CFP: The Sociology of Contemporary Art / Sociologie de l’art contemporain (Paris, Institut national d’histoire de l’art, 25 Mar 2023)
Peut-être plus que d’autres époques de l’histoire des arts plastiques, l’art contemporain semble appeler l’analyse sociologique. D’abord, parce que les artistes eux-mêmes ont fait des conditions sociales de production et de réception de…
CFP: European Society for Nineteenth-Century Art (ESNA) Conference 2023 – Beyond ‘ The Obstacle Race’. Women’s Role in the History of Nineteenth-Century Art Revisited (The Hague, 1-2 Jun 2023)
Beyond ‘The Obstacle Race’. Women’s Role in the History of Nineteenth-Century ArtRevisitedRKD – Netherlands Institute for Art History, The Hague, 1-2 June 2023 Rephrasing John Donne’s famous poem, ‘No man or woman is an island entire of itself’, the 2023 ESNA conference will investigate women’s interrelations within the art world and their impact on art objects and art…
PUBL: The global rise of private art museums a literature review by Kristina J. Kolbe, Olav Velthuis, Johannes Aengenheyster, Andrea Friedmann Rozenbaum, Mingxue Zhang (Poetics, Vol. 95, Dec 2022)
Abstract In this state-of-the-art article, we review studies of the highly controversial, global rise of private art museums as a new organizational form within art fields. Given that current studies are scattered across…
ANN: Book Launch – Chinese Art Objects, Collecting and Interior Design in Twentieth Century Britain by Helen Glaister (Online, 8 Dec 2022)
The Society for the History of Collecting will present the online book launch of ‘Chinese Art Objects, Collecting and Interior Design in Twentieth-Century Britain’ by Helen Glaister. Thursday 8 December: 6pm GMT / 7pm…
PUBL: Elisabeth Furtwängler & Mattes Lammert, (eds.): Kunst und Profit. Museen und der französische Kunstmarkt im Zweiten Weltkrieg
Elisabeth Furtwängler and Mattes Lammert (eds.): Kunst und Profit. Museen und der französische Kunstmarkt im Zweiten Weltkrieg, with a preface of Gilbert Lupfer and Bénédicte Savoy, Berlin, Boston: De Gruyter,2022 (German/French). Art and Profit. Museums and…
ANN: Lecture – Louise Arizzoli – James Hazen Hyde (1876-1959), the Four Continents and the Interwar Art Market (Online, 2 Dec 2022, 6.30pm CET)
James Hazen Hyde (1876-1959) was a collector, Harvard alumnus, and expatriate in Paris between the two World Wars. He assembled an unusual collection, one focusing on iconography, with artworks spanning from Antiquity to…
ANN: Lecture – Emilia Kłoda, Ossolineum (Wrocław), Prince Lubomirski’s Collection (Online, 29 Nov 2022, 7pm CET)
On 29 November 2022 at 7pm Berlin time, Emilia Kłoda will speak about the collections of Prince Lubomirski. Prince Henryk Lubomirski’s collection became the bedrock of the first public museum in Polish Lviv (nowadays Ukraine)….
CFP: Reproductions (Histoire de l’art, n° 92)
« Il est du principe de l’œuvre d’art d’avoir toujours été reproductible. » Depuis cette célèbre assertion de Walter Benjamin, la question de la reproduction en art s’est considérablement actualisée. Bien loin de susciter une…
CFP: Ancient Egyptian Art Studies: Artists, Commissioners, Consumers (Special Issue of Arts)
This Special Issue of Arts will focus on ancient Egyptian Art as a dynamic. Artistic production is here envisioned as being in motion and taking part in a constant feedback loop of competing…