| Abruzzo |
Carol |
Master's Candidate |
Sotheby's Institute of Art |
Conservatorship, Connoisseurship & Exhibitions |
US |
| Adam |
Georgina |
|
|
|
|
| Adams |
Renee |
PhD, Professor |
University of Oxford |
gender, art, governance, culture, values |
GB |
| Adeyemi |
Jonathan |
PhD Candidate, Arts Management |
Queen's University Belfast, United Kindom |
The visibility and validation of contemporary art from peripheral regions, with a focus on Africa |
GB |
| Aengenheyster |
Johannes |
Phd Candidate |
University of Amsterdam |
private museums, organizational forms, classification, legitimation |
DE |
| Afonso |
Luís |
|
|
|
|
| Agnew |
Julian |
|
Julian Agnew Fine Art Ltd. |
History of the British Art Market 1800 to 2020 |
GB |
| Allan |
Scott |
PhD, Associate Curator of Paintings |
J. Paul Getty Museum |
19th-century France |
US |
| Álvarez de Toledo López Herrera |
Felipe |
|
|
|
|
| Ambrosini |
Lynne |
PhD, Deputy Director/Chief Curator Emerita |
Taft Museum of Art |
19th-century French art patronage & market, Gilded Age collecting in USA |
US |
| Ando |
Tomoko |
Doctor |
Hosei University |
19 century French Art in England |
JP |
| Andreides |
Katalin |
Lawyer |
Andreides Law |
Art trade, Restitution, Art related dispute resolution |
HU |
| Angelini |
Francesco |
Assistant Professor (Junior) |
University of Bologna |
Art pricing, Economic and cultural value of cultural goods, Fakes and forgeries |
IT |
| Aono |
Junko |
PhD, professor |
Meiji Gakuin University |
Art Market, Collection, Dealers, 17th century, 18th century, Dutch and Flemish Art |
JP |
| Archer |
Anita |
PhD, Research Coordinator |
University of Melbourne |
Emerging markets, international art auctions, valuation mechanisms, intermediary networks, Southeast Asia. |
AU |
| Arizzoli |
Louise |
|
|
|
|
| Armstrong-Totten |
Julia |
|
|
|
|
| Austin |
Summer |
Phd Student |
University College London |
The relationship between museums and the market; influences on demand for antiquities; the illicit market |
GB |
| Avery-Quash |
Susanna |
Senior Research Curator (History of Collecting) |
The National Gallery |
History of collecting, history of the art market |
GB |
| Backer |
Kristiane |
|
|
|
|
| Baker |
Christopher |
Independent, currently, Mellon Rome Fellow, 2022-23; member of UK Reviewing Committee on the Export of Works of Art; Spoliation Advisory Panel; Advisory Board of Arts and Humanities research Council etc. |
Formerly, Director, National Galleries of Scotland, Edinburgh |
European art market: 18th-century to contemporary; history of collecting and display; spoliation |
GB |
| Balaskas |
Bill |
Director of Research, Business and Innovation |
School of Art & Architecture, Kingston University, London |
Internet art; online art market; the market as a spectacle. |
GB |
| Balcerzak |
Lauralynn |
Fine Art Appraiser |
International Society of Appraisers |
fine art, art market, art business |
US |
| Bannenberg |
Coco |
Relationship Manager (MA) |
TEFAF |
Art market, museums, Institutional collecting |
NL |
| Bärnighausen |
Julia |
PhD candidate |
Humboldt-Universitaet zu Berlin |
Art Market Studies, Provenance Resarch, Collections & Archives, History of Photography |
DE |
| Barr |
Judith |
Lecturer |
J. Paul Getty Museum |
Provenance, antiquities, 20th century American market for antiquities |
US |
| Barragán |
Paco |
consultant, curator, conference speaker, arts writer |
Paco Barragán Art |
art market, art dealing, art fairs, galleries, artists, biennials, |
ES |
| Bauer |
Nadine |
PhD |
Brücke-Museum, Berlin / Hamburger Kunsthalle |
art market, Nazi looted art |
DE |
| Baumewerd |
Stéphanie |
Master of Arts, Wissenschaftliche Mitarbeiterin |
Rheinische Friedrich Wilhelms Universität Bonn |
Provenance Research |
DE |
| Bell |
Judith |
MA Hons, MSc History of Art |
Independent |
19th century Scottish, Paisley Art Institute and German Expressionism |
GB |
| Bellinger |
Katrin |
|
|
|
|
| Benevolenskaja |
Kristina |
Phd student |
UPO |
cultural objects, law |
EE |
| Berger |
Martin |
PhD, Assistant Professor |
Leiden University |
Art market for pre-Columbian and ethnographic art, canonization, interplay between the market and academic studies. |
NL |
| Bertz |
Jörg-Michael |
independent |
Free |
Art market |
DE |
| Bexon |
Georgina |
Art historian/consultant |
Independent |
South Asian Modern and Contemporary - art, collecting and markets |
GB |
| Bialynicka-Birula |
Joanna |
PhD. hab. Prof. CUE |
Cracow University of Economics, Department of Market Analysis and Marketing Research |
art market analysis, art value, international art trade, statistical methods of market analysis |
PL |
| Bilski |
Emily |
Independent curator and scholar |
Independent |
Collectors, modernism |
IL |
| Blass-Simmen |
Brigit |
|
|
|
|
| Boll |
Dirk |
Vorstand, Kunst des 20. und 21. Jahrhunderts |
Christie’s London |
Art market structure/ art market history |
GB |
| Boloten |
Jeffrey |
|
|
|
|
| Borresch |
Kathrin |
|
|
|
|
| Bourron |
Christine |
CEO |
Pi-eX Ltd |
Art and Finance |
GB |
| Brennan |
Kaeli |
Student |
University of Michigan |
|
US |
| Broker |
Kimberly |
Associate Registrar |
Mildred Lane Kemper Art Museum |
|
US |
| Brooks |
Blair |
Ph.D. candidate |
The Graduate Center, City University of New York |
|
US |
| Broussine |
Sylvie |
Assistant Curator |
The Holburne Museum |
Portraiture, 19th-century painting |
GB |
| Brown |
Kathryn |
D.Phil (Oxford); PhD (Londlon); Lecturer in Art History and Visual Culture |
Loughborough University, United Kingdom |
art markets; museums; nineteenth-century French art; contemporary art |
GB |
| Bryant |
Barbara |
Ph.D. |
Independent scholar |
British art and the history of collecting |
GB |
| Bryce |
Kristy |
Art Advisor |
Kristy Bryce Fine Art |
Contemporary Art |
US |
| Budd |
Denise |
|
|
|
|
| Burgess |
Cynthia |
Current MA graduate student |
University College Dublin |
Art Market Intermediaries, Museum Collections |
US |
| Burmeister |
Meghan |
Student |
Arizona State University |
|
US |
| Bury |
Stephen |
|
|
|
|
| Canning |
Michael |
Lecturer |
Limerick School of Art & Design, Technological University of the Shannon, Ireland |
Contemporary Art, Art Markets, Art Fairs, Museums |
IE |
| Caputo |
Caterina |
Researcher |
University of Florence |
|
IT |
| castellini |
Anna |
Art Student |
Regents University London |
|
GB |
| Catrone |
Aubrey |
Fine Art Provenance Researcher & Appraiser |
Proper Provenance, LLC |
- |
US |
| cattell |
juliette |
MBA- Art and Collecting Management, IESA Paris |
Art Discovery ltd |
collecting old masters, old master drawings, renaissance and baroque women artists |
GB |
| Catterson |
Lynn |
PhD (Columbia University, 2002) |
part-time lecturer, Columbia University |
15C Italian Sculpture, 19C Florence, Stefano Bardini & Art Market in late 19C |
US |
| Chadbourne |
Susanne |
|
|
|
|
| Chagnon-Burke |
Veronique |
PhD, Academic Director |
Christie's Education |
19th century Parisian art market, women artists and women art dealers |
US |
| Challis |
David |
PhD |
The University of Melbourne |
Historical development of the art market, Cultural Economics, Contemporary art markets |
AU |
| Chan |
Ivy |
Doctoral Candidate |
SOAS |
Chinese art, art market, museums, connoisseurship |
GB |
| Cisno |
Carla |
MFA, Art Consultant |
Columbia University |
art & finance: valuation, data, media a. technology |
IT |
| Cleary |
MaryKate |
|
|
|
|
| Codell |
Julie |
Ph.D., Professor, Art History |
Arizona State University |
art market, 19th c, historiography, history of collecting, colonialism, cultural encounters |
US |
| Codignola |
Federica |
|
|
|
|
| Cohen Tervaert |
Renske |
MA Art History, curator |
Kröller-Müller Museum |
art from the 19th century and early 20th century, art market, collecting |
NL |
| Colonna |
Cecile |
scientific adviser |
Institut national d'histoire de l'art - Paris |
History of archeological collections (mostly greek and roman objects), antiquities sales in Paris |
FR |
| Conlin |
Jonathan |
Senior Lecturer in Modern History |
University of Southampton |
Metropolitan Museum; National Gallery; |
GB |
| Conrad |
Stephen |
|
|
|
|
| Corona |
Sarah |
Doct., Founder |
SARAHCROWN Art Consulting |
contemporary art, art markets, art online market |
US |
| Corrigall |
Mary |
|
|
|
|
| Cosmo |
Laurie Kalb |
Ph.D., University Lecturer |
Universiteit Leiden |
Museum history, heritage preservation, politics and art, applied arts and craft, and Italian fine art of the late 19th and early 20th centuries |
IT |
| costa |
patrizia |
PhD in the History of Art and Architecture |
Univ of Pittsburgh |
Italian Art Market and Collecting |
US |
| Couriet Bossan |
Clémence |
PhD student |
The University of Warwick |
art market, French archives, Georges Petit, impressionist and early modern art |
GB |
| Coutts |
Howard |
CURATOR |
THE BOWES MUSEUM |
FINE AND DECORATIVE ARTS 1500-1900 |
GB |
| Crookham |
Alan |
|
|
|
|
| Dahlhoff |
Dieter |
Prof. Dr. |
Universität Kassel/ DMCC/ Chair of Media Management |
Buying and collecting of contemporary art, managerial topics within the art market, marketing issues |
DE |
| Davidson |
Susan |
MA |
Independant |
history of collecting, provenance research, patronage |
US |
| Davis |
Diana |
PhD |
French Porcelain Society |
French decorative art, nineteenth-century art market, Anglo-Gallic interior, ceramics, furniture, art and curiosity dealers, collecting practice of the Rothschild family |
GB |
| De Giambattista |
Federica |
Phd |
La Sapienza University, Rome |
Art market, History of collecting |
IT |
| de Koster |
Richard |
Executive Director |
Retired |
Art History, 15-16 c., early Netherlandish art |
US |
| de Peverelli |
Maria |
|
|
|
GB |
| de Visser |
Evelien |
MA |
RKD - Netherlands Institute for Art History |
Dutch nineteenth century art, art market, collecting |
NL |
| Deans-Smith |
Susan |
Ph.D. Associate Professor |
University of Texas at Austin |
Visual and Material Culture of Colonial Latin America and Iberia; art markets and consumption; cultural patrimony |
US |
| Decker |
Pascal |
Partner |
dtb rechtsanwälte |
Due Diligence, Looted Art, New Technologies |
DE |
| Degen |
Natasha |
|
|
|
|
| Degortes |
Michela |
Phd, Researcher |
University of Lisbon |
Art history, History of collecting, Art market |
PT |
| Delahaye |
Bernd |
Lawyer |
|
19th century paintings |
DE |
| Delogu |
Giovanni Franco |
|
|
|
|
| Dimmek |
Anastassia |
Associate |
Hunters Law LLP |
Art Law, Commercial Art Law, Restitution, Provenance, Cultural Property, Art Litigation and Mediation |
GB |
| Dong |
Huixian |
MFA, PhD Candidate |
Arizona State University |
Contemporary Chinese art |
US |
| Donnelly |
Eloise |
|
|
|
|
| Dowley |
Sharon |
PhD |
N/A |
Antiquities trade; Collecting cultural heritage; Antiquities Trafficking/Art crime; Provenance Research; Southeast Asia |
AU |
| Doyle |
Margaret |
Ph.D., Head, Curatorial Records |
National Gallery of Art |
provenance |
US |
| Duarte |
Adelaide |
|
|
|
|
| Duret |
Catherine |
|
|
|
|
| Ekinci |
Zeynep |
Associate |
Kabine Law Office |
Cultural heritage, restitution of cultural objects, NFTs |
TR |
| Epstein |
Ellen |
FRICS, ASA, AAA |
AARC Group |
|
US |
| Erdkamp |
Anna Katharina |
MBA, Managing partner |
Auktionshaus Plückbaum GmbH |
Digital strategies of the art auction market |
DE |
| Eshkol-Rokach |
Yoram |
PhD Researcher |
Loughborough University |
Museums, the Art Market and Heritage |
GB |
| Euwe |
Jeroen |
PhD, Assistant Professor Economic History & International Relations |
Erasmus School of History, Culture, and Communication (ESHCC), Erasmus University Rotterdam |
The Dutch art market in international context, 1870-1970 |
NL |
| Evans |
Alan |
Law & Politics, Student |
University of Kent |
Restitution, Looted Art, Intellectual Property Rights, Authentication |
GB |
| Fasche |
Melanie |
Lecturer, MA in Art Business |
Sotheby's Institute of Art London |
|
GB |
| Feilchenfeldt |
Walter |
|
Walter Feilchenfeldt AG Kunstvermittlung & Kunstforschung |
w.feilchenfeldt@bluewin.ch |
CH |
| Feilchenfeldt |
Christina |
|
|
|
|
| FERRER |
Aïa |
|
|
|
FR |
| FitzGerald |
Michael |
|
|
|
|
| Fliri |
Sabina |
Art Advisor |
Sabina Fliri Fine Art |
Modern Art, 20th century |
GB |
| Foster |
Nicola |
|
|
|
|
| Fowle |
Frances |
Chair of Nineteenth-Century Art and Senior Curator |
University of Edinburgh and National Galleries of Scotland |
Impressionism and the Art Market; collecting in Britain c.1870 to 1945 |
GB |
| Franca |
Marcilio |
Professor of Art Law |
Professor of Law (Federal University of Paraiba, BR); Alternate Arbitrator at the Mercosur Tribunal (Asunción, PY) Arbitrator at the WIPO Arbitration and Mediation Centre; Arbitrator at the Court of Arbitration for Arts, Rotterdam (NL) |
Art Law and Cultural Heritage Law |
BR |
| Franses |
Michael |
Retired former Director |
Qatar Museums, Department of Special Cultural Projects |
Textile arts, provenance, collectors, history |
IT |
| Freschi |
Federico |
PhD, Head of College |
College of Art, Design & Architecture, Otago Polytechnic, Dunedin, New Zealand |
The role of the art market in the construction of the canon of South African modern art; the political iconography of public buildings; art, design & identity politics |
NZ |
| freund |
dorie |
JD |
Poison Pen |
Art provenance research, Holocaust Restitution, cultural heritage, art law |
US |
| Friedenthal |
Antoinette |
Dr. phil. |
Independent |
Genesis and Function of the Catalogue Raisonné; Mariette Family; John Smith; Print Collecting; Relation Between the Art Market and Academic Art History; Connoisseurship |
DE |
| Fuchsgruber |
Lukas |
|
|
|
|
| Gal Kochavi |
Shir |
PhD, Assistant Curator |
The Magnes Collection of Jewish Art and Life, UC Berkeley |
Art market, history of collecting, Jewish collections, museology, Holocaust studies and restitution |
US |
| Gallagher |
Steven |
Associate Professor of Practice of Law |
The Faculty of Law, The Chinese University of Hong Kong |
Art crime; repatriation of cultural heritage; human remains as art, antiquities and property; museums, collecting and the law; arbitration of disputes involving art, antiquities and cultural heritage |
HK |
| Galley |
Nicolas |
|
|
|
|
| Gander |
Jonathan |
PhD. Head of School - Creative Industries |
LASALLE College of the Arts |
Art Market Platforms |
SG |
| Gerlieb |
Anne |
phd candidate |
Universität Bonn |
contemporary art market, digital exhibitions, digital transformation, power of collectors |
DE |
| GERSON |
Georgia |
History of Art, PhD Candidate |
University of York, UK |
Art Market, Contemporary Art, Contemporary Art Market, NFTs, Art Object |
GB |
| Getzfrid |
Lisa |
CEO/Founder |
Red Feather Advisory & Appraisal |
Art Market; Art Appraisal; Art Law |
US |
| Gianolio |
Silvia |
PhD Student |
Princeton University |
Medieval art (esp. metalwork, ivory carving, book illumination); fakes and forgeries in medieval style. |
IT |
| Giese |
Francine |
Director |
Vitrocentre & Vitromusée Romont |
Glass Art |
CH |
| Giovani |
Angelina |
Partner/ Co-Founder |
Flynn & Giovani Art Provenance Research |
provenance research, due diligence, art historical research & attributions, research methodologies |
GB |
| Giuffrida |
Noelle |
PhD, Assistant Curator and Assistant Professor of Asian Art |
David Owsley Museum of Art, Ball State University, Indiana, USA |
History of collecting premodern Chinese art in the US and Europe after WWII |
US |
| Gnyp |
Marta |
|
|
|
|
| Gohmann |
Joanna |
PhD, Provenance Researcher & Object Historian |
Smithsonian, Freer and Sackler Galleries |
Asian Art, Market History |
|
| Goldberg |
Roxanne |
PhD Candidate |
Massachusetts Institute of Technology |
19th-c. market for Islamic art and Near Eastern antiquities; history of art dealers; relationship between the market, the academy, and the museum |
US |
| Gorayeb |
Elizabeth |
|
|
|
|
| Grafenauer |
Petja |
asistant profesor, PhD |
Academy of Fine Arts, Ljubljana |
art market, digital art history, NAM movement, protest imagery |
SI |
| Green |
Carole |
MSc |
formerly University of Glasgow |
20th Century Art History |
GB |
| Greenwald |
Diana |
|
|
|
|
| Gregson |
Mark |
Private research |
Vitruvius Limited |
Historic marbles |
|
| Griffith-Jones |
Laure-Aline |
MA in research |
individual |
18 and 19th century European art market |
GB |
| Guerdat |
Pamella |
|
|
|
|
| Gwardzińska-Chowaniec |
Żaneta |
Ph.D. |
University of Economics and Human Sciences in Warsaw, Poland |
legal issues concerning private museums, international art market. I'm also an expert in personal data protection and information security in the cultural sector. |
PL |
| Hacka |
Linda |
Freelance Provenance Researcher & Research Associate Provenance at Museum |
Freelance & Museum Barberini, Potsdam |
Provenance Research |
DE |
| Hakuno |
Akiko |
MA |
Brill |
art markets, art dealers, nineteenth-century Dutch art, works on paper, museums |
JP |
| Halpern |
Anne |
Dept. of Curatorial Records; 1975 degree: Master of Museology, Univ. of Toronto |
National Gallery of Art, Washington, DC |
NGA collection provenances; dealers records |
US |
| Hardwick |
Tom |
Curator |
Houston Museum of Natural Science |
Egypt; antiquities; forgery |
GB |
| Hartelust |
Meike |
|
|
|
|
| Hauffe |
Friederike |
|
|
|
|
| Hay |
Kateryna |
PhD candidate, art project manager, curator |
NGO Art In, STH Gallery |
history of art market, contemporary art market, art business |
UA |
| Heath |
Christian |
|
|
|
|
| Helmreich |
Anne |
|
|
|
|
| HENDERSON |
ROBIN |
JD, MPH |
SELF |
19TH CENTURY BRITISH ART |
US |
| Henel |
Jennifer |
Independent Scholar |
Independent |
17th century Dutch; provenance; 19th century French; art market studies |
US |
| Herbert |
Catherine |
Ph.D.; Coordinator of Collections Research and Documentation |
Philadelphia Museum of Art |
Provenance research, especially Nazi-era research |
US |
| Hergouth |
Katarina |
|
|
|
|
| Herzog |
Günter |
Prof. Dr. |
Kunsthistorisches Institut der Universität zu Köln, formerly ZADIK |
art as a social system |
DE |
| Hess |
Claudia |
Masters in Intl. business |
Walnut Creek, CA USA |
digital arts |
US |
| Higgott |
Suzanne |
Curator of Glass, Limoges Painted Enamels, Earthenware and Early Furniture |
The Wallace Collection |
Glass, Limoges painted enamels, maiolica, history of collecting |
GB |
| Hilker |
Anne |
|
|
|
|
| Hill |
Charles |
Retured, Curator of Canadian Art |
National Gallery of Canada |
Institutional and private collecting and art dealing |
CA |
| Hives |
Will |
PHD |
Alt Design Ltd |
Tennis |
GB |
| Hodgkiss |
Jessica |
MA, Content Creator |
SRH Berlin School of Populart Arts |
Art Market, Visual Arts, Artist Marketing, Artist Promotion, Persona Studies |
DE |
| Hollevoet-Force |
Christel |
PhD, Art History - Owner, CF Fine Art Provenance Consulting |
Consultant; independent scholar; formerly Associate Curator, The Metropolitan Museum of Art, New York |
Modern art, historical art market, provenance |
FR |
| Holloway |
Alix |
MA |
AH Arts LLC |
|
US |
| Hopp |
Meike |
Prof. Dr. |
TU Berlin |
Provenance Reserach, Art Market Studies, Digital Humanities |
DE |
| Hormell |
Eric |
|
|
|
|
| Hua |
Shuo |
|
|
|
|
| Huemer |
Christian |
Ph.D., Director |
Belvedere Research Center |
History of Art Markets, Cultural Economics |
AT |
| Hugenholtz |
Liesbeth |
Publisher |
Brill |
|
NL |
| Hughes |
Alicia |
PhD, Independent Researcher |
Independent |
Histories of Collecting and Collections, Museums, Provenance, Git Exchange, Material Culture, Drawings and Prints |
|
| Hüls-Valenti |
Katharina |
PhD Student |
Johannes Gutenberg University Mainz |
Provenance research, Italian art market, Nazi looted art |
DE |
| Hunt |
Christopher |
PhD Student |
Washington University in St. Louis |
Nineteenth-century French and British art, private collecting, museum institutionalization, philanthropy and the arts |
US |
| Hutter |
Michael |
|
|
|
|
| IVANOFF |
Hélène |
PhD |
INHA, Institut national d'histoire de l'art |
Art market looted art provenance restitution |
FR |
| Jagielska-Burduk |
Alicja |
|
|
|
|
| Jansma |
Patricia |
MRICS, TMV RT |
TAXATA fine art valuation |
Professional art valuation |
NL |
| Jensen |
Robert |
Ph.D. Professor of Art History and Visual Studies |
University of Kentucky |
Late 19th-early 20th-century Western art markets; artists' market behaviors |
US |
| Joselow |
Evie |
Fine Art Appraiser and Art Historian, PhD. |
The Art of the Appraisal |
Estate, donation, and insurance appraisals for modern and contemporary art |
US |
| K |
Tracy |
JD |
self |
cultural heritage, repatriation, restitution, art law |
US |
| Kabov |
Valerie |
Master Art History & Theory (Curatorship and Modern Art), University of Sydney |
First Floor Gallery Harare, Zimbabwe, Director |
Cultural economics, globalisation and the art market, democratisation of the art market, decolonisation and the art market, artist welfare |
ZW |
| Kaiser |
Maximilian |
Mag. Dr. |
Austrian Academy of Sciences |
digital art history, biography, historical network research, 19th century art, avantgarde, art criticism, catalogue raisonnée |
AT |
| Kapoian |
Isabelle |
Major in Economics, Minors in Art and International Affairs |
University of New Hampshire, NH, USA |
Cultural Property Law |
US |
| Kaydalova |
Natalia |
owner of art gallery, Belgrade |
art gallery Canvas |
history of art market, former Yugoslavia art market |
RS |
| Keim |
Rupert |
|
|
|
|
| Kelly |
Simon |
D.Phil (Oxon). Curator and Head of Dept. of Modern and Contemporary Art |
Saint Louis Art Museum |
Nineteenth-century French Art, esp. landscape painting (Theodore Rousseau); art market. |
US |
| Keshet |
Amalyah |
Senior Consultant |
Naomi Korn Associates, London |
Copyright, museums, NFTs |
IL |
| Kesterson |
Casie |
Founder / Director |
Behind the Art / Provenance Research Associates |
Blockchain, Provenance Research, Impressionist and Modern Art, Art Dealer Shenanigans |
US |
| Kettering |
Karen |
|
|
|
|
| Kimura |
Lisa-Marie |
|
|
|
|
| Kirchner |
Thomas |
|
|
|
|
| Knittler |
Konstanze |
PhD |
Independent |
|
AT |
| Kodera |
Tsukasa |
Prof. |
Osaka University |
Global art market including Japan and Asian countries |
JP |
| Koenigs |
Christine |
President |
The Koenigs Restitution Trust |
Provenance |
NL |
| Koot |
Leslie |
Master's Degree; President of non-profit art organization |
The Modigliani Initiative |
Modern Art; Amedeo Modigliani; WWII Looted Art |
US |
| Korbei |
Veronika |
Dr., Director |
M2 e.U. Rahmen und Kunst Veronika Korbei |
P.P. Rubens (1577-1640), Art Market UK and IRE 1850-1945; E.H. Gombrich (1909-2001) |
AT |
| Korman-Cherney |
Jessica |
|
|
|
|
| Koss |
Max |
Postdoctoral Research Fellow |
Leuphana University |
|
DE |
| Kostyrko |
Diana |
PhD, cultural historian |
Australian National University |
transatlantic art dealers; interwar art market; provenance |
AU |
| Kozáková |
Daniela |
DK Legal, partner and solicitor |
DK LEGAL |
provenance, art law, cultural heritage |
CZ |
| Krasznai |
Réka |
PhD candidate, art historian |
Eötvös Lóránd University / Hungarian National Gallery |
19th century art, art market, social history of art, French-Hungarian artistic relations, Parisian art market in the 19th century, Munkácsy |
HU |
| Kunsthandelsverband der Schweiz |
Kunsthandelsverband der Schweiz |
|
|
|
|
| Küster |
Ulf |
|
|
|
|
| Landau |
Blandine |
|
|
|
|
| Laura' |
Enrica |
Phd candidate |
UAB Universidad Autonoma Barcelona |
art market; art-tech; Blockchain, Human Righs |
IT |
| Lavrova |
Valerie |
|
|
|
|
| Lecher |
Ruth |
Lawyer; MA Art History Student |
K&L Gates |
Art Law |
DE |
| Lee |
Sandy |
Adjunct Faculty |
New York University |
|
US |
| Lee |
Sophia |
PhD, Independent Scholar |
Independent Scholar |
17th-century Dutch Art Market |
KR |
| Lee |
Kendra |
M.A. |
University of Victoria |
Contemporary Art, Art Market, Auction Houses, Galleries |
CA |
| Lewis |
Ben |
MA |
Ben Lewis Projects |
19th and 20thC art markets |
GB |
| LI |
LINLI |
|
|
|
|
| Li |
Anqi |
PhD student |
University of Hong Kong |
|
HK |
| Livie |
Marie Christine |
Gallery Director |
LIVIE FINE ART Zurich |
|
CH |
| Locke |
Sabrina |
|
|
|
|
| Lopedoto |
Filomena |
PhD Student |
Heinrich-Heine-University Duesseldorf |
Provenance Research, German-Italian Relations |
DE |
| LOPEZ ABADIN |
CARLOS FRANCISCO |
LAWYER |
ARTELEY |
ART AND LAW; LATAM ART MARKET; INTELLECTUAL PROPERTY AND CULTURAL HERITAGE; |
ES |
| Loureiro Lorenzo |
Alejandro |
CEO / Principal &/ PhD Candidate |
Global Art Consulting LLC |
Art Market / Analytics |
US |
| Luukkanen-Hirvikoski |
Teija |
Dr. art historian, postdoctoral researcher |
University of Jyväskylä/Dept. of Music, Art and Culture Studies/Jyväskylä |
Corporate art collections, collecting, modern and contemporary art |
FI |
| MacDonald |
Isobel |
Project Curator: History of Collection |
British Museum |
History of Collecting; Data-led Collection analysis |
GB |
| Maggi |
Edoardo |
PhD candidate |
Sapienza University of Rome |
|
IT |
| Maglione |
Biancalucia |
Doctoral Student |
University of Florence |
Italian and European Inter-war Art; Collecting; XXth Century Art Market; Exhibition History |
IT |
| Mahler |
Luise |
MA, Research Associate |
Independent Scholar |
provenance research, history of collecting, art criticism and art market practices in the 19th and 20th centuries, gender studies |
US |
| Maier |
Kimberly |
MPA, Executive Director, Association of Professional Art Advisors |
Association of Professional Art Advisors |
art and law, art market, art trade, collecting, collectors, cultural heritage, connoisseurship, history of collecting, looted art, disaster preparedness |
US |
| Maksimova |
Marina |
Phd, Lecturer |
Sotheby's Institute of Art |
collecting, Russian Art market, exhibition histories, art institutions, museums |
GB |
| Mallon |
MacKenzie |
|
|
|
|
| Mantoan |
Diego |
Prof. |
University of Palermo |
|
IT |
| MARQUES |
CRISTIELEN |
Master |
PROLAM USP |
Art Market and collections |
BR |
| Marriage |
Jillian |
Graduate Student |
Los Angeles, CA |
Art market studies, deaccessioning, museum ethics, art law, repatriation |
US |
| Marsh |
Andrew |
|
|
|
|
| Martignon |
Alice |
Ph.D., University of Udine/ Research Grant Holder, Subject expert and Teaching Assistant Senior, Department of Philosophy and Cultural Heritage, Ca' Foscari University of Venice |
Ca' Foscari University of Venice https://www.unive.it/data/people/6059972 alice.martignon@unive.it |
History of Collecting, History of Art Market, Illicit Art Trade, History of Expositions, History of Decorative Arts, History of Costume and Textiles, Digital Humanities (digital photography, virtual restoration, multispectral imaging, databases) |
IT |
| Martin |
Henry |
PhD Candidate NCAD, Lecturer NCAD, CityLit, Fulbright Fellow Smithsonian |
National College of Art and Design, Ireland |
Collecting, Museology, Exhibition History, American Art, Biography Studies, Art Market |
GB |
| Martínez |
Stéphanie |
Student |
ICP |
Contemporary art |
FR |
| Mawick |
Zacharias |
Dipl. Jur., Legal Adviser |
London |
art law, provenance research, Nazi looted art, art history |
GB |
| May Boddewyn |
Julia |
MA, Researcher |
Arshile Gorky Foundation, New York |
early 20th century U.S. market for contemporary European art |
US |
| Mazur |
Anna |
|
|
|
|
| McComas |
Jennifer |
|
|
|
|
| Mejzlik |
Viktor |
|
|
|
|
| Melton |
Paul |
Associate Professor, Art Market Studies |
School of Graduate Studies, SUNY-FIT |
|
US |
| Merz |
Miriam Olivia |
provenance researcher |
Zentrale Stelle für Provenienzforschung Hessen |
museum collections, provenance research, Nazi-Era provenance research |
DE |
| Mestdagh |
Camille |
|
|
|
|
| Meyer-Abich |
Susanne |
|
|
|
|
| Michiulis |
Diana L |
|
|
|
|
| Middleton |
Lucy |
MLitt Art History & MA Art Market Professional Studies & Practice |
Independent |
Cultural Heritage, Lost Collections and less well known collectors & contributors to the art market |
GB |
| Mikešová |
Pavla |
Ph.D., curator |
National Museum |
Italian Renaissance, Provenance Research, Art Market Studies |
CZ |
| Milano |
Ronit |
|
|
|
|
| Miller |
Asher |
|
|
|
|
| Milosch |
Jane |
Independent Curator and Honorary Professor |
Washington DC / University of Glasgow |
History of Collecting, Craft, Decorative Arts & Design, Provenance, Exhibitions |
US |
| Mitchell |
Alycen |
|
|
|
|
| Miyamoto |
Bénédicte |
Associate Professor |
Université Sorbonne Nouvelle - Paris 3 |
18c art markets; auction catalogs; mapping markets |
FR |
| Moignard |
Michael |
PhD |
La Trobe University |
20th century art collectors |
AU |
| Monti |
Brigitte |
Independant |
Independant |
Provenance Research |
CH |
| Mueller |
Shirley |
BS MS MD |
Indiana University, Adjunct professor in neurology |
The neuropsychology of the collector |
US |
| Müller |
Marius |
|
|
|
|
| Muratov |
Maya |
|
|
|
|
| Myall Locke |
Ceri |
|
|
|
|
| Nakamura |
Hiroko |
|
|
|
|
| Napodano |
Lorenzo |
PhD Candidate |
Università di Catania |
Art Market; Collectors; Renaissance; Italy; Europe; America |
IT |
| Nathalie |
BERTRAND |
Senior lecturer |
Aix-Marseille University |
History of art, history of collections, history of tranfers, study of provenance |
FR |
| Nathan |
Johannes |
Dr. |
Nathan Fine Art, Potsdam / Art Market Dictionary (artmarketdictionary.com) / TU Berlin |
History of the Art Market, Provenance Research |
DE |
| Nathan Fine Art GmbH |
|
|
Art Gallery, Potsdam |
Provenance Research |
DE |
| Neville |
Rena |
Director Corinth Consulting AML art market service provider |
Corinth Consulting Ltd |
AML art market |
GB |
| Nicas Rovner |
Nicole |
MA, Fine & Decorative Arts, Sotheby's Institute of Art |
Independent Curator and Researcher | Auctions Support and Marketing at Skinner, Inc. |
19th century British architectural history and decorative arts, Mssrs. Waller & Sons, American art, Joseph H. Greenwood (1857-1927), 19th and 20th century design, 18th century interiors, Heytesbury House, Wiltshire, England, Luigi Frullini |
US |
| Noll |
Laura |
Research Associate & Doctoral Student |
University of St.Gallen |
Cultural Economics, Economics of the Arts, Marketing, Pricing |
CH |
| NOVA FCSH |
Institute of Art History |
|
School of Social Sciences and Humanities, Universidade NOVA de Lisboa |
|
PT |
| Nuernberger |
Philipp |
|
|
|
|
| Oberste-Hetbleck |
Nadine |
|
|
|
|
| Oosterlinck |
Kim |
|
|
|
|
| PARKER |
Robert |
|
|
|
|
| Paruzzo |
Valeria |
Ph.D. Candidate |
Università di Trento |
Art Market and Collections in Venice during the Austrian rule (1815-1866) |
IT |
| Patterson |
Khamal |
J.D., Lawyer |
ARTIVE |
Restitution, copyright, digitization |
US |
| Peacock |
Emily |
Masters candidate |
The University of York |
cultural heritage |
GB |
| PELLICARI |
Giada |
Art Curator, PhD Student Visual and Media Studies, Curriculum Visual Arts |
Università IULM Milano |
Art Fairs, Art Market, Contemporary Collecting, History of Exhibitions |
IT |
| Penot |
Agnès |
|
|
|
|
| Perdigao |
Tiago |
Student |
ISCTE |
|
PT |
| Perez Ibañez |
Marta |
PhD, independent researcher |
|
art market, artists in the art system |
ES |
| Pergam |
Elizabeth |
|
|
|
|
| Peticca |
Emelyne |
|
|
|
|
| Petri |
Grischka |
|
|
|
|
| Petrides |
Loizos |
PhD |
ISCTE-IUL |
|
PT |
| Phillips |
Catherine |
|
|
|
|
| Phillott-Batapa |
Patrocinio |
|
|
|
|
| Pierson |
Stacey |
PhD, Reader, History of Art |
SOAS, University of London |
Chinese art, ceramics, collecting |
GB |
| Pinet-Netter |
Marie-Isabelle |
Master |
MIP fine arte research and advisory |
XIXth century art, Russian art, old master drawings, restitutions, French modern painting |
FR |
| Pinto |
Luis |
|
|
|
|
| Plumpton |
Gemma |
PhD Researcher |
University of Leeds, The National Gallery |
Twentieth-century collecting of Old Masters in Britain; role of dealers in institutional collecting |
GB |
| Poljanec |
Kristijan |
PhD, Senior Teaching and Research Assistant |
Faculty of Economics and Business University of Zagreb, Law Department |
Auction Law, Cultural Heritage Law, Cultural Property Law, Charity and Foundation Law, Commercial Law, EU Private Law |
HR |
| Potter |
Daniel |
PhD, Assistant Curator Ancient Mediterranean |
National Museums Scotland |
Egyptology/Egyptian archaeology and the antiquities market. The distribution of archaeological objects through the art market. The impact of the entanglement of archaeology and the market on museum displays, interpretation and public engagement. |
GB |
| Press |
Clayton |
Adjunct Professor |
New York University, Center for Applied Liberal Arts |
History of collecting, art market economics, art market history |
US |
| Prezioso |
Giosue |
Academics |
The European Institute of Arts |
art, art laws, art business, art economics, art technology |
IT |
| Qu |
Shen |
PhD student |
SOA, ASU |
art market, contemporary art history |
US |
| Quinones |
Claudia |
|
|
|
|
| Rabij |
Liudmyla |
Founder |
Mila Arts Consulting |
Museums and Art Market |
US |
| Rabinowe |
Sarah |
PhD |
University of Cambridge |
Art Legal Research |
GB |
| Radermecker |
Anne-Sophie |
|
|
|
|
| Rafiei |
Ahmad |
|
|
|
|
| Rambach |
Hadrien |
|
|
|
|
| Raobeharilala |
Sophie |
Art and vintage cars provenance researcher, art historian |
Independent |
looted art, looted cars, provenance research, restitution, traceability in museum collections and art market |
FR |
| Reed |
Victoria |
|
|
|
|
| Reuter |
Brigitte |
Dr. |
Kunsthalle Bremen |
History of art collections; Nazi-Era provenance research |
DE |
| Ricci |
Clarissa |
Adjunct Professor |
Università di Bologna |
Biennials, Fairs, Collecting, Italian Art Market, Contemporaneity, Provenance |
IT |
| Richard |
Annmarie |
Director |
Sotheby's Institute of Art |
global art market studies |
US |
| Ricklow |
Fiona |
BA, LLM, PGDip (Building History) |
Independent scholar |
Art market studies; cultural heritage and property protection; cultural heritage crime; building history; aretfact studies; archaeology |
GB |
| Roberts |
Jack |
PhD |
Art Addict - Independent Art Dealer (www.artaddict.org.uk) |
Contemporary Art - The artists role in the art market, artist/dealer relations, value systems of the art market |
GB |
| Robertson |
Iain |
|
|
|
|
| Robson |
Deirdre |
|
|
|
|
| Rohne |
Raymond |
PhD |
Hong Kong Universtiy of Science & Technology |
History of East Asian Contemporary Art Collectors/Collections, Conspicuous Consumption & the Art Market, Millennial/Gen Z Art Collectors |
HK |
| Roovers |
Jana |
Student art policy and art business |
Radboud University Nijmegen |
Art market, Museumstudies, museumeducation |
NL |
| Rothfeld |
Anne |
PhD |
Independent scholar |
postwar Europe; Nazi looted art; provenance research materials; art dealers |
US |
| Rowlands |
Eliot |
|
|
|
|
| royo |
Eva |
student |
university Spain |
Plunder nazi in spain |
ES |
| Rozenbaum |
Andrea |
PhD Candidate |
University of Amsterdam |
Private museums, contemporary art |
NL |
| Rubin |
Anna |
Director |
NYS Holocaust Claims Processing Office |
Art history, history, provenance research |
US |
| RUSZEL |
Anna M. |
Director |
Art Market Compliance |
Anti-Money Maundering, Counter-Terrorism Financing (AML/CFT) regulations in the art market; Art & Finance; Due Diligence; |
GB |
| Salto Santamaría |
Iñigo |
PhD candidate |
Technische Universität Berlin |
Provenance of medieval art, Temporary exhibitions, Museum history |
DE |
| Sancho-Arroyo |
Maria |
Faculty - Art Business |
Sotheby’s Institute of Art |
Art markets / museums and the market |
US |
| Scallen |
Catherine |
|
|
|
|
| Schaffenberger |
Paul |
Fine Art Technician |
Hauser & Wirth |
NFTs, Smart Contracts, Fractional Art Investment |
US |
| Schmutz |
Thomas |
|
|
|
|
| Schneider |
Madeleine |
Student |
Freie Universität Berlin |
|
DE |
| Schoen |
Allison |
MA Decorative Art & Design History |
George Washington University |
Private collectors, private museums, collectors' influence on the art market |
US |
| Schultz |
Deborah |
|
|
|
|
| Schütze |
Sebastian |
|
|
|
|
| Schwelle |
Friederike |
PhD Student |
Durham University |
Provenance Research, History of Collecting, Historic Art Market, Nazi Looted Art, Archaeology, Egyptology |
GB |
| Schwill-Egli |
Stéphanie |
lic. phil. |
Koller Auktionen AG, Zürich |
provenance of old Master paintings |
CH |
| Sen |
Anindya |
MA Art Business, Sotheby's Institute. Independent Art and Culture Consultant/Writer. |
Freelance |
Emerging Art Markets, Art and Technology, Culture and Heritage |
IN |
| Serafini |
Paolo |
|
|
|
|
| Shannon |
Cecile |
MA Art Market & Appraisal (Distinction) Art Valuer at auction houses |
Art Seekers International |
Various |
GB |
| Sherpe |
Chloe |
Art History Master of Arts, Curator |
The Lumiere Group |
Modern art, Contemporary art, Indigenous art, STEAM, art market |
US |
| Sheshjavani |
Hamidreza |
PhD |
CACIMA Center for Cultural and Creative Industries |
Middle East Art Market (especially Iranian); Contemporary Art Market; Cultural policy; Art Finance, Resale Right |
IR |
| Sidorova |
Elena |
PhD in Political Science, Assocaite Research Fellow |
Sciences Po Paris, France |
Contemporary art market, cyber art market, international art world, art diplomacy, art economics, sociology of art |
FR |
| Sieber |
Joachim |
Kunsthistoriker |
Zürcher Kunstgesellschaft |
Provenance research |
CH |
| Simmons |
Lucian |
Vice Chairman and Worldwide Head Restitution Dept |
Sotheby's |
Provenance |
US |
| Sinclair |
Stephanie |
MA, History of Art / Consulting agency legacy and collection management |
abbesses |
art law, art market, estate management, art crime and repatriation, modern and contemporary art |
IT |
| Sindelar |
Melanie Janet |
|
|
|
|
| Sisley |
Logan |
MA (Hons), Acting Head of Collections |
Hugh Lane Gallery |
|
IE |
| Slavova |
Yana |
M.A., research assistant |
Abraham Adelsberger Art Research Project |
provenance research |
DE |
| Spina |
Emanuele |
Lawyer |
Studio Legale IURECONSULTI |
Art Law |
IT |
| Stec |
Piotr |
PhD & Habilitation, professor of the University of Opole |
University of Opole |
Heritage Law, Art Market Law, Intellectual Property |
PL |
| Stein |
Regina |
Dr. |
independent provenance researcher, Berlin (D) |
object research (NS/GDR), NS networks and practices: withdrawal/art trade/freight forwarding |
DE |
| Steinberg |
Monica |
PhD, Assistant Professor, School of Modern Languages and Cultures (American Studies) |
University of Hong Kong |
Contemporary Art, Law, Market, Humor |
HK |
| Steinruck |
Thomas |
|
|
|
|
| Stock |
Simon |
|
|
|
|
| Stoll |
Katharina |
|
|
|
|
| Stourton |
James |
Senior Fellow |
Institute of Historical Research London University |
Patronage, art collecting and art trade |
GB |
| Straughn |
Celka |
PhD, Deputy Director for Public Practice, Curatorial and Research |
Spencer Museum of Art |
collecting practices and museums, early 20th -century art |
US |
| Sutherland |
Matthew |
MA Student |
Kingston University |
Contemporary art, Chinese contemporary art, art market, art prices, appraisal |
GB |
| Suttle |
Lenore Tanaquil |
Independent Art Historian, Provenance Researcher. Attended NYU IFA ,Wheaton College, U Paris IV |
new company in formation, USA |
European art trade's effect on institutional collecting in the US; L'Affaire Dreyfus et Le Groupe des Batignolles |
US |
| Suzuki |
Mikako |
PhD candidate |
University of Tokyo |
History of Photography |
JP |
| Szafrański |
Wojciech |
|
|
|
|
| Tamanyu |
Maiko |
MA |
The University of Tokyo |
19th Century French modern art, Art market, Paul Cézanne |
JP |
| Tarsis |
Irina |
JD, Founder & Managing Director |
Center for Art Law |
art law, due diligence, provenance research, history of collecting |
CH |
| Tasseau |
Verane |
|
|
|
|
| Tavinor |
Marie |
|
|
|
|
| Taylor |
Jeffrey |
|
|
|
|
| Tissot Demidoff |
Alexandre |
Independent Scholar, Director |
International Demidoff Foundation |
History of Collections |
GB |
| Tong |
Valencia |
. |
. |
|
|
| Toschi |
Caterina |
|
|
|
|
| Turina |
Stefano |
PhD Student |
University of Turin |
Japonisme, XIX century art market, cultural exchange between Italy and Japan, XX art market, history of collecting |
|
| Turpin |
Adriana |
|
|
|
|
| UEHARA |
Mai |
associate professor |
Ehime University, Japan |
Italian polyptychs in art market |
JP |
| Uhrlandt |
Anne |
M.A., provenance researcher, project coordinator |
Zentralinstitut für Kunstgeschichte, Munich |
provenance research, art market studies |
DE |
| Vaizey |
Marina |
BA,MA |
Select title / Other |
|
GB |
| Valentin |
Pierre |
Senior Associate |
Constantine Cannon LLP |
|
GB |
| Van den Berg |
Karen |
|
|
|
|
| van Gemen |
Paul |
Master's Degree in Art Policy and Commerce - Founder of Enari Gallery |
Enari Galleries B.V. |
|
NL |
| van Ginhoven |
Sandra |
|
|
|
|
| Van Miegroet |
Hans |
Professor Art & Markets |
Duke University. Duke Art, Law & Markets Initiative (DALMI) |
History of Art Markets, data driven art market research; quantitative+qualitative cluster methods |
US |
| Varley |
Zoe |
PhD, Research Associate |
University of Leeds, Wellcome Collection, Natural History Museum |
Histories of collecting and museums, natural history as cultural history, changing notions of museum value |
GB |
| Velthuis |
Olav |
Full Professor |
University of Amsterdam, Department of Sociology |
Sociology of art; Contemporary art markets; Art markets in the global south; Digitization of art markets; Art fairs; Globalization of art markets; Valuation of art |
NL |
| Vermeylen |
Filip |
|
|
|
|
| Vivet-Peclet |
Christine |
PhD |
Musée des monuments français - Cité de l'architecture et du patrimoine |
Marché de l'art - Histoire du goût - Histoire des collections - Moyen Âge |
FR |
| Vocke |
Karolina |
Dr. Dr. |
Innsbruck University |
Economics |
AT |
| von Appen |
Antonia |
PhD-Candidate |
Bocconi University |
Art Market |
IT |
| von Klitzing |
Isabel |
|
|
|
|
| Walker |
Georgina |
MA (Melb); PhD (Melb); Research Fellow |
The University of Melbourne |
Private art museums, museums, contemporary art markets, private collecting, history of patronage and museums |
AU |
| Walsh |
Irene |
|
|
|
|
| Watermann |
Gerald |
Student at TU Berlin; Culture and Technology - Art History, B.A. |
Technical University of Berlin |
|
DE |
| Weightman |
Brian |
. |
Glasgow Museums |
Nazi-Era provenance research, collecting practices, history of the UK art market |
GB |
| Weiss |
Shannon |
|
|
|
|
| Weißmann |
Carina Anja |
|
|
|
|
| Weller |
Matthias |
Professor of Art Law, Cultural Property Law, and Dispute Resolution |
University of Bonn, Germany |
Art Law, Cultural Property Law, Dispute Resolution |
DE |
| Wenley |
Robert |
Deputy Director, Head of Collections |
The Barber Institute of Fine Arts |
Dutch & Flemish C17th painting, French C17th-C18th bronzes, history of collecting fine art in Britain |
GB |
| West |
Lucy |
PhD student |
University of Leeds, the National Gallery and the Bowes Museum |
The nineteenth-century art market in Britain; the art market and the art museum; the role and practices of the nineteenth-century picture dealer; histories of collecting. |
GB |
| Westerby |
Genevieve |
|
|
|
|
| Westgarth |
Mark |
|
|
|
|
| Weyl |
Christina |
Independent scholar & curator |
Independent scholar |
Galleries and museums that supported mid-20th century American printmakers |
US |
| Whitaker |
Lucy |
Independent Art Historian and Curator, formerly Senior Curator of Paintings, Royal Collection Trust |
Independent Art Historian and Curator |
Collecting Italian and northern European art, particularly by the British monarchy; Italian and Northern European paintings, drawings and frames |
GB |
| Whitaker |
Amy |
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| Whitaker |
Lucy |
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| Wimmer |
Dorothee |
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| Woodhead |
Charlotte |
Assistant Professor |
Warwick Law School, University of Warwick, UK |
Cultural heritage law, repatriation, restitution, ethics of care of cultural heritage |
GB |
| Woolfson |
Jonathan |
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| Wuenschel |
Joerg |
Lawyer, Art Historian |
GSK Stockmann |
Art Markets, their History, and their Regulation; the Protection of the Cultural Heritage |
DE |
| Wylie |
Julia |
MA World Heritage Studies, PgC Antiquities Trafficking and Art Crime |
Scotland |
Cultural heritage commodification, cultural heritage crime. |
GB |
| YOSHIKAWA |
Setsuko |
Professor |
Kyoto University of Advanced Science |
19c.art history, Impressionism, Japonism |
JP |
| Zaborowska |
Ewa |
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| Zalewski |
Leanne |
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| Zampetti Egidi |
Chiara |
History or Art, MA Arts Policy and Business, Editor Art Market Dictionary |
Freelance-De Gruyter |
Modern and Contemporary Art Market, Old Masters Art Market. |
DE |
| Zarobell |
John |
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