Members List

Last Name First Name Degree, Position Institution / Organization / Company / Place Research Interests Country
Abruzzo Carol Master's Candidate Sotheby's Institute of Art Conservatorship, Connoisseurship & Exhibitions US
Adam Georgina
Adams Renee PhD, Professor University of Oxford gender, art, governance, culture, values GB
Adeli Jamila Art Historian (MA), South Asian Studies (Dr. des.) Humboldt University Berlin global art history; fine art; sociology of art; contemporary art & artistic infrastructure in MENASA region, focus on South Asia and UAE DE
Aengenheyster Johannes Phd Candidate University of Amsterdam private museums, organizational forms, classification, legitimation DE
Afonso Luís
Agnew Julian Julian Agnew Fine Art Ltd. History of the British Art Market 1800 to 2020 GB
Allan Scott PhD, Associate Curator of Paintings J. Paul Getty Museum 19th-century France US
Álvarez de Toledo López Herrera Felipe
Ambrosini Lynne PhD, Deputy Director/Chief Curator Emerita Taft Museum of Art 19th-century French art patronage & market, Gilded Age collecting in USA US
Ando Tomoko Doctor Hosei University 19 century French Art in England JP
Andreides Katalin Lawyer Andreides Law Art trade, Restitution, Art related dispute resolution HU
Angelini Francesco Post-Doc University of Bologna Pricing, Economic and cultural value of cultural goods IT
Aono Junko PhD, professor Meiji Gakuin University Art Market, Collection, Dealers, 17th century, 18th century, Dutch and Flemish Art JP
Archer Anita PhD, Research Coordinator University of Melbourne Emerging markets, international art auctions, valuation mechanisms, intermediary networks, Southeast Asia. AU
Archetti Giulia
Arizzoli Louise
Armstrong-Totten Julia
Austin Summer Phd Student University College London The relationship between museums and the market; influences on demand for antiquities; the illicit market GB
Avery-Quash Susanna Senior Research Curator (History of Collecting) The National Gallery History of collecting, history of the art market GB
Backer Kristiane
Balaskas Bill Director of Research, Business and Innovation School of Art & Architecture, Kingston University, London Internet art; online art market; the market as a spectacle. GB
Balcerzak Lauralynn Fine Art Appraiser International Society of Appraisers fine art, art market, art business US
Banks Patricia A. Ph.D., Associate Professor of Sociology Mount Holyoke College contemporary African art; African American art; art from the African Diaspora US
Bannenberg Coco Relationship Manager (MA) TEFAF Art market, museums, Institutional collecting NL
Barr Judith Lecturer J. Paul Getty Museum Provenance, antiquities, 20th century American market for antiquities US
Barragán Paco consultant, curator, conference speaker, arts writer Paco Barragán Art art market, art dealing, art fairs, galleries, artists, biennials, ES
Bartoli Antonia Curator of Provenance Research, M.A. Yale University Art Gallery Nazi-era provenance research; mid-century European art market and antiquarian book trade with particular focus on Germany, Austria, Poland and Italy; museums and museology US
Bauer Nadine PhD Brücke-Museum, Berlin / Hamburger Kunsthalle art market, Nazi looted art DE
Beckmann Camille LLM Constantine Cannon Art Law: Cultural Heritage/Property, Copyright GB
Behr Shulamith Honorary Research Fellow Courtauld Institute of Art German Twentieth-Century Art and Culture GB
Bell Judith MA Hons, MSc History of Art Independent 19th century Scottish, Paisley Art Institute and German Expressionism GB
Bellinger Katrin
Benevolenskaja Kristina Phd student UPO cultural objects, law EE
Berger Martin PhD, Assistant Professor Leiden University Art market for pre-Columbian and ethnographic art, canonization, interplay between the market and academic studies. NL
Bertz Jörg-Michael independent Free Art market DE
Bexon Georgina Art historian/consultant Independent South Asian Modern and Contemporary - art, collecting and markets GB
Bialynicka-Birula Joanna PhD. hab. Prof. CUE Cracow University of Economics, Department of Market Analysis and Marketing Research art market analysis, art value, international art trade, statistical methods of market analysis PL
Bilski Emily Independent curator and scholar Independent Collectors, modernism IL
Blass-Simmen Brigit
Boden Isabel independent fineart advisory GmbH Art Market, 20th and 21st Century (EU and US) DE
Boloten Jeffrey
Borresch Kathrin
Bourron Christine CEO Pi-eX Ltd Art and Finance GB
Brennan Kaeli Student University of Michigan US
Broker Kimberly Associate Registrar Mildred Lane Kemper Art Museum US
Brooks Blair Ph.D. candidate The Graduate Center, City University of New York US
Brosens Koenraad
Broussine Sylvie Assistant Curator The Holburne Museum Portraiture, 19th-century painting GB
Brown Kathryn D.Phil (Oxford); PhD (Londlon); Lecturer in Art History and Visual Culture Loughborough University, United Kingdom art markets; museums; nineteenth-century French art; contemporary art GB
Bryant Barbara Ph.D. Independent scholar British art and the history of collecting GB
Bryce Kristy Art Advisor Kristy Bryce Fine Art Contemporary Art US
Budd Denise
Burgess Cynthia Current MA graduate student University College Dublin Art Market Intermediaries, Museum Collections US
Burmeister Meghan Student Arizona State University US
Bury Stephen
Canning Michael Lecturer Limerick School of Art & Design, Technological University of the Shannon, Ireland Contemporary Art, Art Markets, Art Fairs, Museums IE
Caputo Caterina Researcher University of Florence IT
Catrone Aubrey Fine Art Provenance Researcher & Appraiser Proper Provenance, LLC - US
Catterson Lynn PhD (Columbia University, 2002) part-time lecturer, Columbia University 15C Italian Sculpture, 19C Florence, Stefano Bardini & Art Market in late 19C US
Chadbourne Susanne
Chagnon-Burke Veronique PhD, Academic Director Christie's Education 19th century Parisian art market, women artists and women art dealers US
Challis David PhD The University of Melbourne Historical development of the art market, Cultural Economics, Contemporary art markets AU
Chan Ivy Doctoral Candidate SOAS Chinese art, art market, museums, connoisseurship GB
Cisno Carla MFA, Art Consultant Columbia University art & finance: valuation, data, media a. technology IT
Clarke Alison
Cleary MaryKate
Codell Julie Ph.D., Professor, Art History Arizona State University art market, 19th c, historiography, history of collecting, colonialism, cultural encounters US
Codignola Federica
Cohen Tervaert Renske MA Art History, curator Kröller-Müller Museum art from the 19th century and early 20th century, art market, collecting NL
Colonna Cecile scientific adviser Institut national d'histoire de l'art - Paris History of archeological collections (mostly greek and roman objects), antiquities sales in Paris FR
Conlin Jonathan Senior Lecturer in Modern History University of Southampton Metropolitan Museum; National Gallery; GB
Connerty Anthony Barrister IDR Group 70 Fleet Street London EC4Y 1EU Dispute resolution in relation to Art Law GB
Conrad Stephen
Corona Sarah Doct., Founder SARAHCROWN Art Consulting contemporary art, art markets, art online market US
Corrigall Mary
Cosmo Laurie Kalb Ph.D., University Lecturer Universiteit Leiden Museum history, heritage preservation, politics and art, applied arts and craft, and Italian fine art of the late 19th and early 20th centuries IT
Couriet Bossan Clémence PhD student The University of Warwick art market, French archives, Georges Petit, impressionist and early modern art GB
Crookham Alan
Dahlhoff Dieter Prof. Dr. Universität Kassel/ DMCC/ Chair of Media Management Buying and collecting of contemporary art, managerial topics within the art market, marketing issues DE
Damis Ombline Master's degree Université Libre de Bruxelles Art market, women art dealers FR
Davidson Susan MA Independant history of collecting, provenance research, patronage US
Davis Kelly metadata specialist Getty Provenance Index linked open data, 20th century American art dealers US
Davis Diana PhD French Porcelain Society French decorative art, nineteenth-century art market, Anglo-Gallic interior, ceramics, furniture, art and curiosity dealers, collecting practice of the Rothschild family GB
De Giambattista Federica Phd La Sapienza University, Rome Art market, History of collecting IT
de Koster Richard Executive Director Retired Art History, 15-16 c., early Netherlandish art US
de Peverelli Maria GB
de Visser Evelien MA RKD - Netherlands Institute for Art History Dutch nineteenth century art, art market, collecting NL
Deans-Smith Susan Ph.D. Associate Professor University of Texas at Austin Visual and Material Culture of Colonial Latin America and Iberia; art markets and consumption; cultural patrimony US
Decker Pascal Partner dtb rechtsanwälte Due Diligence, Looted Art, New Technologies DE
Degen Natasha
Delahaye Bernd
Delaney Julie-Ann Art Collections Curator University of Edinburgh GB
Demarr Ana
Didenko Inna Founder Art Acacia Consulting GB
Dieckvoss Stephanie
Dimmek Anastassia Associate Hunters Law LLP Art Law, Commercial Art Law, Restitution, Provenance, Cultural Property, Art Litigation and Mediation GB
Donnelly Eloise
Doyle Margaret Ph.D., Head, Curatorial Records National Gallery of Art provenance US
Duarte Adelaide
Duret Catherine
Erdkamp Anna Katharina MBA, Managing partner Auktionshaus Plückbaum GmbH Digital strategies of the art auction market DE
Eshkol-Rokach Yoram PhD Researcher Loughborough University Museums, the Art Market and Heritage GB
Euwe Jeroen PhD, Assistant Professor Economic History & International Relations Erasmus School of History, Culture, and Communication (ESHCC), Erasmus University Rotterdam The Dutch art market in international context, 1870-1970 NL
Fasche Melanie Lecturer, MA in Art Business Sotheby's Institute of Art London GB
Feigenbaum Gail
Feilchenfeldt Walter Walter Feilchenfeldt AG Kunstvermittlung & Kunstforschung CH
Feilchenfeldt Christina
Fernandez Thomas
Ferrari Sarah Researcher Nationalmuseum Stockholm Art market, Provenance, Collecting, Early Modern Art history SE
FitzGerald Michael
Fliri Sabina Art Advisor Sabina Fliri Fine Art Modern Art, 20th century GB
Foster Nicola
Fowle Frances Chair of Nineteenth-Century Art and Senior Curator University of Edinburgh and National Galleries of Scotland Impressionism and the Art Market; collecting in Britain c.1870 to 1945 GB
Franca Marcilio Professor of Art Law Professor of Law (Federal University of Paraiba, BR); Alternate Arbitrator at the Mercosur Tribunal (Asunción, PY) Arbitrator at the WIPO Arbitration and Mediation Centre; Arbitrator at the Court of Arbitration for Arts, Rotterdam (NL) Art Law and Cultural Heritage Law BR
Freschi Federico PhD, Head of College College of Art, Design & Architecture, Otago Polytechnic, Dunedin, New Zealand The role of the art market in the construction of the canon of South African modern art; the political iconography of public buildings; art, design & identity politics NZ
Friedenthal Antoinette Dr. phil. Independent Genesis and Function of the Catalogue Raisonné; Mariette Family; John Smith; Print Collecting; Relation Between the Art Market and Academic Art History; Connoisseurship DE
Froehlich Victorine Juridical Doctorate Benjamin N. Cardozo School of Law Art History, Art Restitution US
Fuchsgruber Lukas
Furlotti Barbara PhD, Associate Lecturer Courtauld Institute Antiquarian studies, history of collecting, art provenance GB
Furtlehner Simone
Gal Kochavi Shir PhD, Assistant Curator The Magnes Collection of Jewish Art and Life, UC Berkeley Art market, history of collecting, Jewish collections, museology, Holocaust studies and restitution US
Gallagher Steven Associate Professor of Practice of Law The Faculty of Law, The Chinese University of Hong Kong Art crime; repatriation of cultural heritage; human remains as art, antiquities and property; museums, collecting and the law; arbitration of disputes involving art, antiquities and cultural heritage HK
Galley Nicolas
Gerlieb Anne phd candidate Universität Bonn contemporary art market, digital exhibitions, digital transformation, power of collectors DE
Getzfrid Lisa CEO/Founder Red Feather Advisory & Appraisal Art Market; Art Appraisal; Art Law US
Giese Francine Director Vitrocentre & Vitromusée Romont Glass Art CH
Giovani Angelina Partner/ Co-Founder Flynn & Giovani Art Provenance Research provenance research, due diligence, art historical research & attributions, research methodologies GB
Gnyp Marta
Gohmann Joanna PhD, Provenance Researcher & Object Historian Smithsonian, Freer and Sackler Galleries Asian Art, Market History
Goldberg Roxanne PhD Candidate Massachusetts Institute of Technology 19th-c. market for Islamic art and Near Eastern antiquities; history of art dealers; relationship between the market, the academy, and the museum US
Gorayeb Elizabeth
Green Carole MSc formerly University of Glasgow 20th Century Art History GB
Greenwald Diana
Gregson Mark Private research Vitruvius Limited Historic marbles
Griffith-Jones Laure-Aline MA in research individual 18 and 19th century European art market GB
Guerdat Pamella
Gwardzińska-Chowaniec Żaneta Ph.D. University of Economics and Human Sciences in Warsaw, Poland legal issues concerning private museums, international art market. I'm also an expert in personal data protection and information security in the cultural sector. PL
Hakuno Akiko MA student Utrecht University art markets, art dealers, nineteenth-century Dutch art, works on paper, museums JP
Halpern Anne Dept. of Curatorial Records; 1975 degree: Master of Museology, Univ. of Toronto National Gallery of Art, Washington, DC NGA collection provenances; dealers records US
Hardwick Tom Curator Houston Museum of Natural Science Egypt; antiquities; forgery GB
Hartelust Meike
Hauffe Friederike
Heath Christian
Helmreich Anne
Henriques Maria Joao Bachelor Degree Faculdade de Letras da Universidade de Lisboa History, Arts PT
Herbert Catherine Ph.D.; Coordinator of Collections Research and Documentation Philadelphia Museum of Art Provenance research, especially Nazi-era research US
Hergouth Katarina
Herzog Günter Prof. Dr. Kunsthistorisches Institut der Universität zu Köln, formerly ZADIK art as a social system DE
Hesketh Rae History of Art Theory and Display student University of Edinburgh GB
Higgott Suzanne Curator of Glass, Limoges Painted Enamels, Earthenware and Early Furniture The Wallace Collection Glass, Limoges painted enamels, maiolica, history of collecting GB
Hilker Anne
Hill Charles Retured, Curator of Canadian Art National Gallery of Canada Institutional and private collecting and art dealing CA
Hinojosa David New Media Artist and Activist Organization for the Democratization of the Visual Arts (ODBK) Art Market, alternative economies applied to the art market, Art Market New business models, democratization of the art world DE
hochleitner katya
Hodgkiss Jessica MA, Content Creator SRH Berlin School of Populart Arts Art Market, Visual Arts, Artist Marketing, Artist Promotion, Persona Studies DE
Hoffs Nelleke PHD student University of Maastricht Money laundering on the art market NL
Hollevoet-Force Christel PhD, Art History - Owner, CF Fine Art Provenance Consulting Consultant; independent scholar; formerly Associate Curator, The Metropolitan Museum of Art, New York Modern art, historical art market, provenance FR
Hopp Meike
Hormell Eric
Hua Shuo PhD candidate University of Hong Kong Modern Chinese paintings, art market studies, hong kong studies, ink paintings HK
Hugenholtz Liesbeth Publisher Brill NL
Hughes Alicia PhD, Independent Researcher Independent Histories of Collecting and Collections, Museums, Provenance, Git Exchange, Material Culture, Drawings and Prints
Hüls-Valenti Katharina PhD Student Johannes Gutenberg University Mainz Provenance research, Italian art market, Nazi looted art DE
Hunt Christopher PhD Student Washington University in St. Louis Nineteenth-century French and British art, private collecting, museum institutionalization, philanthropy and the arts US
Hutter Michael
Iacono Peggy
IVANOFF Hélène PhD DFK Paris Art market looted art provenance restitution FR
Jagielska-Burduk Alicja
Jansma Patricia MRICS, TMV RT TAXATA fine art valuation Professional art valuation NL
Jensen Robert Ph.D. Professor of Art History and Visual Studies University of Kentucky Late 19th-early 20th-century Western art markets; artists' market behaviors US
Joselow Evie Fine Art Appraiser and Art Historian, PhD. The Art of the Appraisal Estate, donation, and insurance appraisals for modern and contemporary art US
Kabov Valerie Master Art History & Theory (Curatorship and Modern Art), University of Sydney First Floor Gallery Harare, Zimbabwe, Director Cultural economics, globalisation and the art market, democratisation of the art market, decolonisation and the art market, artist welfare ZW
Kader Alexander Co-Worldwide Head of the European Sculpture Department Sothebys GB
Kaiser Maximilian Mag. Dr. Austrian Academy of Sciences digital art history, biography, historical network research, 19th century art, avantgarde, art criticism, catalogue raisonnée AT
Kalyva Eve Lecturer (fixed term) University of Kent conceptual and contemporary art, image and text, art and politics, museum practices GB
Kapoian Isabelle Major in Economics, Minors in Art and International Affairs University of New Hampshire, NH, USA Cultural Property Law US
Kaydalova Natalia owner of art gallery, Belgrade art gallery Canvas history of art market, former Yugoslavia art market RS
Keim Rupert
Kelly Simon D.Phil (Oxon). Curator and Head of Dept. of Modern and Contemporary Art Saint Louis Art Museum Nineteenth-century French Art, esp. landscape painting (Theodore Rousseau); art market. US
Kesterson Casie Founder / Director Behind the Art / Provenance Research Associates Blockchain, Provenance Research, Impressionist and Modern Art, Art Dealer Shenanigans US
Kettering Karen
Kimura Lisa-Marie
Kirchner Thomas
Knittler Konstanze PhD Independent AT
Kodera Tsukasa Prof. Osaka University Global art market including Japan and Asian countries JP
Koenigs Christine President The Koenigs Restitution Trust Provenance NL
Koot Leslie Master's Degree; President of non-profit art organization The Modigliani Initiative Modern Art; Amedeo Modigliani; WWII Looted Art US
Korbei Veronika Dr., Director M2 e.U. Rahmen und Kunst Veronika Korbei P.P. Rubens (1577-1640), Art Market UK and IRE 1850-1945; E.H. Gombrich (1909-2001) AT
Korman-Cherney Jessica
Koss Max Postdoctoral Research Fellow Leuphana University DE
Kostyrko Diana PhD, cultural historian Australian National University transatlantic art dealers; interwar art market; provenance AU
Krasznai Réka PhD candidate, art historian Eötvös Lóránd University / Hungarian National Gallery 19th century art, art market, social history of art, French-Hungarian artistic relations, Parisian art market in the 19th century, Munkácsy HU
Kunsthandelsverband der Schweiz Kunsthandelsverband der Schweiz
Küster Ulf
Landau Blandine
Lavrova Valerie
Lee Sandy Adjunct Faculty New York University US
Lee Sophia PhD, Independent Scholar Independent Scholar 17th-century Dutch Art Market KR
Leunissen Fiene
Lieverse Sarah-Mae Master in Arts (PhD in proposal), freelance provenance researcher/consultant currently the Museumsverband Thüringen e.V., Erfurt. Provenance, Nazi Looted Art, Art perpetrator networks, interdisciplinary networks, the economic, political and cultural histories of a certain event, Objects under DDR, Colonial objects, Museum management & provenance. DE
Lin Emma Shu-hui Doctoral Candidate, Research Assistant Goethe-University Frankfurt am Main/ Heidelberg University Art Law, art market in premodern Japan DE
Locke Sabrina
Lopedoto Filomena PhD Student Heinrich-Heine-University Duesseldorf Provenance Research, German-Italian Relations DE
Loureiro Lorenzo Alejandro CEO / Principal &/ PhD Candidate Global Art Consulting LLC Art Market / Analytics US
Luukkanen-Hirvikoski Teija Dr. art historian, postdoctoral researcher University of Jyväskylä/Dept. of Music, Art and Culture Studies/Jyväskylä Corporate art collections, collecting, modern and contemporary art FI
MacDonald Isobel Project Curator: History of Collection British Museum History of Collecting; Data-led Collection analysis GB
Maggi Edoardo PhD candidate Sapienza University of Rome IT
Maglione Biancalucia Doctoral Student University of Florence Italian and European Inter-war Art; Collecting; XXth Century Art Market; Exhibition History IT
Mahler Luise MA, Research Associate Independent Scholar provenance research, history of collecting, art criticism and art market practices in the 19th and 20th centuries, gender studies US
Maier Kimberly MPA, Executive Director, Association of Professional Art Advisors Association of Professional Art Advisors art and law, art market, art trade, collecting, collectors, cultural heritage, connoisseurship, history of collecting, looted art, disaster preparedness US
Maksimova Marina Phd, Lecturer Sotheby's Institute of Art collecting, Russian Art market, exhibition histories, art institutions, museums GB
malkin peter
Mallon MacKenzie
Mann Stephanie MFA Contemporary Art Practice (2013), Artist Stephanie Mann Objects, archives and the ontological and anthropological questions surrounding them. Particular interest in geological objects. GB
Mantoan Diego
MARQUES CRISTIELEN Master PROLAM USP Art Market and collections BR
Marriage Jillian Graduate Student Los Angeles, CA Art market studies, deaccessioning, museum ethics, art law, repatriation US
Marsh Andrew
Martignon Alice Ph.D, Università degli Studi di Udine/ Collaborator, Laboratorio di Caratterizzazione dei Materiali (LCM), Università Ca' Foscari Venezia/ Subject expert, Dipartimento di Filosofia e Beni Culturali, Università Ca' Foscari Venezia Università Ca' Foscari Venezia/ History of Collecting, History of Art Market, Illicit Art Trade, History of Expositions, History of Decorative Arts, Furniture, Textiles IT
Martínez Stéphanie Student ICP Contemporary art FR
Matamalas Roig Carme Humanities and intern UIC art market, art history ES
May Boddewyn Julia MA, Researcher Arshile Gorky Foundation, New York early 20th century U.S. market for contemporary European art US
Mazur Anna
McComas Jennifer
McKay Sally Head, Research Services Getty Library, Getty Research Institute, Los Angeles, CA art market, art dealers, provenance, Nazi era provenance, archives, US
Melton Paul Associate Professor, Art Market Studies School of Graduate Studies, SUNY-FIT US
Mestdagh Camille
Meyer-Abich Susanne
Michiulis Diana L
Middleton Lucy MLitt Art History & MA Art Market Professional Studies & Practice Independent Cultural Heritage, Lost Collections and less well known collectors & contributors to the art market GB
Milano Ronit
Miller Asher
Milosch Jane Independent Curator and Honorary Professor Washington DC / University of Glasgow History of Collecting, Craft, Decorative Arts & Design, Provenance, Exhibitions US
Mitchell Alycen
Miyamoto Bénédicte Associate Professor Université Sorbonne Nouvelle - Paris 3 18c art markets; auction catalogs; mapping markets FR
Mohd Nor Mahmud Ph.D, Associate Professor Prince Mohammad Bin Fahd University, College of Law. cultural heritage, art, international law SA
Moignard Michael
Monti Brigitte Independant Independant Provenance Research CH
Moss Avigail
Mueller Shirley BS MS MD Indiana University, Adjunct professor in neurology The neuropsychology of the collector US
Müller Marius
Müller Ulrike PhD Museum Mayer van den Bergh, Antwerp private collections, public museums, 19th-20th century, provenance research, archives, collectors' museums BE
Muratov Maya
Murray Watts Diana M.A. in Art History and Archeology, student Université Libre de Bruxelles (ULB), Brussels, Belgium museum studies, cultural heritage conservation, art conservation and restoration, modern and contemporary art BE
Myall Locke Ceri
Nakamura Hiroko
Nathan Johannes Dr. Nathan Fine Art, Potsdam / Art Market Dictionary ( / TU Berlin History of the Art Market, Provenance Research DE
Nathan Fine Art GmbH Art Gallery, Potsdam Provenance Research DE
Neville Rena Director Corinth Consulting AML art market service provider Corinth Consulting Ltd AML art market GB
Nicas Rovner Nicole MA, Fine & Decorative Arts, Sotheby's Institute of Art Independent Curator and Researcher | Auctions Support and Marketing at Skinner, Inc. 19th century British architectural history and decorative arts, Mssrs. Waller & Sons, American art, Joseph H. Greenwood (1857-1927), 19th and 20th century design, 18th century interiors, Heytesbury House, Wiltshire, England, Luigi Frullini US
Nisco Marybeth M.A. Sotheby's Institute of Art Decorative arts, fine arts, restitution of looted art, US
Noll Laura Research Associate & Doctoral Student University of St.Gallen Cultural Economics, Economics of the Arts, Marketing, Pricing CH
Nuechterlein Jeanne Reader University of York GB
Nuernberger Philipp
Oberste-Hetbleck Nadine
Oren Shlomit
Paruzzo Valeria Ph.D. Candidate Università di Trento Art Market and Collections in Venice during the Austrian rule (1815-1866) IT
Patterson Khamal J.D., Lawyer ARTIVE Restitution, copyright, digitization US
Penot Agnès
Perdigao Tiago Student ISCTE PT
Perez Ibañez Marta PhD, independent researcher art market, artists in the art system ES
Pergam Elizabeth
Peticca Emelyne
Petri Grischka
Petrides Loizos PhD ISCTE-IUL PT
Phillips Catherine
Phillott-Batapa Patrocinio
Pierpont Madeleine BA, Undergraduate University of Michigan Developing Art Market Economies, Intersection of Experience Economy and Art Market US
Pierson Stacey PhD, Reader, History of Art SOAS, University of London Chinese art, ceramics, collecting GB
Pinet-Netter Marie-Isabelle Master MIP fine arte research and advisory XIXth century art, Russian art, old master drawings, restitutions, French modern painting FR
Pinto Luis
Piwowarczyk Thiago Masters of Forensic Sciences, CEO, principal investigator New York Art Forensics Forensic examination of cutural heritage. Authentication, attribution and provenance research. Conservation science. US
Plumpton Gemma PhD Researcher University of Leeds, The National Gallery Twentieth-century collecting of Old Masters in Britain; role of dealers in institutional collecting GB
Poljanec Kristijan PhD, Postdoctoral Research Fellow Faculty of Economics and Business University of Zagreb, Law Department Auction Law, Cultural Heritage Law, Cultural Property Law, Charity and Foundation Law, Commercial Law, EU Private Law HR
Potter Daniel PhD, Assistant Curator Ancient Mediterranean National Museums Scotland Egyptology/Egyptian archaeology and the antiquities market. The distribution of archaeological objects through the art market. The impact of the entanglement of archaeology and the market on museum displays, interpretation and public engagement. GB
Press Clayton Adjunct Professor New York University, Center for Applied Liberal Arts History of collecting, art market economics, art market history US
Prezioso Giosue Academics The European Institute of Arts art, art laws, art business, art economics, art technology IT
Quinones Claudia
Rabij Liudmyla Founder Mila Arts Consulting Museums and Art Market US
Rabinowe Sarah PhD University of Cambridge Art Legal Research GB
Radermecker Anne-Sophie
Rafiei Ahmad
Rambach Hadrien
Raobeharilala Sophie Art and vintage cars provenance researcher, art historian Independent looted art, looted cars, provenance research, restitution, traceability in museum collections and art market FR
Raux Sophie
Reed Victoria
Reuter Brigitte Dr. Kunsthalle Bremen History of art collections; Nazi-Era provenance research DE
Ricci Clarissa
Ricklow Fiona BA, LLM, PGDip (Building History) Independent scholar Art market studies; cultural heritage and property protection; cultural heritage crime; building history; aretfact studies; archaeology GB
Roberts Jack
Robertson Iain
Robson Deirdre
Roque Jose Roberto President i3A - Instituto de Avaliação e Autenticação de obras de Arte Brazilian Art market,fakes and forgeries,Art market regulations BR
Rose Michael
Rother Lynn Prof. Dr., Lichtenberg-Professor for Provenance Studies Leuphana University Lüneburg 20th century provenance research, history of collecting and art market practices DE
Rothfeld Anne PhD Independent scholar postwar Europe; Nazi looted art; provenance research materials; art dealers US
Rowlands Eliot
royo Eva student university Spain Plunder nazi in spain ES
Rozbitska Valerie Ma in Art History and Visual Culture Richmond the American International University Art Market GB
Rozenbaum Andrea PhD Candidate University of Amsterdam Private museums, contemporary art NL
Rubin Anna Director NYS Holocaust Claims Processing Office Art history, history, provenance research US
Russell Jackie B.Comm., U. of Toronto, MBA, Harvard Business School, MA History of Art, Birkbeck UK Pallant House Gallery (UK), Peggy Guggenheim Museum (Italy) post-war international abstract art, post-war women art dealers GB
Saccone Olimpia MA Art Business from Sotheby's Institute of Art Art Market Analysis, Art and Finance
Salemink Oscar Professor of anthropology University of Copenhagen valuation, global hierarchy of value, contemporary art, heritage, museums, China, Vietnam DK
Samolik Sandra Ph.D. Researcher University of Leicester Art Forensics, Provenance Research, Art Market, AI, Museums US
Sancho-Arroyo Maria Faculty - Art Business Sotheby’s Institute of Art Art markets / museums and the market US
Scallen Catherine
Schenk Carola Dr. Munich, Germany (Art Insurance, Art History, Max Slevogt) Art insurance, Artmarket, Art 19/20th century, Max Slevogt, Exhibition DE
Schlegel Sylvia
Schmutz Thomas
Schneider Madeleine Student Freie Universität Berlin DE
Schuh Marie Christine Gallery Director LIVIE FINE ART Zurich CH
Schultz Deborah
Schütze Sebastian
Sen Anindya MA Art Business, Sotheby's Institute. Independent Art and Culture Consultant/Writer. Freelance Emerging Art Markets, Art and Technology, Culture and Heritage IN
SENGUPTA OLGA lecturer, researcher Consensus Agency falsifications, forgeries, art market RU
Seo Wooseok FR
Serafini Paolo
Shannon Cecile MA Art Market & Appraisal (Distinction) Art Valuer at auction houses Art Seekers International Various GB
Sheshjavani Hamidreza PhD CACIMA Center for Cultural and Creative Industries Middle East Art Market (especially Iranian); Contemporary Art Market; Cultural policy; Art Finance, Resale Right IR
Sidorova Elena PhD in Political Science, Assocaite Research Fellow Sciences Po Paris, France Contemporary art market, cyber art market, international art world, art diplomacy, art economics, sociology of art FR
Sinclair Stephanie MA, History of Art / Consulting agency legacy and collection management abbesses art law, art market, estate management, art crime and repatriation, modern and contemporary art IT
Sindelar Melanie Janet
Sinelnyk Alina PhD Candidate University of Edinburgh Contemporary art, Chinese contemporary ink painting, contemporary art market GB
Sisley Logan MA (Hons), Acting Head of Collections Hugh Lane Gallery IE
Slavova Yana M.A., research assistant Abraham Adelsberger Art Research Project provenance research DE
Sluzkaja Palina Cultural Manager (M.A.) Independent Collectors private institutions, cooperations and networks, governance DE
Smalcerz Joanna
SOPHER Rachel BA Geog BA fine art Art Sooher Art painting loss and restitution GB
Spaenjers Christophe
Spina Emanuele Lawyer Studio Legale IURECONSULTI Art Law IT
Stec Piotr PhD & Habilitation, professor of the University of Opole University of Opole Heritage Law, Art Market Law, Intellectual Property PL
Stein Regina Dr. independent provenance researcher, Berlin (D) object research (NS/GDR), NS networks and practices: withdrawal/art trade/freight forwarding DE
Steinberg Monica PhD, Assistant Professor of American Studies University of Hong Kong Contemporary Art, Law, Market, Humor HK
Steinruck Thomas
Steinwachs Victoria Louise M.A., Senior Consultant Deloitte GmbH Wirtschaftsprüfungsgesellschaft Arnold Blumenreich DE
Stock Simon
Stourton James Senior Fellow Institute of Historical Research London University Patronage, art collecting and art trade GB
Straughn Celka PhD, Deputy Director for Public Practice, Curatorial and Research Spencer Museum of Art collecting practices and museums, early 20th -century art US
Sutherland Matthew MA Student Kingston University Contemporary art, Chinese contemporary art, art market, art prices, appraisal GB
Suzuki Mikako PhD candidate University of Tokyo History of Photography JP
Szafrański Wojciech
Takesue Akiko PhD Independent Object History, Japanese Art Historiography, Reception of Japanese Art Overseas CA
Tamanyu Maiko MA The University of Tokyo 19th Century French modern art, Art market, Paul Cézanne JP
Tarsis Irina JD, Founder & Managing Director Center for Art Law art law, due diligence, provenance research, history of collecting CH
Tasseau Verane
Tavinor Marie
Taylor Jeffrey
Theinhardt Marketa
Theunissen Christel Guest Researcher Radboud University Late medieval choir stalls, provenance research NL
Thompson Ray Donna Fine Art Appraiser ATFA Appraisals Art of the African diaspora US
Tissot Demidoff Alexandre Independent Scholar, Director International Demidoff Foundation History of Collections GB
Toschi Caterina
Turina Stefano PhD Student University of Turin Japonisme, XIX century art market, cultural exchange between Italy and Japan, XX art market, history of collecting
Tuszko Feliks MA / PhD Student University of Warsaw art market, valuation studies, economic sociology PL
UEHARA Mai associate professor Ehime University, Japan Italian polyptychs in art market JP
Uhrlandt Anne M.A., provenance researcher, project coordinator Zentralinstitut für Kunstgeschichte, Munich provenance research, art market studies DE
Vaizey Marina BA,MA Select title / Other GB
Valentine Michele Department Assistant, South and Southeast Asian Art The Nelson-Atkins Museum of Art Provenance, Dealers, Collectors US
Van den Berg Karen
van Ginhoven Sandra
Velthuis Olav Full Professor University of Amsterdam, Department of Sociology Sociology of art; Contemporary art markets; Art markets in the global south; Digitization of art markets; Art fairs; Globalization of art markets; Valuation of art NL
Vere-Hodge Till Senior Associate Constantine Cannon LLP GB
Vermeylen Filip
Vertinskaya Yulianna
Vivet-Peclet Christine PhD Musée des monuments français - Cité de l'architecture et du patrimoine Marché de l'art - Histoire du goût - Histoire des collections - Moyen Âge FR
von Klitzing Isabel
Walker Georgina MA (Melb); PhD (Melb); Research Fellow The University of Melbourne Private art museums, museums, contemporary art markets, private collecting, history of patronage and museums AU
Wallach Alan PhD, Professor Emeritus The College of William and Mary History of Patronage and Art Institutions US
Walsh Irene
Wassyng Roworth Wendy
Wazzau Iris
Wei Cheng Master University of Edinburgh Museum CN
Weightman Brian . Glasgow Museums Nazi-Era provenance research, collecting practices, history of the UK art market GB
Weiss Shannon
Weißmann Carina Anja
Weller Matthias Professor of Art Law, Cultural Property Law, and Dispute Resolution University of Bonn, Germany Art Law, Cultural Property Law, Dispute Resolution DE
Wenley Robert Deputy Director, Head of Collections The Barber Institute of Fine Arts Dutch & Flemish C17th painting, French C17th-C18th bronzes, history of collecting fine art in Britain GB
West Lucy PhD student University of Leeds, the National Gallery and the Bowes Museum The nineteenth-century art market in Britain; the art market and the art museum; the role and practices of the nineteenth-century picture dealer; histories of collecting. GB
Westerby Genevieve
Westgarth Mark
Whitaker Lucy Independent Art Historian and Curator, formerly Senior Curator of Paintings, Royal Collection Trust Independent Art Historian and Curator Collecting Italian and northern European art, particularly by the British monarchy; Italian and Northern European paintings, drawings and frames GB
Whitaker Amy
Whitaker Lucy
Widmer Emilie PhD candidate University of Lausanne Swiss art societies, Social history of art, Sociology of elites, Museum studies CH
Wilmsen Franziska PhD, not graduated yet Loughborough University, School of Social Sciences and Humanities, Art History and Visual Culture Museum Studies, Intersections of Museum and Art Market, Collecting Histories, Provenance Research, Deaccessioning, Canon formation GB
Wimmer Dorothee
Woolfson Jonathan
Wuenschel Joerg Lawyer, Art Historian GSK Stockmann Art Markets, their History, and their Regulation; the Protection of the Cultural Heritage DE
Zaborowska Ewa
Zalewski Leanne
Zampetti Egidi Chiara History or Art, MA Arts Policy and Business, Editor Art Market Dictionary Freelance-De Gruyter Modern and Contemporary Art Market, Old Masters Art Market. DE
Zarobell John
Zupancic Nika