Tag: WWII
CONF: Dispossessions of Cultural Objects (Ljubljana, 19-21 Mar 18)
France Stele Institute of Art History, ZRC SAZU
Prešeren Hall SAZU, Novi trg 4
Ljubljana
March 19 – 21, 2018
Dispossessions of Cultural Objects between 1914 and 1989/1991: The Alpe Adria Region in Comparative Perspectives
TransCultAA International Conference
PROGRAMME
Monday, March 19th
14.00
Welcome and introduction
Mimi Urbanc, Deputy Director, Research Centre of the Slovenian Academy of Sciences and Arts, Ljubljana
Davor Kozmus, Ministry of Education, Science and Sport, Republic of Slovenia (HERA)
Iain B. Whyte, Research Committee of the International Association of Research Institutes in the History of Art (RIHA)
Christian Fuhrmeister, Zentralinstitut für Kunstgeschichte, München, Project Leader, Transfer of Cultural Objects in the Alpe Adria Region in the 20th Century
Barbara Murovec, Director, France Stele Institute of Art History ZRC SAZU, Ljubljana, Slovenian Principal Investigator, Transfer of Cultural Objects in the Alpe Adria Region in the 20th Century Continue reading “CONF: Dispossessions of Cultural Objects (Ljubljana, 19-21 Mar 18)”
NEW RESOURCE: Journal for Art Market Studies – JAMS
Launch of the
Journal for Art Market Studies
FOKUM JAMS
Forum Kunst und Markt / Centre for Art Market Studies at Technische Universität Berlin is delighted to present its first issue of the Journal for Art Market Studies – JAMS.
It is a peer-reviewed open-access journal for current international research on the art market of all periods. The articles are published in English. The first issue is dedicated to The Pricing of Art: Makers – Markets – Museums, the second one will be devoted to Theories of the Art Market.
The Pricing of Art. Makers – Markets – Museums
Volume 1, Number 1, 2017
Issue Editor: Dr. Dorothee Wimmer
Editorial Team: Susanne Meyer-Abich, Nadia El-Obaidi
Who or what determines the prices of artworks, their development and volatility? The first edition of the Journal for Art Market Studies looks at how the players and institutions affect the pricing of art, its development and volatility.
Table of Contents
Bénédicte Savoy, Johannes Nathan, Dorothee Wimmer: Editorial
Dorothee Wimmer: Introduction
Anja Grebe: Marketing Favors: Formal and Informal Criteria for Pricing Albrecht Dürer’s Works between 1500 and 1650
Bénédicte Savoy: „Invaluable Masterpieces“: The Price of Art at the Musée Napoléon
Lukas Fuchsgruber: The Hôtel Drouot as the stock exchange for art. Financialization of art auctions in the nineteenth century
Jeroen Euwe, Kim Oosterlinck: Art Price Economics in the Netherlands during World War II
Franz Schultheis: On the price of priceless goods. Sociological Observations on and around Art Basel
ISSN: 2511-7602
CONF: French Art Galleries During the German Occupation, Paris, Dec 5, 2016
French Art Galleries During the German Occupation
The Research Project ‘The Artists and Their Galleries – Reciprocal Receptions between Paris and Berlin, 1900-1950‘, conducted at the Centre Georg Simmel (EHESS.CNRS) in Paris, investigates the historic, social and esthetic role of art galleries in the context of emigration.
The upcoming conference on Monday December 5th (9am-6pm), will explore the art galleries during the German occupation of Paris. It will be held at the Centre allemand d’Histoire de l’art, 45 rue de Petits-Champs, 75002 Paris (Conference language: French). The conference is open to all; those who would like to attend should send an e-mail to Denise Vernerey
Les Galeries Francaises sous l’occupation