TIAMSA Blog: Summary of “Art Markets and Econom(etr)ics: New Approaches and Perspectives.” – A Panel of the 21st Intl. Conference on Cultural Economics (6-9 July 2021)
The 21st edition of the International Conference on Cultural Economics (ACEI2020+1) took place online from 6 to 9 July 2021. On this occasion, members of TIAMSA Prof. Andrej Srakar (University of Ljubljana), Prof….
CFP: Colnaghi Studies Journal
Colnaghi Studies Journal is published biannually by the Colnaghi Foundation, and produced by the Athena Art Foundation. Its purpose is to publish texts on significant pre-twentieth-century artworks that have recently come to light…
STIP: International Fellowships: Material Migrations (Gerda Henkel Stiftung)
The research project “Material Migrations: Mamluk Metalwork across Afro-Eurasia,” funded by the Gerda Henkel Foundation and co-directed by Gertrude Aba Mansah Eyifa-Dzidzienyo (University of Ghana), Jacopo Gnisci (University College London), Vera-Simone Schulz (Kunsthistorisches Institut…
CFP: 2 Sessions at RSA Dublin: Globalizing Early Modern Eastern European Art / Revisiting Collecting Antiquities (30 Mar – 2 Apr 2022)
Globalizing Early Modern Eastern European ArtDeadline: 1 August 2021 In recent years, global approaches to the study of art and material culture have gained momentum, particularly in Anglo-American academia. An increasing number of…
CFP: Naples and Beyond: World-Wide Cultural Networks, c. 1250-1435 (2 Sessions at the 57th International Congress on Medieval Studies, Kalamazoo, 9-14 May 2022)
The city and the kingdom of Naples in the late medieval period have attracted much exciting scholarly attention in the last two decades. No longer swayed by Vasari’s bitter commentary on Naples, recent research…
PUBL: New Edition of the Autobiography of Berthe Weill / Nouvelle éditions des souvenirs de Berthe Weill: “PAN DANS L’OEIL…” (Editions de l’échelle de Jacob, 2021; in French)
Le XXe siècle n’a pas deux ans lorsque B. Weill inaugure en décembre 1901 sa première exposition 25, rue Victor-Massé au bas de Montmartre. Elle accueille tout ce que la peinture moderne compte aujourd’hui de grands noms…
TIAMSA Member News: Purpose Built: Duveen and the Commercial Art Gallery, a new article by Anne Helmreich, Edward Sterrett, and Sandra van Ginhoven (19th Century Art Worldwide, vol. 20.2, Summer 2021)
In late 1912, the Duveen Brothers opened their first purpose-built art gallery in New York City at 720 Fifth Avenue. Sited in a residential neighborhood favored by the Gilded Age elite and borrowing…
PUBL: ‘Feeding the Market for Renaissance Bronzetti’ and ‘Renato de Crosa: A Forgotten Art-Agent for Empress Catherine the Great’ (Colnaghi Studies 08, 2021)
In its current issue, a tribute to Charles Avery, Colnaghi Studies features two publications that study aspects of the art market: Peta Motture: ‘Feeding the Market for Renaissance Bronzetti‘ (pp.56-73): “Focusing primarily on…
CFP: Approaching Downtown: Avant-Garde Cultural Production in New York City, 1970s-1990s (Centre for American Art, The Courtauld Institute of Art, London, 11-14 Jul 2022)
We invite proposals from doctoral, post-doctoral, early career, mid-career, and senior scholars, whether formally affiliated with an institution or not, that explore an aspect of avant-garde cultural production in this period and that connect…