| Adam |
Georgina |
|
|
|
|
| Adeli |
Jamila |
Art Historian (MA), South Asian Studies (Dr. des.) |
Humboldt University Berlin |
global art history; fine art; sociology of art; contemporary art & artistic infrastructure in MENASA region, focus on South Asia and UAE |
DE |
| Adeyemi |
Jonathan |
PhD Candidate, Arts Management |
Queen's University Belfast, United Kindom |
The visibility and validation of contemporary art from peripheral regions, with a focus on Africa |
GB |
| Afonso |
Luís |
|
|
|
|
| Agnew |
Julian |
|
Julian Agnew Fine Art Ltd. |
History of the British Art Market 1800 to 2020 |
GB |
| ALMEIDA |
VIRGILIO |
|
|
|
|
| Álvarez de Toledo López Herrera |
Felipe |
|
|
|
|
| Ambrosini |
Lynne |
PhD, Deputy Director/Chief Curator Emerita |
Taft Museum of Art |
19th-century French art patronage & market, Gilded Age collecting in USA |
US |
| AMRAM |
Eva |
|
|
|
|
| Andreides |
Katalin |
Lawyer |
Andreides Law |
Art trade, Restitution, Art related dispute resolution |
HU |
| Angelini |
Francesco |
Post-Doc |
University of Bologna |
Pricing, Economic and cultural value of cultural goods |
IT |
| Archer |
Anita |
PhD, Research Coordinator |
University of Melbourne |
Emerging markets, international art auctions, valuation mechanisms, intermediary networks, Southeast Asia. |
AU |
| Archetti |
Giulia |
|
|
|
|
| Arizzoli |
Louise |
|
|
|
|
| Armstrong-Totten |
Julia |
|
|
|
|
| Austin |
Summer |
Phd Student |
University College London |
The relationship between museums and the market; influences on demand for antiquities; the illicit market |
GB |
| Avery-Quash |
Susanna |
Senior Research Curator (History of Collecting) |
The National Gallery |
History of collecting, history of the art market |
GB |
| Babnik |
Ines |
PhD, Assistant researcher |
University of Ljubljana (Slovenia), Faculty of Arts, Department of Art History; Gallery Antikvitete Novak |
art market, institutional, privat market, provenience, artists |
SI |
| Backer |
Kristiane |
|
|
|
|
| Balaskas |
Bill |
Director of Research, Business and Innovation |
School of Art & Architecture, Kingston University, London |
Internet art; online art market; the market as a spectacle. |
GB |
| Balcerzak |
Lauralynn |
Fine Art Appraiser |
International Society of Appraisers |
fine art, art market, art business |
US |
| Banks |
Patricia A. |
Ph.D., Associate Professor of Sociology |
Mount Holyoke College |
contemporary African art; African American art; art from the African Diaspora |
US |
| Barr |
Judith |
Lecturer |
J. Paul Getty Museum |
Provenance, antiquities, 20th century American market for antiquities |
US |
| Barragán |
Paco |
consultant, curator, conference speaker, arts writer |
Paco Barragán Art |
art market, art dealing, art fairs, galleries, artists, biennials, |
ES |
| Beckmann |
Camille |
LLM |
Constantine Cannon |
Art Law: Cultural Heritage/Property, Copyright |
GB |
| Bellinger |
Katrin |
|
|
|
|
| Berger |
Martin |
PhD, Assistant Professor |
Leiden University |
Art market for pre-Columbian and ethnographic art, canonization, interplay between the market and academic studies. |
NL |
| Bertz |
Jörg-Michael |
independent |
Free |
Art market |
DE |
| Bexon |
Georgina |
Art historian/consultant |
Independent |
South Asian Modern and Contemporary - art, collecting and markets |
GB |
| Bialynicka-Birula |
Joanna |
PhD. hab. Prof. CUE |
Cracow University of Economics, Department of Market Analysis and Marketing Research |
art market analysis, art value, international art trade, statistical methods of market analysis |
PL |
| Blass-Simmen |
Brigit |
|
|
|
|
| Boden |
Isabel |
independent |
fineart advisory GmbH |
Art Market, 20th and 21st Century (EU and US) |
DE |
| Boloten |
Jeffrey |
|
|
|
|
| Borresch |
Kathrin |
|
|
|
|
| Bourron |
Christine |
CEO |
Pi-eX Ltd |
Art and Finance |
GB |
| BRANDBERG |
Christina |
|
|
|
|
| Brennan |
Kaeli |
Student |
University of Michigan |
|
US |
| Brooks |
Blair |
Ph.D. candidate |
The Graduate Center, City University of New York |
|
US |
| Brosens |
Koenraad |
|
|
|
|
| Brown |
Kathryn |
D.Phil (Oxford); PhD (Londlon); Lecturer in Art History and Visual Culture |
Loughborough University, United Kingdom |
art markets; museums; nineteenth-century French art; contemporary art |
GB |
| Bryce |
Kristy |
Art Advisor |
Kristy Bryce Fine Art |
Contemporary Art |
US |
| Budd |
Denise |
|
|
|
|
| Burgess |
Cynthia |
Current MA graduate student |
University College Dublin |
Art Market Intermediaries, Museum Collections |
US |
| Burmeister |
Meghan |
Student |
Arizona State University |
|
US |
| Bury |
Stephen |
|
|
|
|
| Caputo |
Caterina |
Researcher |
|
|
IT |
| Catrone |
Aubrey |
Fine Art Provenance Researcher & Appraiser |
Proper Provenance, LLC |
- |
US |
| Catterson |
Lynn |
PhD (Columbia University, 2002) |
part-time lecturer, Columbia University |
15C Italian Sculpture, 19C Florence, Stefano Bardini & Art Market in late 19C |
US |
| Cave |
Kirsten |
|
|
|
|
| Chadbourne |
Susanne |
|
|
|
|
| Chagnon-Burke |
Veronique |
PhD, Academic Director |
Christie's Education |
19th century Parisian art market, women artists and women art dealers |
US |
| Cisno |
Carla |
MFA |
Columbia University School of the Arts |
art & finance, art as an alternative investment, risk management, art law, media & technology |
BR |
| Clarke |
Alison |
|
|
|
|
| Cleary |
MaryKate |
|
|
|
|
| Codell |
Julie |
Ph.D., Professor, Art History |
Arizona State University |
art market, 19th c, historiography, history of collecting, colonialism, cultural encounters |
US |
| Codignola |
Federica |
|
|
|
|
| Cohen Tervaert |
Renske |
MA Art History, curator |
Kröller-Müller Museum |
art from the 19th century and early 20th century, art market, collecting |
NL |
| Conlin |
Jonathan |
|
|
|
|
| Connerty |
Anthony |
Barrister |
IDR Group 70 Fleet Street London EC4Y 1EU www.idrgroup.org |
Dispute resolution in relation to Art Law |
GB |
| Conrad |
Stephen |
|
|
|
|
| Corona |
Sarah |
Doct., Founder |
SARAHCROWN Art Consulting |
contemporary art, art markets, art online market |
US |
| Corrigall |
Mary |
|
|
|
|
| Couriet Bossan |
Clémence |
PhD student |
The University of Warwick |
art market, French archives, Georges Petit, impressionist and early modern art |
GB |
| Crookham |
Alan |
|
|
|
|
| Dahlhoff |
Dieter |
Prof. Dr. |
Universität Kassel/ DMCC/ Chair of Media Management |
Buying and collecting of contemporary art, managerial topics within the art market, marketing issues |
DE |
| Davidson |
Susan |
MA |
Independant |
history of collecting, provenance research, patronage |
US |
| Davis |
Kelly |
|
|
|
|
| Davis |
Diana |
PhD |
French Porcelain Society |
French decorative art, nineteenth-century art market, Anglo-Gallic interior, ceramics, furniture, art and curiosity dealers, collecting practice of the Rothschild family |
GB |
| De Giambattista |
Federica |
Phd |
La Sapienza University, Rome |
Art market, History of collecting |
IT |
| de Peverelli |
Maria |
|
|
|
|
| Deans-Smith |
Susan |
Ph.D. Associate Professor |
University of Texas at Austin |
Visual and Material Culture of Colonial Latin America and Iberia; art markets and consumption; cultural patrimony |
US |
| Decker |
Pascal |
Partner |
dtb rechtsanwälte |
Due Diligence, Looted Art, New Technologies |
DE |
| Degen |
Natasha |
|
|
|
|
| Delahaye |
Bernd |
|
|
|
|
| Demarr |
Ana |
|
|
|
|
| Didenko |
Inna |
Founder |
Art Acacia Consulting |
|
GB |
| Dieckvoss |
Stephanie |
|
|
|
|
| Donnelly |
Eloise |
|
|
|
|
| Dougall |
Harry |
|
|
|
|
| Dowley |
Sharon |
PhD Candidate |
Australian National University |
Antiquities trade; Collecting cultural heritage; Antiquities Trafficking/Art crime; Provenance Research; Khmer cultural heritage |
AU |
| Duarte |
Adelaide |
|
|
|
|
| Duret |
Catherine |
|
|
|
|
| Erdkamp |
Anna Katharina |
MBA, Managing partner |
Auktionshaus Plückbaum GmbH |
Digital strategies of the art auction market |
DE |
| Eshkol-Rokach |
Yoram |
PhD Researcher |
Loughborough University |
Museums, the Art Market and Heritage |
GB |
| Euwe |
Jeroen |
|
|
|
|
| Fasche |
Melanie |
Lecturer, MA in Art Business |
Sotheby's Institute of Art London |
|
GB |
| Feigenbaum |
Gail |
|
|
|
|
| Feilchenfeldt |
Walter |
|
|
|
|
| Feilchenfeldt |
Christina |
|
|
|
|
| Fernandez |
Thomas |
|
|
|
|
| FERRER |
Aïa |
|
|
|
FR |
| FitzGerald |
Michael |
|
|
|
|
| Fliri |
Sabina |
Art Advisor |
Sabina Fliri Fine Art |
Modern Art, 20th century |
GB |
| Foster |
Nicola |
|
|
|
|
| Fowle |
Frances |
Chair of Nineteenth-Century Art and Senior Curator |
University of Edinburgh and National Galleries of Scotland |
Impressionism and the Art Market; collecting in Britain c.1870 to 1945 |
GB |
| Franca |
Marcilio |
|
|
|
|
| Freschi |
Federico |
PhD, Head of College |
College of Art, Design & Architecture, Otago Polytechnic, Dunedin, New Zealand |
The role of the art market in the construction of the canon of South African modern art; the political iconography of public buildings; art, design & identity politics |
NZ |
| Fricke |
Suzanne |
|
|
|
|
| Friedenthal |
Antoinette |
Dr. phil. |
Independent |
Genesis and Function of the Catalogue Raisonné; Mariette Family; John Smith; Print Collecting; Relation Between the Art Market and Academic Art History; Connoisseurship |
DE |
| Froehlich |
Victorine |
Juridical Doctorate |
Benjamin N. Cardozo School of Law |
Art History, Art Restitution |
US |
| Fuchsgruber |
Lukas |
|
|
|
|
| Furlotti |
Barbara |
PhD, Associate Lecturer |
Courtauld Institute |
Antiquarian studies, history of collecting, art provenance |
GB |
| Furtlehner |
Simone |
|
|
|
|
| Gallagher |
Steven |
Associate Professor of Practice of Law |
The Faculty of Law, The Chinese University of Hong Kong |
Art crime; repatriation of cultural heritage; human remains as art, antiquities and property; museums, collecting and the law; arbitration of disputes involving art, antiquities and cultural heritage |
HK |
| Galley |
Nicolas |
|
|
|
|
| Gerlieb |
Anne |
phd candidate |
Universität Bonn |
contemporary art market, digital exhibitions, digital transformation, power of collectors |
DE |
| Getzfrid |
Lisa |
CEO/Founder |
Red Feather Advisory & Appraisal |
Art Market; Art Appraisal; Art Law |
US |
| Giovani |
Angelina |
|
|
|
|
| Gnyp |
Marta |
|
|
|
|
| Gold |
Kerstin |
|
|
|
|
| Goldberg |
Roxanne |
PhD Candidate |
Massachusetts Institute of Technology |
19th-c. market for Islamic art and Near Eastern antiquities; history of art dealers; relationship between the market, the academy, and the museum |
US |
| Gorayeb |
Elizabeth |
|
|
|
|
| Green |
Carole |
MSc |
formerly University of Glasgow |
20th Century Art History |
GB |
| Greenwald |
Diana |
|
|
|
|
| Gregson |
Mark |
Private research |
Vitruvius Limited |
Historic marbles |
|
| Griffith-Jones |
Laure-Aline |
MA in research |
individual |
18 and 19th century European art market |
GB |
| Gwardzińska |
Żaneta |
Ph.D. |
UNESCO Chair on Cultural Property Law, University of Opole, Poland |
legal issues concerning private museums, international art market. I'm also an expert in personal data protection and information security in the cultural sector. |
PL |
| Habelsberger |
Beatrix |
|
|
|
|
| Haines |
Bruce |
|
|
|
|
| Hakuno |
Akiko |
MA student |
Utrecht University |
art markets, art dealers, nineteenth-century Dutch art, collecting, museums |
NL |
| Halpern |
Anne |
|
|
|
|
| Hartelust |
Meike |
|
|
|
|
| Hauffe |
Friederike |
|
|
|
|
| Heath |
Christian |
|
|
|
|
| Hecker |
Sharon |
Ph.D. Independent Art Historian and Curator |
The Hecker StandardTM |
modern and contemporary Italian sculpture, relationships between art market, art history and art law |
IT |
| Helmreich |
Anne |
|
|
|
|
| Herbert |
Catherine |
|
|
|
|
| Hergouth |
Katarina |
|
|
|
|
| Herzog |
Günter |
|
|
|
|
| Higgott |
Suzanne |
Curator of Glass, Limoges Painted Enamels, Earthenware and Early Furniture |
The Wallace Collection |
Glass, Limoges painted enamels, maiolica, history of collecting |
GB |
| Hilker |
Anne |
|
|
|
|
| Hinojosa |
David |
New Media Artist and Activist |
Organization for the Democratization of the Visual Arts (ODBK) |
Art Market, alternative economies applied to the art market, Art Market New business models, democratization of the art world |
DE |
| hochleitner |
katya |
|
|
|
|
| Hollevoet-Force |
Christel |
PhD, Art History - Owner, CF Fine Art Provenance Consulting |
Consultant; independent scholar; formerly Associate Curator, The Metropolitan Museum of Art, New York |
Modern art, historical art market, provenance |
FR |
| Homs |
LLucià |
|
|
|
|
| Hopp |
Meike |
|
|
|
|
| Hormell |
Eric |
|
|
|
|
| Howald |
Christine |
|
|
|
|
| Hua |
Shuo |
PhD candidate |
University of Hong Kong |
Modern Chinese paintings, art market studies, hong kong studies, ink paintings |
HK |
| Huemer |
Christian |
Ph.D., Director of the Belvedere Research Center |
Österreichische Galerie Belvedere, Vienna |
History of Collecting and Art Markets, Digital Humanities, Provenance Research, Central European Art & Architecture |
AT |
| Hugenholtz |
Liesbeth |
|
|
|
|
| Hughes |
Alicia |
PhD, Independent Researcher |
Independent |
Histories of Collecting and Collections, Museums, Provenance, Git Exchange, Material Culture, Drawings and Prints |
|
| Hüls-Valenti |
Katharina |
PhD Student |
Johannes Gutenberg University Mainz |
Provenance research, Italian art market, Nazi looted art |
DE |
| Hutter |
Michael |
|
|
|
|
| Iacono |
Peggy |
|
|
|
|
| IVANOFF |
Hélène |
PhD |
DFK Paris |
Art market looted art provenance restitution |
FR |
| Jagielska-Burduk |
Alicja |
|
|
|
|
| Janecek |
Helen |
|
|
|
|
| Jansma |
Patricia |
MRICS, TMV RT |
TAXATA fine art valuation |
Professional art valuation |
NL |
| Joselow |
Evie |
Fine Art Appraiser and Art Historian, PhD. |
The Art of the Appraisal |
Estate, donation, and insurance appraisals for modern and contemporary art |
US |
| Kaiser |
Maximilian |
Mag. Dr. |
Austrian Academy of Sciences |
digital art history, biography, historical network research, 19th century art, avantgarde, art criticism, catalogue raisonnée |
AT |
| Kalkstein |
Molly |
PhD candidate |
University of Arizona |
History of Photography, photography market, museum studies, Digital Art History |
US |
| Kapoian |
Isabelle |
Major in Economics, Minors in Art and International Affairs |
University of New Hampshire, NH, USA |
Cultural Property Law |
US |
| Kaydalova |
Natalia |
owner of art gallery, Belgrade |
art gallery Canvas |
history of art market, former Yugoslavia art market |
RS |
| Keim |
Rupert |
|
|
|
|
| Kelly |
Simon |
D.Phil (Oxon). Curator and Head of Dept. of Modern and Contemporary Art |
Saint Louis Art Museum |
Nineteenth-century French Art, esp. landscape painting (Theodore Rousseau); art market. |
US |
| Kesterson |
Casie |
|
|
|
|
| Kettering |
Karen |
|
|
|
|
| Kimura |
Lisa-Marie |
|
|
|
|
| Kimura |
Kodai |
Attorney at law |
Kobayashi & Yugeta Law Office |
Art Law |
JP |
| Kirchner |
Thomas |
|
|
|
|
| Knowles |
Isla |
|
|
|
|
| Koenigs |
Christine |
President |
The Koenigs Restitution Trust |
Provenance |
NL |
| Koot |
Leslie |
Master's Degree; President of non-profit art organization |
The Modigliani Initiative |
Modern Art; Amedeo Modigliani; WWII Looted Art |
US |
| Korbei |
Veronika |
Dr., Director |
M2 e.U. Rahmen und Kunst Veronika Korbei |
P.P. Rubens (1577-1640), Art Market UK and IRE 1850-1945; E.H. Gombrich (1909-2001) |
AT |
| Korman-Cherney |
Jessica |
|
|
|
|
| Koss |
Max |
Postdoctoral Research Fellow |
Leuphana University |
|
DE |
| Kostyrko |
Diana |
PhD, cultural historian |
Australian National University |
transatlantic art dealers; interwar art market; provenance |
AU |
| Kunsthandelsverband der Schweiz |
Kunsthandelsverband der Schweiz |
|
|
|
|
| Küster |
Ulf |
|
|
|
|
| Landau |
Blandine |
|
|
|
|
| Lavrova |
Valerie |
|
|
|
|
| Lee |
Sandy |
Adjunct Faculty |
New York University |
|
US |
| Leunissen |
Fiene |
|
|
|
|
| Lieverse |
Sarah-Mae |
Master in Arts (PhD in proposal), freelance provenance researcher/consultant |
currently the Museumsverband Thüringen e.V., Erfurt. |
Provenance, Nazi Looted Art, Art perpetrator networks, interdisciplinary networks, the economic, political and cultural histories of a certain event, Objects under DDR, Colonial objects, Museum management & provenance. |
DE |
| Lin |
ShuHui |
|
|
|
|
| Lindqvist |
Alexandra |
MA History of Art and Architectural History |
University of Edinburgh |
Art Crime, Looting, Architectural Heritage |
GB |
| Locke |
Sabrina |
|
|
|
|
| Lopedoto |
Filomena |
PhD Student |
Heinrich-Heine-University Duesseldorf |
Provenance Research, German-Italian Relations |
DE |
| LOPEZ ABADIN |
CARLOS FRANCISCO |
LAWYER |
ARTELEY |
ART AND LAW; LATAM ART MARKET; INTELLECTUAL PROPERTY AND CULTURAL HERITAGE; |
ES |
| Loureiro Lorenzo |
Alejandro |
CEO / Principal &/ PhD Candidate |
Global Art Consulting LLC |
Art Market / Analytics |
US |
| Luukkanen-Hirvikoski |
Teija |
Dr. art historian, postdoctoral researcher |
University of Jyväskylä/Dept. of Music, Art and Culture Studies/Jyväskylä |
Corporate art collections, collecting, modern and contemporary art |
FI |
| Luzia |
Debby |
|
|
|
|
| MacDonald |
Isobel |
Project Curator: History of Collection |
British Museum |
History of Collecting; Data-led Collection analysis |
GB |
| Maggi |
Edoardo |
PhD candidate |
Sapienza University of Rome |
|
IT |
| Maier |
Kimberly |
MPA, Executive Director, Association of Professional Art Advisors |
Association of Professional Art Advisors |
art and law, art market, art trade, collecting, collectors, cultural heritage, connoisseurship, history of collecting, looted art, disaster preparedness |
US |
| Maksimova |
Marina |
Phd, Lecturer |
Sotheby's Institute of Art |
collecting, Russian Art market, exhibition histories, art institutions, museums |
GB |
| malkin |
peter |
|
|
|
|
| Mallon |
MacKenzie |
|
|
|
|
| Mantoan |
Diego |
|
|
|
|
| Marchenko |
Maria |
|
|
|
|
| Mariz |
Vera |
PhD |
ARTIS - Instituto of Art History (University of Lisbon) |
Art market and history of collecting, 19th and 20th centuries |
PT |
| Marr |
Karen |
Director, MA Art & Business |
Marr McGrath Ltd |
Art Trafficking; Heritage ethics; heritage protection/environmental implications |
GB |
| Marsh |
Andrew |
|
|
|
|
| Martignon |
Alice |
Ph.D, Università degli Studi di Udine/ Collaborator, Laboratorio di Caratterizzazione dei Materiali (LCM), Università Ca' Foscari Venezia/ Subject expert, Dipartimento di Filosofia e Beni Culturali, Università Ca' Foscari Venezia |
Università Ca' Foscari Venezia |
History of Collecting, History of Art Market, Illicit Art Trade, History of Expositions, History of Decorative Arts, Furniture, Textiles |
IT |
| Martínez |
Stéphanie |
Student |
ICP |
Contemporary art |
FR |
| Matamalas Roig |
Carme |
Humanities and intern |
UIC |
art market, art history |
ES |
| May Boddewyn |
Julia |
MA, Researcher |
Arshile Gorky Foundation, New York |
early 20th century U.S. market for contemporary European art |
US |
| Mazur |
Anna |
|
|
|
|
| MAZZARINI |
LUCA |
|
|
|
|
| McComas |
Jennifer |
|
|
|
|
| McKay |
Sally |
Head, Research Services |
Getty Library, Getty Research Institute, Los Angeles, CA |
art market, art dealers, provenance, Nazi era provenance, archives, |
US |
| Melton |
Paul |
Associate Professor, Art Market Studies |
School of Graduate Studies, SUNY-FIT |
|
US |
| Menzel |
Max-Peter |
|
|
|
|
| Mestdagh |
Camille |
|
|
|
|
| Meyer-Abich |
Susanne |
|
|
|
|
| Michiulis |
Diana L |
|
|
|
|
| Middleton |
Lucy |
MLitt Art History & MA Art Market Professional Studies & Practice |
Independent |
Cultural Heritage, Lost Collections and less well known collectors & contributors to the art market |
GB |
| Milano |
Ronit |
|
|
|
|
| Miller |
Asher |
|
|
|
|
| Milosch |
Jane |
Independent Curator and Honorary Professor |
Washington DC / University of Glasgow |
History of Collecting, Craft, Decorative Arts & Design, Provenance, Exhibitions |
US |
| Mitchell-Werp |
Monica |
|
|
|
|
| Miyamoto |
Bénédicte |
Associate Professor |
Université Sorbonne Nouvelle - Paris 3 |
18c art markets; auction catalogs; mapping markets |
FR |
| Mohd Nor |
Mahmud |
Ph.D, Associate Professor |
Prince Mohammad Bin Fahd University, College of Law. |
cultural heritage, art, international law |
SA |
| Moignard |
Michael |
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| Moody |
Andrea |
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| Moss |
Avigail |
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| Mueller |
Shirley |
BS MS MD |
Indiana University, Adjunct professor in neurology |
The neuropsychology of the collector |
US |
| Müller |
Marius |
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| Muratov |
Maya |
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| Murray Watts |
Diana |
M.A. in Art History and Archeology, student |
Université Libre de Bruxelles (ULB), Brussels, Belgium |
museum studies, cultural heritage conservation, art conservation and restoration, modern and contemporary art |
BE |
| Myall Locke |
Ceri |
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| Nakamura |
Hiroko |
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| Nathan |
Johannes |
Dr. |
Nathan Fine Art, Potsdam / Art Market Dictionary (artmarketdictionary.com) / TU Berlin |
History of the Art Market, Provenance Research |
DE |
| Nathan Fine Art GmbH |
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Art Gallery, Potsdam |
Provenance Research |
DE |
| Nazzy |
Dominic |
Diplomat |
DM Publicity |
Art works and paintings |
GH |
| Neville |
Rena |
Director Corinth Consulting AML art market service provider |
Corinth Consulting Ltd |
AML art market |
GB |
| Nicas Rovner |
Nicole |
MA, Fine & Decorative Arts, Sotheby's Institute of Art |
Independent Curator and Researcher | Auctions Support and Marketing at Skinner, Inc. |
19th century British architectural history and decorative arts, Mssrs. Waller & Sons, American art, Joseph H. Greenwood (1857-1927), 19th and 20th century design, 18th century interiors, Heytesbury House, Wiltshire, England, Luigi Frullini |
US |
| Noll |
Laura |
Research Associate & Doctoral Student |
University of St.Gallen |
Cultural Economics, Economics of the Arts, Marketing, Pricing |
CH |
| NOVA FCSH |
Institute of Art History |
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School of Social Sciences and Humanities, Universidade NOVA de Lisboa |
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PT |
| Nuernberger |
Philipp |
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| Oberste-Hetbleck |
Nadine |
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| Olesen |
Amanda |
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| Oosterlinck |
Kim |
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| Oren |
Shlomit |
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| PARK |
NaHyun Kate |
MA Art, Law and Business |
Christie's |
Digital Art in Art Market |
KR |
| PARKER |
Robert |
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| Paruzzo |
Valeria |
Ph.D. Candidate |
Università di Trento |
Art Market and Collections in Venice during the Austrian rule (1815-1866) |
IT |
| Penot |
Agnès |
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| Perez Ibañez |
Marta |
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| Pergam |
Elizabeth |
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| Peticca |
Emelyne |
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| Petri |
Grischka |
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| Petrides |
Loizos |
PhD |
ISCTE-IUL |
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PT |
| Phillips |
Catherine |
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| Phillott-Batapa |
Patrocinio |
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| Pierpont |
Madeleine |
BA, Undergraduate |
University of Michigan |
Developing Art Market Economies, Intersection of Experience Economy and Art Market |
US |
| Pinet-Netter |
Marie-Isabelle |
Master |
MIP fine arte research and advisory |
XIXth century art, Russian art, old master drawings, restitutions, French modern painting |
FR |
| Pinto |
Luis |
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| Piwowarczyk |
Thiago |
Masters of Forensic Sciences, CEO, principal investigator |
New York Art Forensics |
Forensic examination of cutural heritage. Authentication, attribution and provenance research. Conservation science. |
US |
| Plumpton |
Gemma |
PhD Researcher |
University of Leeds, The National Gallery |
Twentieth-century collecting of Old Masters in Britain; role of dealers in institutional collecting |
GB |
| Pohlhausen |
Philine |
PhD Student |
Humboldt University Berlin |
Art Law, Copyright, Art Financing/Investment, Art Due Diligence, Art Consulting |
GB |
| Poljanec |
Kristijan |
PhD, Postdoctoral Research Fellow |
Faculty of Economics and Business University of Zagreb, Law Department |
Auction Law, Cultural Heritage Law, Cultural Property Law, Charity and Foundation Law, Commercial Law, EU Private Law |
HR |
| Press |
Clayton |
Adjunct Professor |
New York University, Center for Applied Liberal Arts |
History of collecting, art market economics, art market history |
US |
| Quinones |
Claudia |
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| Rabinowe |
Sarah |
PhD |
University of Cambridge |
Art Legal Research |
GB |
| Radermecker |
Anne-Sophie |
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| Rafiei |
Ahmad |
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| Rambach |
Hadrien |
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| Raobeharilala |
Sophie |
Art and vintage cars provenance researcher, art historian |
Independent |
looted art, looted cars, provenance research, restitution, traceability in museum collections and art market |
FR |
| Raux |
Sophie |
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| Reed |
Victoria |
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| Ricci |
Clarissa |
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| Roberts |
Jack |
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| Robertson |
Iain |
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| Robson |
Deirdre |
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| Rodrigues |
Angela |
PhD Candidate |
Colégio das Artes - Coimbra University |
art market, museums, galleries, collectors, institutional critique |
PT |
| Roque |
Jose Roberto |
President |
i3A - Instituto de Avaliação e Autenticação de obras de Arte |
Brazilian Art market,fakes and forgeries,Art market regulations |
BR |
| Rose |
Michael |
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| Rother |
Lynn |
Prof. Dr., Lichtenberg-Professor for Provenance Studies |
Leuphana University Lüneburg |
20th century provenance research, history of collecting and art market practices |
DE |
| Rothfeld |
Anne |
PhD |
Independent scholar |
postwar Europe; Nazi looted art; provenance research materials; art dealers |
US |
| Rowlands |
Eliot |
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| Rozbitska |
Valerie |
Ma in Art History and Visual Culture |
Richmond the American International University |
Art Market |
GB |
| Rubin |
Anna |
Director |
NYS Holocaust Claims Processing Office |
Art history, history, provenance research |
US |
| Russell |
Jackie |
B.Comm., U. of Toronto, MBA, Harvard Business School, MA History of Art, Birkbeck UK |
Pallant House Gallery (UK), Peggy Guggenheim Museum (Italy) |
post-war international abstract art, post-war women art dealers |
GB |
| Rutledge Jebrine |
Amy |
Owner |
RJ Fine Arts |
Modern, Post-War & Contemporary Art |
US |
| Saccone |
Olimpia |
MA Art Business from Sotheby's Institute of Art |
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Art Market Analysis, Art and Finance |
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| Saint-Raymond |
Léa |
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| Sbardella |
Emanuele |
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| Scallen |
Catherine |
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| Schenk |
Carola |
Dr. |
Munich, Germany (Art Insurance, Art History, Max Slevogt) |
Art insurance, Artmarket, Art 19/20th century, Max Slevogt, Exhibition |
DE |
| Schill |
Inna |
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| Schlegel |
Sylvia |
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| Schneider |
Madeleine |
Student |
Freie Universität Berlin |
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DE |
| Schuh |
Marie Christine |
Gallery Director |
LIVIE FINE ART Zurich |
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CH |
| Schultz |
Deborah |
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| Schütze |
Sebastian |
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| Seo |
Wooseok |
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FR |
| Serafini |
Paolo |
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| Shannon |
Cecile |
MA Art Market & Appraisal (Distinction) Art Valuer at auction houses |
Art Seekers International |
Various |
GB |
| Sheshjavani |
Hamidreza |
PhD |
CACIMA Center for Cultural and Creative Industries |
Middle East Art Market (especially Iranian); Contemporary Art Market; Cultural policy; Art Finance, Resale Right |
IR |
| Sidorova |
Elena |
PhD in Political Science, Assocaite Research Fellow |
Sciences Po Paris, France |
Contemporary art market, cyber art market, international art world, art diplomacy, art economics, sociology of art |
FR |
| Sinclair |
Stephanie |
MA, History of Art / Consulting agency legacy and collection management |
abbesses |
art law, art market, estate management, art crime and repatriation, modern and contemporary art |
IT |
| Sindelar |
Melanie Janet |
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| Sinelnyk |
Alina |
PhD Candidate |
University of Edinburgh |
Contemporary art, Chinese contemporary ink painting, contemporary art market |
GB |
| Sisley |
Logan |
MA (Hons), Acting Head of Collections |
Hugh Lane Gallery |
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IE |
| Smalcerz |
Joanna |
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| SOPHER |
Rachel |
BA Geog BA fine art |
Art Sooher |
Art painting loss and restitution |
GB |
| Spaenjers |
Christophe |
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| Stec |
Piotr |
PhD & Habilitation, professor of the University of Opole |
University of Opole |
Heritage Law, Art Market Law, Intellectual Property |
PL |
| Steinruck |
Thomas |
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| Steinwachs |
Victoria Louise |
M.A., Senior Consultant |
Deloitte GmbH Wirtschaftsprüfungsgesellschaft |
Arnold Blumenreich |
DE |
| Stock |
Simon |
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| Stoll |
Katharina |
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| Straughn |
Celka |
PhD, Deputy Director for Public Practice, Curatorial and Research |
Spencer Museum of Art |
collecting practices and museums, early 20th -century art |
US |
| Szafrański |
Wojciech |
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| Tasseau |
Verane |
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| Tavinor |
Marie |
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| Taylor |
Jeffrey |
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| Theinhardt |
Marketa |
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| Theunissen |
Christel |
Guest Researcher |
Radboud University |
Late medieval choir stalls, provenance research |
NL |
| Thompson Ray |
Donna |
Fine Art Appraiser |
ATFA Appraisals |
Art of the African diaspora |
US |
| Tissot Demidoff |
Alexandre |
Independent Scholar, Director |
International Demidoff Foundation |
History of Collections |
GB |
| Toschi |
Caterina |
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| Turina |
Stefano |
PhD Student |
University of Turin |
Japonisme, XIX century art market, cultural exchange between Italy and Japan, XX art market, history of collecting |
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| Uhrlandt |
Anne |
M.A., provenance researcher, project coordinator |
Zentralinstitut für Kunstgeschichte, Munich |
provenance research, art market studies |
DE |
| Van den Berg |
Karen |
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| van Ginhoven |
Sandra |
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| Veiga |
Leonor |
Ph.D., Independent Researcher |
University of Lisbon / ARTFEM |
Southeast Asian Contemporary Art, Avant-garde, Traditional Arts & Crafts; Global Contemporary; Curatorial Studies; Museum Collections; Anthropology of Art; Non-Western Modern and Contemporary Art |
PT |
| Velthuis |
Olav |
Full Professor |
University of Amsterdam, Department of Sociology |
Sociology of art; Contemporary art markets; Art markets in the global south; Digitization of art markets; Art fairs; Globalization of art markets; Valuation of art |
NL |
| Vere-Hodge |
Till |
Senior Associate |
Constantine Cannon LLP |
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GB |
| Vermeylen |
Filip |
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| Vertinskaya |
Yulianna |
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| von Klitzing |
Isabel |
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| Vraimakis |
Katia |
- |
Katia Vraimakis |
|
GB |
| Walker |
Georgina |
MA (Melb); PhD (Melb); Research Fellow |
The University of Melbourne |
Private art museums, museums, contemporary art markets, private collecting, history of patronage and museums |
AU |
| Wallach |
Alan |
PhD, Professor Emeritus |
The College of William and Mary |
History of Patronage and Art Institutions |
US |
| Wassyng Roworth |
Wendy |
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| Wazzau |
Iris |
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| Weightman |
Brian |
. |
Glasgow Museums |
Nazi-Era provenance research, collecting practices, history of the UK art market |
GB |
| Weiss |
Shannon |
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| Weißmann |
Carina Anja |
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| Weller |
Matthias |
Professor of Art Law, Cultural Property Law, and Dispute Resolution |
University of Bonn, Germany |
Art Law, Cultural Property Law, Dispute Resolution |
DE |
| West |
Lucy |
PhD student |
University of Leeds, the National Gallery and the Bowes Museum |
The nineteenth-century art market in Britain; the art market and the art museum; the role and practices of the nineteenth-century picture dealer; histories of collecting. |
GB |
| Westerby |
Genevieve |
|
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| Westgarth |
Mark |
|
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| Whitaker |
Amy |
|
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| Whitaker |
Lucy |
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| Wilmsen |
Franziska |
PhD, not graduated yet |
Loughborough University, School of Social Sciences and Humanities, Art History and Visual Culture |
Museum Studies, Intersections of Museum and Art Market, Collecting Histories, Provenance Research, Deaccessioning, Canon formation |
GB |
| Wilson |
Amy Elizabeth |
MA Student |
University of Glasgow |
Art of the Spanish baroque, illicit trafficking/trading of antiquities, restitution of Nazi-era looted art, cultural heritage in conflict, protection of cultural heritage. |
GB |
| Wimmer |
Dorothee |
|
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| Woolfson |
Jonathan |
|
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| Wuenschel |
Joerg |
Lawyer, Art Historian |
GSK Stockmann |
Art Markets, their History, and their Regulation; the Protection of the Cultural Heritage |
DE |
| Zaborowska |
Ewa |
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| Zalewski |
Leanne |
|
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| Zampetti Egidi |
Chiara |
History or Art, MA Arts Policy and Business, Editor Art Market Dictionary |
Freelance-De Gruyter |
Modern and Contemporary Art Market, Old Masters Art Market. |
DE |
| Zarobell |
John |
|
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| Zupancic |
Nika |
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