Apply now: 5 Fellowships on the Age and the Culture of Baroque, Turin

5th NOTICE OF COMPETITION FOR 2017 FELLOWSHIPS

Fondazione 1563 per l’Arte e la Cultura of the Compagnia di San Paolo launches a competition for 5 Fellowships on the Age and the Culture of Baroque.

Application deadline: 16 July 2017, h 24.00 (midnight).

1. OBJECT OF THE 2017 CALL
The Fellowships Program aims to assign individual fellowships to promote original studies on the Age of Baroque, also in an international comparative perspective.
Research proposals for the 2017 call will need to pertain to the following theme:

The Portrait

Mandatory formulas, fortunate source of various models, vehicle of the affirmation of new directions in the narration of identity and in the culture of representation for figures, places, and contexts. The theme of the
Portrait (as a genre, a product, an allegory, a testimony, and a memory) may be applied to various disciplines connected to historical, political, philosophical, musical, literary, historical-artistic, and historical-architectural culture, also with regard to art collecting, museology, art literature and treatises. The research proposal, unpublished
and original, will need to focus on the period 1680 to 1750, it may follow a diachronic or synchronic approach depending on the scientific requirements of the project.

Continue reading “Apply now: 5 Fellowships on the Age and the Culture of Baroque, Turin”

JOB: 2 pos­i­tions – Research Assist­ant (Postdoc), ‘Translocations’, TU Berlin

Salary grade E13 TV-L Ber­liner Hoch­schu­len

“We Want to Go Back Home” – caricature published for the sale of Yves Saint Laurent’s & Pierre Bergé’s collection (2009) Lupe © www.cl2000.com

Part-time employ­ment may be pos­sible

The research cluster “Trans­lo­ca­tions” at the Insti­tute for Art His­tory and His­tor­ical Urban Stud­ies at the Tech­nis­che Uni­versität Ber­lin is seek­ing to hire two postdoc­toral research­ers for its team. The pro­ject is fun­ded through the Gottfried Wil­helm Leib­niz-Prize of the DFG, awar­ded to Prof. Dr. Béné­dicte Savoy in 2016. The research cluster will study large-scale dis­place­ments of cul­tural assets from antiquity to the 20th cen­tury such as: art theft and spo­li­ation organ­ized by the state in times of war and occu­pa­tion, seizure of cul­tural goods dur­ing colo­ni­al­ism, dis­place­ments as a res­ult of a par­ti­tion of excav­a­tion dis­cov­er­ies or research exped­i­tions, mater­ial dia­spora of entire civil­iz­a­tions exped­ited by the art trade, and con­fis­ca­tions jus­ti­fied through ideo­logy, nation­al­iz­a­tion, or en masse dis­posal of private prop­erty. The key object­ive of “Trans­lo­ca­tions” is to com­pile a com­pre­hens­ive selec­tion of his­tor­ical find­ings in order to deliver ori­ent­a­tion and dir­ec­tion for deal­ing with the chal­lenges posed by this topic now and in the future. For fur­ther inform­a­tion on the research cluster see www.kuk.tu-berlin.de/menue/translocations/parameter/en. Continue reading “JOB: 2 pos­i­tions – Research Assist­ant (Postdoc), ‘Translocations’, TU Berlin”

JOB: Research Associate / Postdoc, LMU Munich (apply by May 1, 2017)

Job @ METROMOD, Relocating Modernism: Global Metropolises, Modern Art and Exile, an ERC funded project at the Institute for Art History of the LMU Munich

Salary Range: 13 TV-L
Hours: Full Time
Duration: 3 years, with the option of up to additional 20 months (until 5/2022)

LMU is recognized as one of Europe’s premier academic and research institutions. The University is situated at the heart of Munich.

Job Description
Applications are sought for a Research Associate/Postdoc (Wissenschaftlicher Mitarbeiter/in) on the new European Research Council funded project “METROMOD: Relocating Modernism: Global Metropolises, Modern Art and Exile” led by Professor Dr. Burcu Dogramaci and based at the LMU Institute for Art History. Applications from the disciplines of art history, architectural history, urban history, planning history or related research fields are welcome.
We are offering one three-year post-doctoral position starting in September 2017 at the earliest. After a positive evaluation the contract can be extended for up to 20 months (until May 2022 maximum).

The Project
Breaking new ground, METROMOD proposes a rewriting of modern art history as a history of global interconnections, spurred by migration movements and rooted in cities. Revising the historiography of modern art, which still continues to be dominated by the hegemonic and normative narratives of (Western) European Modernism and ignores the significance of exile movements, METROMOD conceptualizes art history as a result of interrelations and negotiations in global contact zones, unstable flows, transformations and crises. The conceptual triangle of modernism, migration and the metropolis forms the foundation of an innovative comparative, interdisciplinary methodology. In its analysis, METROMOD focuses on the first half of the 20th century. During this era the modern movement emerged as a paradigm in art and architecture, and rapid urbanization took place globally; thousands of persecuted European modern artists fled their homes, re-establishing their practices in metropolises across the world. Reflecting both the geographical extent of these exile movements and their local urban impact METROMOD examines 6 key migrant destinations—the global cities of Buenos Aires, New York, London, Istanbul, Mumbai (ehemals Bombay) und Shanghai—following three main objectives: 1. to explore transformations in urban topographies, identifying artistic contact zones and places of transcultural art production; 2. to investigate networks of exiled and local artists as well as collaborative projects and exhibitions; and 3. to analyse art publications and discourse generated in centres of exile. Digital mapping will locate sites of artistic migration in the cities and demonstrate linkages between transforming metropolises and flows of people and objects around the world.

 

Continue reading “JOB: Research Associate / Postdoc, LMU Munich (apply by May 1, 2017)”

Job: 1,5 Wiss. Mitarb. “Digital Humanities und Neuere/Neueste Geschichte” (Dresden)

Dresden
Sächsische Akademie der Wissenschaften
01.04.2017 – 30.09.2019
Application dead line: 12.03.2017

An der Sächsischen Akademie der Wissenschaften zu Leipzig sind für das Projekt Virtuelle Archive für die geisteswissenschaftliche Forschung zum nächstmöglichen Zeitpunkt (vorbehaltlich der Bereitstellung der Finanzmittel) insgesamt
1,5 Stellen für wissenschaftliche Mitarbeiter/innen
im Bereich Digital Humanities und Neuere/Neueste Geschichte zu besetzen.
Die Einstellung erfolgt befristet bis zum 30. September 2019. Arbeitsort ist Dresden.
Entgeltgruppe: TV-L 13, die Stellen sind teilzeitgeeignet.

Continue reading “Job: 1,5 Wiss. Mitarb. “Digital Humanities und Neuere/Neueste Geschichte” (Dresden)”

Job: Project assistant: Exhibitions of Modern European Painting, University of Vienna

Vienna, 15.04.2017 – 14.04.2019
Application deadline: Mar 19, 2017

The University of Vienna appoints a project assistant (30 hours/week) in the research project “Exhibitions of Modern European Painting 1905-1915” (project leader: Prof. Raphael Rosenberg, Department of Art History, funded by the FWF – Austrian Science Fund).

The project collects and lists in a database as extensively as possible information about exhibitions that took place in Europe between 1905 and 1915 with works of living artists. This is a time when a large amount of “Avantgarde”-movements were formed and/or presented in exhibitions. We want to study with quantitative and qualitative methods the geographic distribution and the networks of modern painting, the chronology and geography of exhibiting new artistic forms, the propagation of “-isms”, the exhibition strategies of artists, and the discourses that accompanied exhibitions of modern art (see: http://exhibitions.univie.ac.at/).
Continue reading “Job: Project assistant: Exhibitions of Modern European Painting, University of Vienna”

Job: Post-Doc Art History, TU Berlin

The TU Berlin, Institute for Art History and Historical Urban Studies is seeking to find a Post-Doc research fellow working on the research project

“The French art market during the occupation, 1940 – 1945. Actors – Places – Networks”.

This project is being carried out in cooperation with the Institut National d’histoire de l’art (INHA) in Paris and is funded by the German Center for Cultural Heritage.

Information (in German) can be found here: https://tub.stellenticket.de/de/offers/33523/

For further questions please contact
Eyke Vonderau
Forschungskoordinator – FG Kunstgeschichte der Moderne
Technische Universität Berlin
Sekretariat A56 | Straße des 17. Juni 150/152 | 10623 Berlin
+49 (0)30 314-23750
www.kuk.tu-berlin.de

TU_Berlin Job Description (pdf, 872kB)

JOB: Course Leader MA Art Market Appraisal (Professional Practice)

Kingston UniversityCourse Leader MA Art Market Appraisal (Professional Practice)

Kingston University – Faculty of Art, Design & Architecture

The Role

Kingston University is yours to achieve. Forward-looking. Focused. Visionary. As the Faculty of Art, Design and Architecture enters an exciting period of growth, investment and innovation, an exceptional opportunity has arisen for an experienced lecturer, with industry experience to join the Department of Critical and Historical Studies as Course Leader for its MA in Art Market Appraisal (Professional Practice).

In this role you will work within the Department of Critical and Historical Studies, alongside a team of talented colleagues of international standing, to lead the MA Art Market Appraisal (Professional Practice). The course is accredited by the Royal Institution of Chartered Surveyors and prepares students for careers in the global art market.

As Course Leader, you will lead the course, overseeing its admissions, teaching and learning and academic administration processes. You will take responsibility for ensuring that this unique course continues to provide its students with an inspirational, high quality, and industry facing curriculum. You will work collaboratively alongside other Course Directors to develop and ensure the quality of the postgraduate offer across the school. You will also play a central role in wider enterprise, scholarship and research developments and will be expected to promote the course to national and international markets.

The Person

You will have experience of teaching in higher education, preferably to postgraduate level, and will have a track record of research and scholarly activity within an appropriate discipline. The successful candidate will also have excellent interpersonal skills, and be both student-focused and adept at working with diverse groups of colleagues. Applicants will require knowledge of the historical and contemporary global art market, alongside a sound understanding of industry techniques of art appraisal and valuation. Professional experience of the art trade, of auction business, contemporary art fairs and new technologies of art commerce would be a highly desirable as would broad industry contacts and membership of the Royal Institute of Chartered Surveyors.

The Faculty / Department

The Faculty of Art, Design and Architecture is recognised as one of the best art and design schools for teaching and research in the world. Our position amongst the top art and design schools is confirmed in subject rankings, research performance, industry and student awards, and the leading brands and institutions that choose to work with us. We count many leading architects, artists, designers, curators and scholars among our staff and alumni.

Further Information

Interviews will be held on 26 July 2016.

This post is a 0.5 full time equivalent (FTE). To calculate the part time salary, please reduce the full time salary shown by the FTE.

Clicking on the link will take you to Kingston University’s website where you will be able to apply online.

Kingston University is committed to equality and we value the diversity of our staff and students.

Apply

Source: jobs.ac.uk (accessed July 17, 2016)