Gabrielle Keiller, including major works by Marcel Duchamp, René Magritte, Yves Tanguy, Hannah Höch and Eduardo Paolozzi.

The aim of this conference is to raise awareness of the important contributions made by women collectors in Britain, focusing on the visual arts from the 18th century to the present day. We invite papers on topics such as, but not limited to: women as agents or ‘taste makers’; women as patrons or philanthropists; and women as ‘invisible’ collectors. Papers should take into consideration such issues as women’s social and marital status; their impact in relation to that of their partner; the role of the dealer or agent.

If you are interested in delivering a 30 minute paper please send a 500-word abstract along with a 200-word cv and the title of your paper to Julie Duffy (jduffy@nationalgalleries.org) by Friday 26 April 2019. If you have any questions regarding the conference please also contact Julie.

https://www.nationalgalleries.org/art-and-artists/features/research-conference-women-collectors-britain

CFP: Women Collectors in Britain and America c.1880-1939 (New York, 26-27 June, 2018)

Celebrating Female Agency in the Arts
Christie’s Education Academic Conference

New York, 26-27 June 2018

Call for Papers
Session Chair: Frances Fowle, University of Edinburgh

Women Collectors in Britain and America c.1880-1939

 

While Louisine Havemeyer, the feminist wife of a wealthy entrepreneur based in New York city, was one of the pioneering collectors of Impressionism in the USA, two spinster sisters and Calvinistic Methodists, Gwendoline and Margaret Davies, led the way in Britain. Despite their importance in the formation of taste in both countries, the contribution of women in the promotion and early patronage of impressionism and more modern art has only recently been recognized. To date the focus has largely been on major collectors such as the Cone sisters in Baltimore, or on artists such as Mary Cassatt, who promoted impressionism in the USA through her family and wider social circle. This session examines the role of women as collectors and agents, specifically of Impressionism and modern art, in the late nineteenth and early twentieth centuries.

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