| Adam |
Georgina |
|
|
|
|
| Adams |
Renee |
PhD, Professor |
University of Oxford |
gender, art, governance, culture, values |
GB |
| Adeyemi |
Jonathan |
PhD Candidate, Arts Management |
Queen's University Belfast, United Kindom |
The visibility and validation of contemporary art from peripheral regions, with a focus on Africa |
GB |
| Aengenheyster |
Johannes |
Phd Candidate |
University of Amsterdam |
private museums, organizational forms, classification, legitimation |
DE |
| Afonso |
Luís |
|
|
|
|
| Agnew |
Julian |
|
Julian Agnew Fine Art Ltd. |
History of the British Art Market 1800 to 2020 |
GB |
| Allen |
Kerry |
Bachelor arts photography |
Greyscale Group |
Art Market/ photography |
US |
| Ambrosini |
Lynne |
PhD, Deputy Director/Chief Curator Emerita |
Taft Museum of Art |
19th-century French art patronage & market, Gilded Age collecting in USA |
US |
| Andreides |
Katalin |
Lawyer |
Andreides Law |
Art trade, Restitution, Art related dispute resolution |
HU |
| Angelini |
Francesco |
Assistant Professor (Junior) |
University of Bologna |
Art pricing, Economic and cultural value of cultural goods, Fakes and forgeries |
IT |
| Angoso de Guzmán |
Diana |
Contemporary Art History, PhD. Lecturer in Museum Studies and Art Markets |
University Complutense of Madrid, Spain |
Contemporary Art Market, Connoisseurship, Technical Art History, Global Art Markets, Collecting Practices |
ES |
| Aono |
Junko |
PhD, professor |
Meiji Gakuin University |
Art Market, Collection, Dealers, 17th century, 18th century, Dutch and Flemish Art |
JP |
| Archer |
Anita |
PhD, Research Coordinator |
University of Melbourne |
Emerging markets, international art auctions, valuation mechanisms, intermediary networks, Southeast Asia. |
AU |
| Arizzoli |
Louise |
|
|
|
|
| Armstrong-Totten |
Julia |
|
|
|
|
| ASGP |
ASGP |
“Federico Stella” Graduate School of Criminal Justice |
Università Cattolica del Sacro Cuore |
Cultural heritage protection |
IT |
| Asquith |
Catherine |
B.B., B.Litt. (hons.), / Founder & Director |
La Trobe University, Deakin University / Catherine Asquith Art Advisory |
Modern Art, Contemporary Art, Art Market, East Asia, Australia, Australian Indigenous Art, Collections, Provenance, Due Diligence, Valuations, Acquisition & Deaccession Strategies, Succession Planning, Art Funds |
AU |
| Austin |
Summer |
Phd Student |
University College London |
The relationship between museums and the market; influences on demand for antiquities; the illicit market |
GB |
| Avery-Quash |
Susanna |
Senior Research Curator (History of Collecting) |
The National Gallery |
History of collecting, history of the art market |
GB |
| Badinella |
Chiara |
Art Advisor and Appraiser |
Chiara Badinella Art Advisor & Appraiser |
Modern Art, Contemporary Art, Art Market, Provenance, Due Diligence |
IT |
| Baker |
Christopher |
Independent, currently, Mellon Rome Fellow, 2022-23; member of UK Reviewing Committee on the Export of Works of Art; Spoliation Advisory Panel; Advisory Board of Arts and Humanities research Council etc. |
Formerly, Director, National Galleries of Scotland, Edinburgh |
European art market: 18th-century to contemporary; history of collecting and display; spoliation |
GB |
| Balaskas |
Bill |
Director of Research, Business and Innovation |
School of Art & Architecture, Kingston University, London |
Internet art; online art market; the market as a spectacle. |
GB |
| Balcerzak |
Lauralynn |
Fine Art Appraiser |
International Society of Appraisers |
fine art, art market, art business |
US |
| Banks |
Patricia A. |
Ph.D., Associate Professor of Sociology |
Mount Holyoke College |
contemporary African art; African American art; art from the African Diaspora |
US |
| Bärnighausen |
Julia |
PhD candidate |
Humboldt-Universitaet zu Berlin |
Art Market Studies, Provenance Resarch, Collections & Archives, History of Photography |
DE |
| Barr |
Judith |
Lecturer |
J. Paul Getty Museum |
Provenance, antiquities, 20th century American market for antiquities |
US |
| Bauer |
Nadine |
PhD |
Brücke-Museum, Berlin / Hamburger Kunsthalle |
art market, Nazi looted art |
DE |
| Baumewerd |
Stéphanie |
Master of Arts, Wissenschaftliche Mitarbeiterin |
Rheinische Friedrich Wilhelms Universität Bonn |
Provenance Research |
DE |
| Bellinger |
Katrin |
|
|
|
|
| Benevolenskaja |
Kristina |
Phd student |
UPO |
cultural objects, law |
EE |
| Berger |
Martin |
PhD, Assistant Professor |
Leiden University |
Art market for pre-Columbian and ethnographic art, canonization, interplay between the market and academic studies. |
NL |
| Bertz |
Jörg-Michael |
independent |
Free |
Art market |
DE |
| Bexon |
Georgina |
Art historian/consultant |
Independent |
South Asian Modern and Contemporary - art, collecting and markets |
GB |
| Bialynicka-Birula |
Joanna |
PhD. hab. Prof. CUE |
Cracow University of Economics, Department of Market Analysis and Marketing Research |
art market analysis, art value, international art trade, statistical methods of market analysis |
PL |
| Bilski |
Emily |
Independent curator and scholar |
Independent |
Collectors, modernism |
IL |
| Blass-Simmen |
Brigit |
|
|
|
|
| Borresch |
Kathrin |
|
|
|
|
| Bourron |
Christine |
CEO |
Pi-eX Ltd |
Art and Finance |
GB |
| BRANDBERG |
Christina |
|
|
|
|
| Brasca |
Daria |
PhD, Researcher |
University of Udine |
Provenance Resarch, History of collecting, Italian Art dealers, Looted Art, Italian Art market during WWII, Archives |
IT |
| Broker |
Kimberly |
Associate Registrar |
Mildred Lane Kemper Art Museum |
|
US |
| Brooks |
Blair |
Ph.D. candidate |
The Graduate Center, City University of New York |
|
US |
| Broussine |
Sylvie |
Assistant Curator |
The Holburne Museum |
Portraiture, 19th-century painting |
GB |
| Brown |
Kathryn |
D.Phil (Oxford); PhD (Londlon); Lecturer in Art History and Visual Culture |
Loughborough University, United Kingdom |
art markets; museums; nineteenth-century French art; contemporary art |
GB |
| Buchholz |
Larissa |
Assistant Professor |
Northwestern University |
Art markets, contemporary art, globalization, valuation |
US |
| Budd |
Denise |
|
|
|
|
| Burmeister |
Meghan |
Student |
Arizona State University |
|
US |
| Bury |
Stephen |
|
|
|
|
| Canning |
Michael |
Lecturer |
Limerick School of Art & Design, Technological University of the Shannon, Ireland |
Contemporary Art, Art Markets, Art Fairs, Museums |
IE |
| Caputo |
Caterina |
Adjunct Professor |
University of Florence |
|
IT |
| Cartolari |
Matilde |
Post-Doc Researcher |
TU Berlin |
Exhibition and Museum History, Art Collecting, Conservation |
DE |
| Castelar-Cerna |
Alex |
PhD candidate |
Loughborough University |
|
GB |
| Catrone |
Aubrey |
Fine Art Provenance Researcher & Appraiser |
Proper Provenance, LLC |
- |
US |
| Catterson |
Lynn |
PhD (Columbia University, 2002) |
part-time lecturer, Columbia University |
15C Italian Sculpture, 19C Florence, Stefano Bardini & Art Market in late 19C |
US |
| Chadbourne |
Susanne |
|
|
|
|
| Chagnon-Burke |
Veronique |
PhD, Academic Director |
Christie's Education |
19th century Parisian art market, women artists and women art dealers |
US |
| Challis |
David |
PhD |
The University of Melbourne |
Historical development of the art market, Cultural Economics, Contemporary art markets |
AU |
| Cisno |
Carla |
MFA, Digital Assets & Web3 Specialist |
Columbia University | B4i Bocconi for Innovation |
art-tech, art-finance, blockchain |
IT |
| Cleary |
MaryKate |
|
|
|
|
| Codell |
Julie |
Ph.D., Professor, Art History |
Arizona State University |
art market, 19th c, historiography, history of collecting, colonialism, cultural encounters |
US |
| Cohen Tervaert |
Renske |
MA Art History, curator |
Kröller-Müller Museum |
art from the 19th century and early 20th century, art market, collecting |
NL |
| Conlin |
Jonathan |
Senior Lecturer in Modern History |
University of Southampton |
Metropolitan Museum; National Gallery; |
GB |
| Conrad |
Stephen |
|
|
|
|
| Cooney |
Richard |
PhD (Melb) |
No Fixed Affiliation |
The Occupational System of the Visual Arts |
AU |
| Corey |
Gabriella |
PhD Candidate, University of Maastricht |
Christie's |
provenance |
US |
| Corrigall |
Mary |
|
|
|
|
| Cosmo |
Laurie Kalb |
Ph.D., University Lecturer |
Universiteit Leiden |
Museum history, modernism, politics and art, early 20th c. Italian art history, applied arts and crafts |
IT |
| costa |
patrizia |
PhD in the History of Art and Architecture |
Univ of Pittsburgh |
Italian Art Market and Collecting |
US |
| Couriet Bossan |
Clémence |
PhD student |
The University of Warwick |
art market, French archives, Georges Petit, impressionist and early modern art |
GB |
| Coutts |
Howard |
CURATOR |
THE BOWES MUSEUM |
FINE AND DECORATIVE ARTS 1500-1900 |
GB |
| Craig |
Jeanie |
Accredited Senior Appraiser |
Art Collection Management |
Contemporary art market |
US |
| Crookham |
Alan |
|
|
|
|
| Dahlhoff |
Dieter |
Prof. Dr. |
Universität Kassel/ DMCC/ Chair of Media Management |
Buying and collecting of contemporary art, managerial topics within the art market, marketing issues |
DE |
| Davidson |
Susan |
MA |
Independant |
history of collecting, provenance research, patronage |
US |
| Davis |
Diana |
PhD |
French Porcelain Society |
French decorative art, nineteenth-century art market, Anglo-Gallic interior, ceramics, furniture, art and curiosity dealers, collecting practice of the Rothschild family |
GB |
| De Giambattista |
Federica |
Phd |
La Sapienza University, Rome |
Art market, History of collecting |
IT |
| de Koster |
Richard |
Executive Director |
Retired |
Art History, 15-16 c., early Netherlandish art |
US |
| de Peverelli |
MARIA |
|
|
|
GB |
| de Visser |
Evelien |
MA |
RKD - Netherlands Institute for Art History |
Dutch nineteenth century art, art market, collecting |
NL |
| Deans-Smith |
Susan |
Ph.D. Associate Professor |
University of Texas at Austin |
Visual and Material Culture of Colonial Latin America and Iberia; art markets and consumption; cultural patrimony |
US |
| Decker |
Pascal |
Partner |
dtb rechtsanwälte |
Due Diligence, Looted Art, New Technologies |
DE |
| Degen |
Natasha |
|
|
|
|
| Degortes |
Michela |
Phd, Researcher |
University of Lisbon |
Art history, History of collecting, Art market |
PT |
| Delogu |
Giovanni Franco |
|
|
|
|
| Dimmek |
Anastassia |
Associate |
Hunters Law LLP |
Art Law, Commercial Art Law, Restitution, Provenance, Cultural Property, Art Litigation and Mediation |
GB |
| Donnelly |
Eloise |
|
|
|
|
| Dowley |
Sharon |
PhD |
N/A |
Antiquities trade; Collecting cultural heritage; Antiquities Trafficking/Art crime; Provenance Research; Southeast Asia |
AU |
| Doyle |
Margaret |
Ph.D., Head, Curatorial Records |
National Gallery of Art |
provenance |
US |
| Duarte |
Adelaide |
PhD Researcher and Professor Universidade NOVA de Lisboa – School of Social Sciences and Humanities |
Art History Institute, Universidade NOVA de Lisboa – School of Social Sciences and Humanities / IN2PAST – Associate Laboratory for Research and Innovation in Heritage, Arts, Sustainability and Territory |
Art Collectors, Contemporary Art, Art Markets, Art Biennials, Global South, Peripheral art markets |
PT |
| Duret |
Catherine |
|
|
|
|
| Erdkamp |
Anna Katharina |
MBA, Managing partner |
Auktionshaus Plückbaum GmbH |
Digital strategies of the art auction market |
DE |
| Eshkol-Rokach |
Yoram |
PhD, Independent researcher and Art Advisor |
YER Art Consultancy |
Art Markets, Collecting and Private Museums, Art and Politics, Impact of Private Wealth on Culture Policies and Canon Formation |
GB |
| Euwe |
Jeroen |
PhD, Assistant Professor Economic History & International Relations |
Erasmus School of History, Culture, and Communication (ESHCC), Erasmus University Rotterdam |
The Dutch art market in international context, 1870-1970 |
NL |
| Evans |
Alan |
Law & Politics, Student |
University of Kent |
Restitution, Looted Art, Intellectual Property Rights, Authentication |
GB |
| Fasche |
Melanie |
Lecturer, MA in Art Business |
Sotheby's Institute of Art London |
|
GB |
| Feilchenfeldt |
Walter |
|
Walter Feilchenfeldt AG Kunstvermittlung & Kunstforschung |
w.feilchenfeldt@bluewin.ch |
CH |
| Feilchenfeldt |
Christina |
|
|
|
|
| FitzGerald |
Michael |
|
|
|
|
| Foster |
Nicola |
|
|
|
|
| Fowle |
Frances |
Chair of Nineteenth-Century Art and Senior Curator |
University of Edinburgh and National Galleries of Scotland |
Impressionism and the Art Market; collecting in Britain c.1870 to 1945 |
GB |
| Franca |
Marcilio |
Professor of Art Law |
Professor of Law (Federal University of Paraiba, BR); Alternate Arbitrator at the Mercosur Tribunal (Asunción, PY) Arbitrator at the WIPO Arbitration and Mediation Centre; Arbitrator at the Court of Arbitration for Arts, Rotterdam (NL) |
Art Law and Cultural Heritage Law |
BR |
| Franses |
Michael |
Retired former Director |
Qatar Museums, Department of Special Cultural Projects |
Textile arts, provenance, collectors, history |
IT |
| freund |
dorie |
JD |
Poison Pen |
Art provenance research, Holocaust Restitution, cultural heritage, art law |
US |
| Friedenthal |
Antoinette |
Dr. phil. |
Independent |
Genesis and Function of the Catalogue Raisonné; Mariette Family; John Smith; Print Collecting; Relation Between the Art Market and Academic Art History; Connoisseurship |
DE |
| Fulton |
Jeni |
PhD, Head of Editorial |
Art Basel, University of Zurich, Zurich University of Arts |
Artistic value, art markets |
CH |
| Furlotti |
Barbara |
PhD, Associate Lecturer |
Courtauld Institute |
Antiquarian studies, history of collecting, art provenance |
GB |
| Gal Kochavi |
Shir |
PhD, Assistant Curator |
The Magnes Collection of Jewish Art and Life, UC Berkeley |
Art market, history of collecting, Jewish collections, museology, Holocaust studies and restitution |
US |
| Gera |
Marton |
Teaching Assistant |
University of Amsterdam |
organizational sociology |
NL |
| Gerlieb |
Anne |
phd candidate |
Universität Bonn |
contemporary art market, digital exhibitions, digital transformation, power of collectors |
DE |
| Germer |
Alexandra |
Research Assistant |
Christie's Restitution |
Provenance, Restitution |
GB |
| GERSON |
Georgia |
History of Art, PhD Candidate |
University of York, UK |
Art Market, Contemporary Art, Contemporary Art Market, NFTs, Art Object |
GB |
| Getzfrid |
Lisa |
CEO/Founder |
Red Feather Advisory & Appraisal |
Art Market; Art Appraisal; Art Law |
US |
| Gianolio |
Silvia |
PhD Student |
Princeton University |
Medieval art (esp. metalwork, ivory carving, book illumination); fakes and forgeries in medieval style. |
IT |
| Giovani |
Angelina |
Partner/ Co-Founder |
Flynn & Giovani Art Provenance Research |
provenance research, due diligence, art historical research & attributions, research methodologies |
GB |
| Giuffrida |
Noelle |
PhD, Assistant Curator and Assistant Professor of Asian Art |
David Owsley Museum of Art, Ball State University, Indiana, USA |
History of collecting premodern Chinese art in the US and Europe after WWII |
US |
| Glasser |
David |
Chair |
Ben Uri Gallery and Museum |
Jewish and immigrant contribution to British visual culture since 1900 |
GB |
| Glasser |
David |
Chair |
Ben Uri Research Unit / Museum / London |
The Jewish, Refugee, Immigrant contribution to British visual culture since 1900 |
GB |
| Gnyp |
Marta |
|
|
|
|
| Goddeeris |
Ingrid |
|
|
|
|
| Goldberg |
Roxanne |
PhD Candidate |
Massachusetts Institute of Technology |
19th-c. market for Islamic art and Near Eastern antiquities; history of art dealers; relationship between the market, the academy, and the museum |
US |
| Gorayeb |
Elizabeth |
|
|
|
|
| Gorobets |
Eva |
PhD candidate, co-founder |
Art Flaneur Global pty ltd |
Photography, post-soviet art markets |
AU |
| Graziani |
Giancarlo |
Supervisor, Visiting Professor of Art Economy; Court Expert Witness and Appraiser in Art Heritage |
Ce.St.Art. – Center for Studies of Art Economy |
Art Economy, Art Market, Art History |
IT |
| Greder |
Kate |
Assistant Professor |
Design Studies, North Carolina State University |
Assetization, Fashion, Sustainability, Governance, Digital Markets, Auction Theory |
US |
| Green |
Carole |
MSc |
formerly University of Glasgow |
20th Century Art History |
GB |
| Greenwald |
Diana |
|
|
|
|
| Gretskaia |
Olesia |
Master's student |
Universitat Internacional de Catalunya |
Art market, Art auctions, Cultural policy, Art history |
ES |
| Griffith-Jones |
Laure-Aline |
MA in research |
individual |
18 and 19th century European art market |
GB |
| Guerdat |
Pamella |
|
|
|
|
| Gwardzińska-Chowaniec |
Żaneta |
Ph.D. |
University of Economics and Human Sciences in Warsaw, Poland |
legal issues concerning private museums, international art market. I'm also an expert in personal data protection and information security in the cultural sector. |
PL |
| Hacka |
Linda |
Freelance Provenance Researcher & Research Associate Provenance at Museum |
Freelance & Museum Barberini, Potsdam |
Provenance Research |
DE |
| Hakuno |
Akiko |
MA |
Brill |
art markets, art dealers, nineteenth-century Dutch art, works on paper, museums |
JP |
| Hardwick |
Tom |
Curator |
Houston Museum of Natural Science |
Egypt; antiquities; forgery |
GB |
| Heimendinger |
Nicolas |
Lecturer, PhD |
University Paris 8 Vincennes-Saint-Denis |
|
FR |
| Helmreich |
Anne |
PhD |
Archives of American Art, Smithsonian |
History of the art market, 19th-20th, London, New York, transatlantic |
US |
| HENDERSON |
ROBIN |
JD, MPH |
SELF |
19TH CENTURY BRITISH ART |
US |
| Henel |
Jennifer |
Independent Scholar |
Independent |
17th century Dutch; provenance; 19th century French; art market studies |
US |
| Henrickson |
Mathew |
|
|
|
|
| Herbert |
Catherine |
Ph.D.; Coordinator of Collections Research and Documentation |
Philadelphia Museum of Art |
Provenance research, especially Nazi-era research |
US |
| Herzog |
Günter |
Prof. Dr. |
Kunsthistorisches Institut der Universität zu Köln, formerly ZADIK |
art as a social system |
DE |
| Hess |
Claudia |
Masters in Intl. business |
Walnut Creek, CA USA |
digital arts |
US |
| Higgott |
Suzanne |
Curator of Glass, Limoges Painted Enamels, Earthenware and Early Furniture |
The Wallace Collection |
Glass, Limoges painted enamels, maiolica, history of collecting |
GB |
| Hilker |
Anne |
|
|
|
|
| Hill |
Charles |
Retured, Curator of Canadian Art |
National Gallery of Canada |
Institutional and private collecting and art dealing |
CA |
| Hives |
Will |
|
|
|
|
| Hollevoet-Force |
Christel |
PhD, Art History - Owner, CF Fine Art Provenance Consulting |
Consultant; independent scholar; formerly Associate Curator, The Metropolitan Museum of Art, New York |
Modern art, historical art market, provenance |
FR |
| Holloway |
Alix |
MA |
AH Arts LLC |
|
US |
| Holmquist-Wall |
Erika |
Chief Curator |
Speed Art Museum |
Provenance research |
US |
| Hopp |
Meike |
Prof. Dr. |
TU Berlin |
Provenance Reserach, Art Market Studies, Digital Humanities |
DE |
| Hormell |
Eric |
|
|
|
|
| Huemer |
Christian |
Ph.D., Director |
Belvedere Research Center |
History of Art Markets, Cultural Economics |
AT |
| Hugenholtz |
Liesbeth |
Publisher |
Brill |
|
NL |
| Hughes |
Alicia |
PhD, Independent Researcher |
Independent |
Histories of Collecting and Collections, Museums, Provenance, Git Exchange, Material Culture, Drawings and Prints |
|
| Hüls-Valenti |
Katharina |
PhD Student |
Johannes Gutenberg University Mainz |
Provenance research, Italian art market, Nazi looted art |
DE |
| Hunt |
Christopher |
PhD Student |
Washington University in St. Louis |
Nineteenth-century French and British art, private collecting, museum institutionalization, philanthropy and the arts |
US |
| Iacopetta-Seigneur |
Marie-Christine |
Art historian, contributor to Bloomsbury Art Markets |
Zurich University |
Art market |
CH |
| IVANOFF |
Hélène |
PhD |
INHA, Institut national d'histoire de l'art |
Art market looted art provenance restitution |
FR |
| Jagielska-Burduk |
Alicja |
|
|
|
|
| Jansma |
Patricia |
MRICS, TMV RT |
TAXATA fine art valuation |
Professional art valuation |
NL |
| Jensen |
Robert |
Ph.D. Professor of Art History and Visual Studies |
University of Kentucky |
Late 19th-early 20th-century Western art markets; artists' market behaviors |
US |
| Jones |
Susan |
PhD; Asst Professor in Art History |
NU London |
Van Eyck; Netherlandish painting; late medeival and Renaissance art |
GB |
| Jonusauskas |
Laurynas |
PhD |
Arty Cube Artworks, Opera Gallery |
Global Art Market, especially Central and Eastern Europe |
LT |
| Joris |
Yves |
Freelance art reporter |
Belgium |
Contemporary art |
BE |
| Joselow |
Evie |
Fine Art Appraiser and Art Historian, PhD. |
The Art of the Appraisal |
Estate, donation, and insurance appraisals for modern and contemporary art |
US |
| Karpinski |
Alvionne |
MLIS, PhD Candidate |
School of Information, University of British Columbia |
medieval manuscripts; bookbreaking; manuscript trade; rare book trade; market analysis; sociocultural market analysis; heritage law; heritage crime |
CA |
| Kaydalova |
Natalia |
owner of art gallery, Belgrade |
art gallery Canvas |
history of art market, former Yugoslavia art market |
RS |
| Kelly |
Simon |
D.Phil (Oxon). Curator and Head of Dept. of Modern and Contemporary Art |
Saint Louis Art Museum |
Nineteenth-century French Art, esp. landscape painting (Theodore Rousseau); art market. |
US |
| Keshet |
Amalyah |
Senior Consultant |
Naomi Korn Associates, London |
Copyright, museums, NFTs |
IL |
| Kesterson |
Casie |
Founder / Director |
Behind the Art / Provenance Research Associates |
Blockchain, Provenance Research, Impressionist and Modern Art, Art Dealer Shenanigans |
US |
| Kettering |
Karen |
|
|
|
|
| Kirchner |
Thomas |
|
|
|
|
| Knittler |
Konstanze |
PhD |
Independent |
|
AT |
| Kodera |
Tsukasa |
Prof. |
Osaka University |
Global art market including Japan and Asian countries |
JP |
| Koenigs |
Christine |
President |
The Koenigs Restitution Trust |
Provenance |
NL |
| Koot |
Leslie |
Master's Degree; President of non-profit art organization |
The Modigliani Initiative |
Modern Art; Amedeo Modigliani; WWII Looted Art |
US |
| Korman-Cherney |
Jessica |
|
|
|
|
| Koss |
Max |
Postdoctoral Research Fellow |
Leuphana University |
|
DE |
| Kostyrko |
Diana |
PhD, Art & Cultural Historian |
Australian National University |
Modern European art market; Collecting practices; transatlantic dealers; Rene Gimpel's journal |
AU |
| Kozáková |
Daniela |
DK Legal, partner and solicitor |
DK LEGAL |
provenance, art law, cultural heritage |
CZ |
| Kral |
Diana |
Phd candidate |
Academy of Fine Arts Düsseldorf |
Contemporary Art Market, Digitization of Art Market, Valuation of Art, Effects of Blockchain-Technology |
DE |
| Kunsthandelsverband der Schweiz |
Kunsthandelsverband der Schweiz |
|
|
|
|
| Küster |
Ulf |
|
|
|
|
| Landau |
Blandine |
|
|
|
|
| Lang |
Sandra |
Director and Associate Professor |
Visual Arts Administration Program, New York University |
|
US |
| Langfeld |
Gregor |
Prof. |
University of Amsterdam |
provenance research, modernism, history of collecting and exhibiting, processes of canonization |
NL |
| Lasic |
Barbara |
PhD, Senior Lecturer |
Sotheby's Institute of Art, London |
18th-century collecting, 19th-century collecting, early 20th-century collecting, decorative arts, French art, dealers and museums |
GB |
| Laura' |
Enrica |
Phd candidate |
UAB Universidad Autonoma Barcelona |
art market; art-tech; Blockchain, Human Righs |
IT |
| Lavrova |
Valerie |
|
|
|
|
| Lecher |
Ruth |
Lawyer; MA Art History Student |
K&L Gates |
Art Law |
DE |
| Lee |
Sandy |
Adjunct Faculty |
New York University |
|
US |
| Lee |
Sophia |
PhD, Independent Scholar |
Independent Scholar |
17th-century Dutch Art Market |
KR |
| Lee |
Kendra |
M.A. |
University of Victoria |
Contemporary Art, Art Market, Auction Houses, Galleries |
CA |
| Lewis |
Ben |
MA |
Ben Lewis Projects |
19th and 20thC art markets |
GB |
| LI |
LINLI |
|
|
|
|
| Li |
Anqi |
PhD student |
University of Hong Kong |
|
HK |
| Locke |
Sabrina |
|
|
|
|
| Lopedoto |
Filomena |
PhD Student |
Heinrich-Heine-University Duesseldorf |
Provenance Research, German-Italian Relations |
DE |
| LOPEZ ABADIN |
CARLOS FRANCISCO |
LAWYER |
ARTELEY |
ART AND LAW; LATAM ART MARKET; INTELLECTUAL PROPERTY AND CULTURAL HERITAGE; |
ES |
| Luukkanen-Hirvikoski |
Teija |
Dr. art historian, postdoctoral researcher |
University of Jyväskylä/Dept. of Music, Art and Culture Studies/Jyväskylä |
Corporate art collections, collecting, modern and contemporary art |
FI |
| MacDonald |
Isobel |
Project Curator: History of Collection |
British Museum |
History of Collecting; Data-led Collection analysis |
GB |
| Maggi |
Edoardo |
PhD candidate |
Sapienza University of Rome |
|
IT |
| Maglione |
Biancalucia |
Doctoral Student |
University of Florence |
Italian and European Inter-war Art; Collecting; XXth Century Art Market; Exhibition History |
IT |
| Mahler |
Luise |
MA, Research Associate |
Independent Scholar |
provenance research, history of collecting, art criticism and art market practices in the 19th and 20th centuries, gender studies |
US |
| Maier |
Kimberly |
MPA, Executive Director, Association of Professional Art Advisors |
Association of Professional Art Advisors |
art and law, art market, art trade, collecting, collectors, cultural heritage, connoisseurship, history of collecting, looted art, disaster preparedness |
US |
| Maksimova |
Marina |
Phd, Lecturer |
Sotheby's Institute of Art |
collecting, Russian Art market, exhibition histories, art institutions, museums |
GB |
| Mallon |
MacKenzie |
|
|
|
|
| Mangelsdorff |
Patrick Oskar |
Cand. phil. art. hist. M.A. |
Rheinische Friedrich-Wilhelms-Universität Bonn |
Art History & Museum Studies, Provenance Research, History of Collecting, Art Market, Art Law, Looted Art, Cultural Heritage, Cultural Property Protection (CPP)/ Military Cultural Property Protection (MilCPP) |
DE |
| MARQUES |
CRISTIELEN |
Master |
PROLAM USP |
Art Market and collections |
BR |
| Marquez-Feldman |
Victoria |
PhD Candidate |
Université Paris 1 Panthéon-Sorbonne |
Art & Diplomacy, Exhibition History, Provenance Studies, Latin America, France-Argentina relations, Nazi looted art |
FR |
| Marsh |
Andrew |
|
|
|
|
| Martignon |
Alice |
Ph.D., University of Udine/ Research Grant Holder, Subject expert and Teaching Assistant Senior, Department of Philosophy and Cultural Heritage, Ca' Foscari University of Venice |
Ca' Foscari University of Venice https://www.unive.it/data/people/6059972 alice.martignon@unive.it |
History of Collecting, History of Art Market, Illicit Art Trade, History of Expositions, History of Decorative Arts, History of Costume and Textiles, Digital Humanities (digital photography, virtual restoration, multispectral imaging, databases) |
IT |
| Martin |
Henry |
PhD Candidate NCAD, Lecturer NCAD, CityLit, Fulbright Fellow Smithsonian |
National College of Art and Design, Ireland |
Collecting, Museology, Exhibition History, American Art, Biography Studies, Art Market |
GB |
| Massad Cury |
Carolina |
Project Manager - Art & Culture Market |
CMC projects |
Art market , Latin America , Brasil |
BR |
| Mawick |
Zacharias |
Dipl. Jur., Legal Adviser |
London |
art law, provenance research, Nazi looted art, art history |
GB |
| May Boddewyn |
Julia |
MA, Researcher |
Arshile Gorky Foundation, New York |
early 20th century U.S. market for contemporary European art |
US |
| McComas |
Jennifer |
|
|
|
|
| McGhee |
Kris |
MA (University College London) |
Saint Mary's College of California, California College of the Arts |
Provenance Research, Interwar Germany, Religious Relics, France (long nineteenth-century) |
US |
| Mednick |
Thor |
Ph.D. Professor of Art History |
University of Toledo |
Modern, Museum Studies |
US |
| Melton |
Paul |
Associate Professor, Art Market Studies |
School of Graduate Studies, SUNY-FIT |
|
US |
| Merz |
Miriam Olivia |
provenance researcher |
Zentrale Stelle für Provenienzforschung Hessen |
museum collections, provenance research, Nazi-Era provenance research |
DE |
| Mestdagh |
Camille |
PhD |
Paris Panthéon-Sorbonne, Lumière Lyon 2 |
Dealers in 19th C. Paris - decorative arts - collections - auction sales |
FR |
| Meyer-Abich |
Susanne |
|
|
|
|
| Michiulis |
Diana L |
|
|
|
|
| Middleton |
Lucy |
MLitt Art History & MA Art Market Professional Studies & Practice |
Independent |
Cultural Heritage, Lost Collections and less well known collectors & contributors to the art market |
GB |
| Milano |
Ronit |
|
|
|
|
| Miller |
Asher |
|
|
|
|
| Milosch |
Jane |
Independent Curator and Honorary Professor |
Washington DC / University of Glasgow |
History of Collecting, Craft, Decorative Arts & Design, Provenance, Exhibitions |
US |
| Miyamoto |
Bénédicte |
Associate Professor |
Université Sorbonne Nouvelle - Paris 3 |
18c art markets; auction catalogs; mapping markets |
FR |
| Moignard |
Michael |
PhD |
La Trobe University |
20th century art collectors |
AU |
| Moody |
Andrea |
|
|
|
|
| Moss |
Avigail |
|
|
|
|
| moureau |
nathalie |
|
|
|
|
| Muchitsch |
Yvonne |
Ph.D |
Hamburg |
Art Market, Economics, Data Analysis, Museum Studies |
DE |
| Mueller |
Shirley |
BS MS MD |
Indiana University, Adjunct professor in neurology |
The neuropsychology of the collector |
US |
| Muratov |
Maya |
|
|
|
|
| Myall Locke |
Ceri |
|
|
|
|
| Nangeroni |
Amalia |
PhD Candidate |
IULM University |
Art Market, Philantropy, Contemporary Art, Artification of Luxury Brands |
IT |
| Napodano |
Lorenzo |
PhD Candidate |
Università di Catania |
Art Market; Collectors; Renaissance; Italy; Europe; America |
IT |
| Nathan |
Johannes |
PhD / CEO / Editor-in-Chief |
Nathan Fine Art, Potsdam / Bloomsbury Art Markets (bloomsburyartmarkets.com) / TU Berlin |
History of the Art Market, Provenance Research |
DE |
| Nathan Fine Art GmbH |
|
|
Art Gallery, Potsdam |
Provenance Research |
DE |
| Neville |
Rena |
Director Corinth Consulting AML art market service provider |
Corinth Consulting Ltd |
AML art market |
GB |
| Nuernberger |
Philipp |
|
|
|
|
| Oberste-Hetbleck |
Nadine |
|
|
|
|
| PARK |
Kate NaHyun |
MA Art, Law and Business |
Christie's |
Digital Art in Art Market |
KR |
| PARKER |
Robert |
|
|
|
|
| Paruzzo |
Valeria |
Ph.D. Candidate |
Università di Trento |
Art Market and Collections in Venice during the Austrian rule (1815-1866) |
IT |
| Patterson |
Khamal |
J.D., Lawyer |
ARTIVE |
Restitution, copyright, digitization |
US |
| PELLICARI |
Giada |
Art Curator, PhD Student Visual and Media Studies, Curriculum Visual Arts |
Università IULM Milano |
Art Fairs, Art Market, Contemporary Collecting, History of Exhibitions |
IT |
| Penot |
Agnès |
|
|
|
|
| Perdigao |
Tiago |
Student |
ISCTE |
|
PT |
| Perez Ibañez |
Marta |
PhD, independent researcher |
|
art market, artists in the art system |
ES |
| Pergam |
Elizabeth |
|
|
|
|
| Petri |
Grischka |
|
|
|
|
| Petrides |
Loizos |
PhD |
ISCTE-IUL |
|
PT |
| Phillips |
Catherine |
|
|
|
|
| Phillott-Batapa |
Patrocinio |
|
|
|
|
| Pietri |
Julia |
Subject assistant - Master |
Université Libre de Bruxelles |
Economy of the art market |
BE |
| Pinet-Netter |
Marie-Isabelle |
Master |
MIP fine arte research and advisory |
XIXth century art, Russian art, old master drawings, restitutions, French modern painting |
FR |
| Pinto |
Luis |
|
|
|
|
| Plumpton |
Gemma |
PhD Researcher |
University of Leeds, The National Gallery |
Twentieth-century collecting of Old Masters in Britain; role of dealers in institutional collecting |
GB |
| Poljanec |
Kristijan |
PhD, Assistant Professor |
Faculty of Economics and Business University of Zagreb, Department of Business Law |
Auction Law, Cultural Heritage Law, Cultural Property Law, Charity and Foundation Law, Commercial Law, EU Private Law |
HR |
| Poposki |
Zoran |
Assistant professor |
Department of Cultural and Creative Arts, The Education University of Hong Kong |
Contemporary Art, Artists, Art Market, Exhibitions, Art Galleries, Sustainability |
HK |
| Potter |
Daniel |
PhD, Assistant Curator Ancient Mediterranean |
National Museums Scotland |
Egyptology/Egyptian archaeology and the antiquities market. The distribution of archaeological objects through the art market. The impact of the entanglement of archaeology and the market on museum displays, interpretation and public engagement. |
GB |
| Prato |
Salvatore |
Msc Economics and Finance, Art Advisor, Member of Ce.St.Art. (Centro Studi sull'Economia dell'Arte) - Center for Studies of Art Economy |
Ce.St.Art. – Center for Studies of Art Economy |
Art Economy, Art Market, Art History |
IT |
| Pritchard |
Daniel |
Masters, Managing Director |
Artprovenance research.com |
Art Provenance, Valuation, Family Offices, Corporate Art Portfolios |
US |
| Qu |
Shen |
PhD student |
SOA, ASU |
art market, contemporary art history |
US |
| Quinones |
Claudia |
|
|
|
|
| Rabij |
Liudmyla |
Founder |
Mila Arts Consulting |
Museums and Art Market |
US |
| Radermecker |
Anne-Sophie |
|
|
|
|
| Rambach |
Hadrien |
|
|
|
|
| Raobeharilala |
Sophie |
Art and vintage cars provenance researcher, art historian |
Independent |
looted art, looted cars, provenance research, restitution, traceability in museum collections and art market |
FR |
| Raux |
Sophie |
|
|
|
|
| Reed |
Victoria |
|
|
|
|
| Reis |
Leonhard |
Dr. in legal studies / honorary professor in copyright law |
Law Offices Leonhard Reis |
Law of art markets, copyright law and visual arts |
AT |
| Reuter |
Brigitte |
Dr. |
Kunsthalle Bremen |
History of art collections; Nazi-Era provenance research |
DE |
| Ricci |
Clarissa |
Adjunct Professor |
Università di Bologna |
Biennials, Fairs, Collecting, Italian Art Market, Contemporaneity, Provenance |
IT |
| Ricklow |
Fiona |
BA, LLM, PGDip (Building History) |
Independent scholar |
Art market studies; cultural heritage and property protection; cultural heritage crime; building history; aretfact studies; archaeology |
GB |
| Roberts |
Jack |
PhD |
Art Addict - Independent Art Dealer (www.artaddict.org.uk) |
Contemporary Art - The artists role in the art market, artist/dealer relations, value systems of the art market |
GB |
| Robertson |
Iain |
|
|
|
|
| Robson |
Deirdre |
PhD |
|
Art market, art dealers, gender |
GB |
| Rohne |
Raymond |
PhD |
Hong Kong Universtiy of Science & Technology/ www.raymondrohne.com |
History of East Asian Contemporary Art Collectors/Collections, Conspicuous Consumption & the Art Market, Millennial/Gen Z Art Collectors |
HK |
| Rothfeld |
Anne |
PhD |
Independent scholar |
postwar Europe; Nazi looted art; provenance research materials; art dealers |
US |
| Rowlands |
Eliot |
|
|
|
|
| Rozenbaum |
Andrea |
PhD Candidate |
University of Amsterdam |
Private museums, contemporary art |
NL |
| Rubin |
Anna |
Director |
NYS Holocaust Claims Processing Office |
Art history, history, provenance research |
US |
| Russell |
Anne-Marie |
co-creator, Christie's MA, Founding Director, Sarasota Art Museum, Director Emerita, MOCA Tucson |
Consultant & independent scholar |
critical and cross-cultural connoisseurship, history & theory of collecting |
US |
| Salto Santamaría |
Iñigo |
PhD candidate |
Technische Universität Berlin |
Provenance of medieval art, Temporary exhibitions, Museum history |
DE |
| Samuels |
Ann |
BA Business Administration, Owner |
Ann Samuels Gallery |
Art Markets |
US |
| Sancho-Arroyo |
Maria |
Faculty - Art Business |
Sotheby’s Institute of Art |
Art markets / museums and the market |
US |
| Scallen |
Catherine |
|
|
|
|
| Schmutz |
Thomas |
|
|
|
|
| Schneider |
Madeleine |
PhD-Student |
Technische Universität Berlin |
|
DE |
| Schoen |
Allison |
MA Decorative Art & Design History |
George Washington University |
Private collectors, private museums, collectors' influence on the art market |
US |
| Schultz |
Deborah |
|
|
|
|
| Schütze |
Sebastian |
|
|
|
|
| Schwelle |
Friederike |
PhD Student |
Durham University |
Provenance Research, History of Collecting, Historic Art Market, Nazi Looted Art, Archaeology, Egyptology |
GB |
| Selvin |
Linda |
Executive Director |
Appraiser Association of America |
Global Art Market, Collecting Practices, Collectors, Auctions |
US |
| Sen |
Anindya |
MA Art Business, Sotheby's Institute. Independent Art and Culture Consultant/Writer. |
Freelance |
Emerging Art Markets, Art and Technology, Culture and Heritage |
IN |
| Serafini |
Paolo |
|
|
|
|
| Shannon |
Cecile |
MA Art Market & Appraisal (Distinction) Art Valuer at auction houses |
Art Seekers International |
Various |
GB |
| Sheshjavani |
Hamidreza |
PhD |
CACIMA Center for Cultural and Creative Industries |
Middle East Art Market (especially Iranian); Contemporary Art Market; Cultural policy; Art Finance, Resale Right |
IR |
| Shiner |
Helen |
MA |
Moissey Kogan Catalogue Raisonné |
Nazi-looted art, modern art dealers |
GB |
| Sieber |
Joachim |
Kunsthistoriker |
Zürcher Kunstgesellschaft |
Provenance research |
CH |
| Simmons |
Lucian |
Vice Chairman and Worldwide Head Restitution Dept |
Sotheby's |
Provenance |
US |
| Simms |
Gretchen |
Doctorate, lecturer |
San Jose State University |
Art history and the art market |
AT |
| Sisley |
Logan |
MA (Hons), Acting Head of Collections |
Hugh Lane Gallery |
|
IE |
| Skipwith |
Selina |
BA (Hons), Director |
Skipwith Consulting Limited |
|
GB |
| Sklodowska |
Elzbieta |
Professor of Latin American Studies/Spanish |
Washington University in Saint Louis |
Cuban, Caribbean, and Latin American material culture and visual arts |
US |
| Slavova |
Yana |
M.A., research assistant |
Abraham Adelsberger Art Research Project |
provenance research |
DE |
| Song |
Yuqing |
PhD student |
ULB |
|
BE |
| Spina |
Emanuele |
Lawyer |
Studio Legale IURECONSULTI |
Art Law |
IT |
| Stec |
Piotr |
PhD & Habilitation, professor of the University of Opole |
University of Opole |
Heritage Law, Art Market Law, Intellectual Property |
PL |
| Stein |
Regina |
Dr. |
independent provenance researcher, Berlin (D) |
object research (NS/GDR), NS networks and practices: withdrawal/art trade/freight forwarding |
DE |
| Stein |
Emily |
MA, Photoarchivist |
Frick Art Reference Library / The Frick Collection |
Italian Baroque; French Rococo and Impressionism; anachronisms and artistic influences across time; art looting, provenance, and restitution; curatorial practices; museum relevancy and accessibility |
US |
| Steinberg |
Monica |
PhD, Assistant Professor, School of Modern Languages and Cultures (American Studies) |
University of Hong Kong |
Contemporary Art, Law, Market, Humor |
HK |
| Steinruck |
Thomas |
|
|
|
|
| Sterrett |
Edward |
PhD, Independent Scholar, Adjunct Faculty |
Pepperdine University & Wayne State University |
Trans-Atlantic Art Dealing 19th-20th c |
US |
| Stock |
Simon |
|
|
|
|
| Stokesbury |
Renee |
MH (Art law & policy), Associate Provenance Researcher |
Denver Art Museum |
General provenance research, specialist in Nazi-era provenance |
US |
| Stoll |
Katharina |
|
|
|
|
| Suttle |
Lenore Tanaquil |
Independent Art Historian, Provenance Researcher. NYU Institute of Fine Arts ,Wheaton College, U de Paris III |
Independent |
European art trade's effect on institutional collecting in the US; Dissemination of Incorrect Provenance Post-WW2 in the US; L'Affaire Dreyfus et Le Groupe des Batignolles |
US |
| Tarsis |
Irina |
JD, Founder & Managing Director |
Center for Art Law |
art law, due diligence, provenance research, history of collecting |
CH |
| Tasseau |
Verane |
|
|
|
|
| Tavinor |
Marie |
|
|
|
|
| Taylor |
Jeffrey |
|
|
|
|
| Tedbury |
Imogen |
|
|
|
|
| Thole |
Eléonore |
MA Art and Cultural Sciences |
Universiteit van Amsterdam |
Art Dealers, Art History, Art Market, Nazi Looted Art, Provenance Research, Restitution |
NL |
| To |
Clifford |
Solicitor, LLM (Syd) MSc (Oxon), MCIArb MSIArb; Life member of the Edgar Wind Society for Art History |
To & Co Lawyers |
Renaissance art; Asian Art; Art Law; Cross-border transactions |
AU |
| Toschi |
Caterina |
|
|
|
|
| Turina |
Stefano |
PhD Student |
University of Turin |
Japonisme, XIX century art market, cultural exchange between Italy and Japan, XX art market, history of collecting |
|
| Turpin |
Adriana |
|
|
|
|
| Twist |
Neil |
Bachelor of Arts |
University of Melbourne |
Provenance; repatriation |
AU |
| Uhrlandt |
Anne |
M.A., provenance researcher, Reserach and Documentation Officer |
Jewish Digital Cultural Recovery Project |
provenance research, art market studies |
DE |
| Universidade NOVA de Lisboa – School of Social Sciences and Humanities - NIF 501559094 |
Art History Institute |
NIF 501559094 |
School of Social Sciences and Humanities, Universidade NOVA de Lisboa - NIF 501559094 |
|
PT |
| Vadász |
Vanda |
PhD, Junior Research Fellow/ Scientific Officer |
HUN-REN Centre for Social Sciences Institute for Legal Studies |
Art Law, Private International Law, International Economic Law |
HU |
| Vaizey |
Marina |
BA,MA |
Select title / Other |
|
GB |
| Van den Berg |
Karen |
|
|
|
|
| van Ginhoven |
Sandra |
|
|
|
|
| Van Miegroet |
Hans |
Professor Art & Markets |
Duke University. Duke Art, Law & Markets Initiative (DALMI) |
History of Art Markets, data driven art market research; quantitative+qualitative cluster methods |
US |
| Varley |
Zoe |
PhD, Research Associate |
University of Leeds, Wellcome Collection, Natural History Museum |
Histories of collecting and museums, natural history as cultural history, changing notions of museum value |
GB |
| Velthuis |
Olav |
Full Professor |
University of Amsterdam, Department of Sociology |
Sociology of art; Contemporary art markets; Art markets in the global south; Digitization of art markets; Art fairs; Globalization of art markets; Valuation of art |
NL |
| Vermeylen |
Filip |
Professor of Global Art Markets |
|
|
NL |
| Vertinskaya |
Yulianna |
|
|
|
|
| von Appen |
Antonia |
PhD-Candidate |
Bocconi University |
Art Market |
IT |
| von Klitzing |
Isabel |
|
|
|
|
| Vraimakis |
Katia |
Acquisitions Manager |
Royal Commission for AlUla |
|
SA |
| Walker |
Georgina |
MA (Melb); PhD (Melb); Research Fellow |
The University of Melbourne |
Private art museums, museums, contemporary art markets, private collecting, history of patronage and museums |
AU |
| Walsh |
Irene |
|
|
|
|
| Walsh |
Amy |
Ph.D., Independent Scholar |
Retired Curator of European Paintings and Head of Provenance Research at the Los Angeles County Museum of Art |
Provenance Research: Nazi era and general historical provenance/history of collecting |
US |
| Watermann |
Gerald |
Student at TU Berlin; Culture and Technology - Art History, B.A. |
Technical University of Berlin |
|
DE |
| Watrelot |
Michaela |
PhD, Curator |
Bassam Freiha Art Foundation |
Transatlantic Art Market, History of Private Collecting and Patronage, Wilhelm Bode, Duveen, Rudolphe Kann |
AE |
| Weightman |
Brian |
. |
Glasgow Museums |
Nazi-Era provenance research, collecting practices, history of the UK art market |
GB |
| Weiss |
Shannon |
|
|
|
|
| Weller |
Matthias |
Professor of Art Law, Cultural Property Law, and Dispute Resolution |
University of Bonn, Germany |
Art Law, Cultural Property Law, Dispute Resolution |
DE |
| Wenley |
Robert |
Deputy Director, Head of Collections |
The Barber Institute of Fine Arts |
Dutch & Flemish C17th painting, French C17th-C18th bronzes, history of collecting fine art in Britain |
GB |
| West |
Lucy |
PhD student |
University of Leeds, the National Gallery and the Bowes Museum |
The nineteenth-century art market in Britain; the art market and the art museum; the role and practices of the nineteenth-century picture dealer; histories of collecting. |
GB |
| Westerby |
Genevieve |
|
|
|
|
| Westgarth |
Mark |
|
|
|
|
| Whitaker |
Lucy |
Independent Art Historian and Curator, formerly Senior Curator of Paintings, Royal Collection Trust |
Independent Art Historian and Curator |
Collecting Italian and northern European art, particularly by the British monarchy; Italian and Northern European paintings, drawings and frames |
GB |
| Whitaker |
Amy |
|
|
|
|
| Whitaker |
Lucy |
|
|
|
|
| Wimmer |
Dorothee |
|
|
|
|
| Winslow |
Karen |
PhD |
University of London |
Manuscript collectors, Mughal art |
MU |
| Woodhead |
Charlotte |
Assistant Professor |
Warwick Law School, University of Warwick, UK |
Cultural heritage law, repatriation, restitution, ethics of care of cultural heritage |
GB |
| Woolfson |
Jonathan |
|
|
|
|
| Wuenschel |
Joerg |
Dr. iur., Lawyer, Art Historian |
GSK Stockmann |
Art Markets, their History, and their Regulation; the Protection of the Cultural Heritage |
DE |
| Xiao |
Yuxuan |
PhD candidate in History of Art |
University of York |
Art market, exhibition history, museology |
GB |
| YOSHIKAWA |
Setsuko |
Professor |
Kyoto University of Advanced Science |
19c.art history, Impressionism, Japonism |
JP |
| Zalewski |
Leanne |
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| Zarobell |
John |
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