Welcome to TIAMSA - The International Art Market Studies Association
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ANN: TIAMSA Live Book Discussion: Finance in International Art Markets: Tools for the Future (eds. Elisabetta Lazzaro, Nathalie Moureau and Adriana Turpin, London: Routledge, 2026) (4 June 2026, 18:00 CET)
TIAMSA is pleased to announce its twenty third book discussion: Law and Finance in International Art Markets: Tools for the Future (Routledge, 2026). Eds. Elisabetta Lazzaro, Nathalie Moureau and Adriana Turpin will discuss their…
ANN: Call for Participation: TIAMSA Emerging Scholars Forum
After the success of the 2025-2026 Emerging Scholar Forum, TIAMSA is delighted to announce its call for participation in the second cohort of the program. The ESF seeks to support graduate students and…
CFP: Art as Luxury, Luxury as Art: Markets and the Making of Value, The International Art Market Studies Association Conference, Sotheby’s Institute of Art – New York (Oct 22-24, 2026)
Luxury has long been an important context for art. In sixteenth-century Antwerp, art was a key part of the city’s thriving luxury trade; Our Lady’s Pand—the first permanent art market in Europe—was one…
TIAMSA Stands in Solidarity With the People of Ukraine
The Board of TIAMSA, The International Art Market Studies Association, expresses its solidarity with the people of Ukraine who have become the victims of ruthless aggression. As a scholarly association, we champion democracy…
ANN: Kunstgeschichte, Provenienzforschung und Digital Humanities: Die Plattform „Networks of Impressionism“ (Centre for Art Market Studies – June 8, 2026, 18:15-19:45 CET)
TU Berlin Zoom-Link: https://tu-berlin.zoom-x.de/j/64302402952 pwd=AP5ZgH73kRZq4jWJ4bsnRPR95n4iKT.1 Abstract: Kunstwerke tragen nicht nur ikonographische Bedeutungen, sondern auch komplexe, oft fragmentarisch überlieferte Objektbiografien. Diese erzählen von Besitzwechseln, Handelswegen und politischen Umbrüchen und verweisen auf die vielfältigen Akteur:innen, die an…
ANN: Christie’s Grant for Nazi-era Provenance Research 2026
For the fourth consecutive year, Christie’s is supporting early years academics researching the art losses and spoliation of the Nazi era 1933 – 1945. Thirty years on from seminal publications and initiatives illuminating…
PUBL: Les Carnets de Provenance 2026 (Association ASTRES)
Sommaire L’association astres et la revue Les Carnets de provenanceÉditorial — Première partie. Actualités de la recherche de provenance
EXH: Display Window Archive – Provenance Research (Museum Langmatt, Baden, Switzerland – 9 May 2026-31 Jan 2027)
The Display Window Archive (Schaufenster Archiv) presents the results of a comprehensive provenance research project carried out between 2022 and 2024 in collaboration with external specialists. It provides fascinating background information and introduces…
CFP: Women and the Economy of Modern Art in the Americas, 1930-1950
We write seeking 500-word abstracts for book chapters (~5000 words) for an edited volume entitled “Women and the Economy of Modern Art in the Americas, 1930-1950.” Please see book description below and contact…
CFP: Commissioners, Artists, and the Public (Zagreb, 18-20 Feb 27)
In the final year of the project “Patterns of Patronage: Commissioners, Artists, and the Public in Zagreb in the 17th and Long 18th Century”, funded by the Croatian Science Foundation (IP-2022-10-3190, PI Professor…
CONF: Catalogues d’exposition et galeries d’art (MSH Lyon – 4/5 June 2026)
JEUDI 4 JUINMSH Lyon, Salle Marc Bloch14h00-14h30 : accueil et introduction LE CATALOGUE D’EXPOSITION COMME LIEU DELÉGITIMATIONModération : Alice Ensabella (Université Grenoble Alpes)14h30 : Eduardo De Maio (chercheur indépendant)Promoting “Modern Italian Art” in…
CFP: Lithography: An Artistic Industry? (CRESAT, Mulhouse – 20-21 Nov 2026)
In autumn 2026, Mulhouse and Guebwiller will host a conference dedicated to a medium as familiar as it is complex: lithography. Long studied primarily for its artistic applications or its role in the…
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