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Publications

26th January 2023 — Calls for Papers, Publications

TIAMSA Member News: CFP: ARTS Special Issue “NFTs, Blockchain, Cryptocurrency, Metaverse: The Web3 Revolution That Has Transformed the Art Market”

The sale of Beeple’s Non-Fungible Token (NFT) artwork “Everydays—Everydays: The First 5000 Days” for over $69.3 million at Christie’s online auction on 11 March 2021 ruptured the contemporary art market, representing the coming…

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20th January 2023 — News, Publications

ANN: Just Published: Volume 1 of “transfer: Journal for Provenance Research and the History of Collection” (2022)

The online journal transfer  – Zeitschrift für Provenienzforschung und Sammlungsgeschichte | Journal for Provenance Research and the History of Collection is an academic publication platform in the area of provenance research and the history…

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13th January 2023 — News, Publications

PUBL: The Story of NFTs: Artists, Technology, and Democracy by Amy Whitaker & Nora Burnett Abrams (Rizzoli; 7 Mar 2023)

NFTs, or non-fungible tokens, exploded into the art space last year, no doubt because Beeple (a digital artist) sold his NFT at Christie’s auction house for a staggering $69 million. Yet the story…

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13th January 2023 — Calls for Papers, News, Publications

CFP: Edited Volume: The Image of the Art Market. Just What Is It that Makes the Art Trade Look so Different, so Alarming?

This call is for a peer-reviewed, English-language edited volume on the image of the art market and its wide-ranging mediality. This book, edited by Meike Hopp, Johannes Nathan and Iñigo Salto Santamaría, and…

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6th January 2023 — Calls for Papers, News, Publications

CFP – Burlington Contemporary Journal, Issue 8

Burlington Contemporary is an open-access platform for new writing on contemporary art, published by The Burlington Magazine. It publishes weekly book and exhibition reviews, interviews and artist profiles, and twice a year publishes…

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23rd December 2022 — News, Publications

PUBL: exPosition n°7/2022 : “L’exposition de collections privées dans les institutions publiques“

Dossier dirigé par Alice Ensabella – maîtresse de conférences en histoire de l’art contemporain / Université Grenoble Alpes.

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16th December 2022 — News, Publications

PUBL: Women, Collecting, and Cultures Beyond Europe, ed. Arlene Leis (Routledge)

Edited by Arlene Leis, this book examines collecting around the world and how women have participated in and formed collections globally.

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8th December 2022 — Member Announcements, News, Publications

TIAMSA Member News: Publication – “Diálogos de colecionar: [22] Colecionadores de arte em Portugal” by Adelaide Duarte

This book brings together 22 interviews with Portuguese private collectors, carried out between 2013 and 2019. Coordinated by Adelaide Duarte, a TIAMSA member and a specialist in contemporary collecting, this project was developed…

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2nd December 2022 — News, Publications

PUBL: The global rise of private art museums a literature review by Kristina J. Kolbe, Olav Velthuis, Johannes Aengenheyster, Andrea Friedmann Rozenbaum, Mingxue Zhang (Poetics, Vol. 95, Dec 2022)

Abstract In this state-of-the-art article, we review studies of the highly controversial, global rise of private art museums as a new organizational form within art fields. Given that current studies are scattered across…

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Recent Posts

  • CONF: Carried Away! Research into the Provenance of Museum Objects from the ‘Boxer War’ (Humboldt Forum, Berlin, 2-3 Mar 2023)
  • CONF: Rubens in the Age of Mechanical Reproduction. (Un)packing the Rubenianum Library. Symposium and Film Screening (Rubenianum, Antwerp, 9-10 Feb 2023)
  • ANN: Seminar – International Legislation and Issues Related to the Return of Works of Art (Milan, 14 Feb 2023)
  • CFP: Nineteenth-century worlds of vision, 1820s-1870s (ANU Canberra, 16-18 Jul 2023)
  • CFP: Promoting the Made in Italy Brand: 1948-1960. Histories of Italian craft and design for the 21st century (Politecnico di Milano, 16-18 May 2023)

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The content of our website has been compiled with care and to the best of our knowledge. However, we cannot assume any liability for the completeness or accuracy of any of the information provided.

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