Welcome to TIAMSA - The International Art Market Studies Association
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ANN: TIAMSA Live Book Discussion: Yoram Eshkol-Rokach, Private Museums of Contemporary Art (Bloomsbury) (24 Sep 2026, 18:00 CET)
TIAMSA is pleased to announce its twenty-fourth book discussion: Private Museums of Contemporary Art (Bloomsbury). Yoram Eshkol-Rokach will discuss his new book with Nizan Shaked (California State University) and Alain Quemin (Sorbonne Université).
Welcome Back
Welcome back, TIAMSA Members, For many of us in the Western Hemisphere, September is the end of the summer and back to school time. We hope you were able to enjoy some down…
ANN: Call for Participation: TIAMSA Emerging Scholars Forum
After the success of the 2025-2026 Emerging Scholar Forum, TIAMSA is delighted to announce its call for participation in the second cohort of the program. The ESF seeks to support graduate students and…
CFP: Art as Luxury, Luxury as Art: Markets and the Making of Value, The International Art Market Studies Association Conference, Sotheby’s Institute of Art – New York (Oct 22-24, 2026)
Luxury has long been an important context for art. In sixteenth-century Antwerp, art was a key part of the city’s thriving luxury trade; Our Lady’s Pand—the first permanent art market in Europe—was one…
TIAMSA Stands in Solidarity With the People of Ukraine
The Board of TIAMSA, The International Art Market Studies Association, expresses its solidarity with the people of Ukraine who have become the victims of ruthless aggression. As a scholarly association, we champion democracy…
CFP: 1920s | 2020s: Art Markets – War Conflicts – Economic Crises (Free University Berlin – 3-4 Dec 2026)
The Research Center “Entartete Kunst” at the Freie Universität Berlin, the Kunsthaus Dahlem, and the Brücke-Museum in Berlin are pleased to announce a symposium dedicated to the art markets today and a century…
CFP: Femmes du surréalisme (Paris, 26-27 Nov 26)
Women in Surrealism: Archives, Networks and Political Engagements (1920–1980)Conference marking the launch of the virtual exhibition “Simone Kahn, Surrealist Trajectories” Centre allemand d’histoire de l’art (DFK Paris), Association Atelier André Breton (AAAB), Laboratoire de Recherche…
PUB: Low-End Markets for Art and Cultural Goods, Edited by Anne-Sophie V. Radermecker (Palgrave Macmillan)
This open access book offers the first comprehensive, interdisciplinary examination of the art market’s entry segment – where objects of modest monetary value circulate yet hold significant cultural, social, and economic meaning. The…
CFP: Women’s Eyes. Patronizing the Arts in Rome from the 5th to the 21st Century (Fondazione Ernesta Besso, Rome – 1 Dec 2026)
The growing attention devoted to women in art history has profoundly reshaped the interpretative paradigms of the discipline over the past decades. Alongside the recovery of women artists, patrons, and collectors who had…
CFP: Mapping Markets and Tastes Outside the Canon (CAA 115th Annual Conference / online – 3-6 Feb 2027)
“The history of masterpieces has become largely synonymous with the history of art itself.”– Walter Cahn, Masterpieces (Princeton UP, 1979), xvii. To better understand past artworlds, we might investigate once-popular and collected artists…
PUB: The Social World of Galleries: Contemporary Art, the Market and Internationalization, Alain Quemin, Translated by Keara Engelhardt (Paperback, Bloomsbury)
This book presents the first detailed study of the place of contemporary art galleries and gallerists, especially within the art markets of Europe and the United States. Based on the author’s field research…
ANN: Sustainability Manager and Strategist for Cultural Institutions
The programme is structured in two parts. The first (31 August – 18 September 2026) consists of three weeks of live online sessions, with recordings available for all participants. The second (21–27 September 2026) is an intensive one-week residency in…
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