On 2 November 2019, Sotheby’s Institute of Art in London hosted a conference organised by The International Art Market Studies Association on the topic of Refugee Art Dealers in Britain. For the occasion, art historian, curator, and author Cherith Summers presented a paper which outlined her theory that Hanover Gallery’s proprietor, Erica Brausen, may have found in Johanna (Mutter) Ey, a gallerist from Brausen’s native city of Dusseldorf, a blueprint for success as an “outsider”.
Read Summer’s revealing insights into the history of these two powerful pioneers of art business here.

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