CFP: Where Computer Vision Meets Art (Munich, 8-14 Sep 18)

VISART IV “Where Computer Vision Meets Art”

4th Workshop on Computer VISion for ART Analysis
In conjunction with the 2018 European Conference on Computer Vision (ECCV)
Cultural Center (Kulturzentrum Gasteig), Munich, Germany
Munich, September 09, 2018

Deadline: Jul 9, 2018

Following the success of the previous editions of the Workshop on Computer VISion for ART Analysis held in 2012, 2014 and 2016, we present the VISART IV workshop, in conjunction with the 2018 European Conference on Computer Vision (ECCV 2018). VISART will continue its role as a forum for the presentation, discussion and publication of computer vision techniques for the analysis of art. In contrast with prior editions, VISART IV will expand its remit, offering two tracks for submission:

1. Computer Vision for Art – technical work (standard ECCV submission, 14 page excluding references) Continue reading “CFP: Where Computer Vision Meets Art (Munich, 8-14 Sep 18)”

CFP: ARTis ON 7, Issue: Art & Power

Deadline: Sep 15, 2018

The new issue of ARTis ON will focus on ART & POWER. These theme is related to both present and past, which raises numerous questions that transcend cultural and temporal boundaries.

In a dynamic of reciprocity, but also of great paradox, the relation between art and power can be as alliance but also as contestation, given the power and communicational effectiveness that art, in its various domains, holds. From fine arts to architecture, through music, theater, literature or cinema, it is therefore essential understand the context in which each work of art is created and displayed, as well as the impact on public opinion and society, on a transtemporal approach that considers all its period of existence. Continue reading “CFP: ARTis ON 7, Issue: Art & Power”

CFP: Examples of Transcultural Exchange (Salzburg, 11-12 Aug 18)

Global Academy II, Examples of Transcultural Exchange

Deadline: May 15, 2018

The Salzburg International Summer Academy of Fine Arts is planning the conference
Salzburg, Austria
August 11 – 12, 2018

Concept: Hildegund Amanshauser, Kimberly Bradley

For the past several years, the Salzburg International Summer Academy of Fine Arts has hosted the Global Academy project – a series of conferences and exchanges that focus on questions of learning and teaching art in a global context. Continue reading “CFP: Examples of Transcultural Exchange (Salzburg, 11-12 Aug 18)”

CFP: Early modern English and German collecting networks and practice (Halle an der Saale 06/18)

Call for Papers
Early modern English and German collecting networks and practice:
medicine and natural philosophy
Halle an der Saale
8-9 June 2018

Deadline: 08.05.2018

The shift from a purposefully and playfully disordered Kunstkammer to the well-ordered Enlightenment museum is known. What has yet to be explored fully is the process through which this transformation occurred. This two-day workshop will investigate the role of learned societies in that transformation between England and German-speaking lands, focusing on the relatively understudied period from the foundation of the Leopoldina as a medical association (1652) to the start of the Royal Society Presidency of Joseph Banks (1778). Continue reading “CFP: Early modern English and German collecting networks and practice (Halle an der Saale 06/18)”

Call for Posters: Collecting Spain (London, 8-9 June 2018)

Call for Posters
“Collecting Spain”

Victoria and Albert Museum, London
8 and 9 June 2018

https://www.vam.ac.uk/event/rR6NNqRe/collecting-spain

The aim of the conference is to study the collecting history and practices in the Spanish Decorative Arts in Britain and Spain from 1850 to the mid-20th century.

Organiser Ana Cabrera invites MA Students, PhD students and early career scholars to present a poster dealing with one of topics (collectors, art dealers, type of collections, development of the Decorative Art museums in Britain and Spain).
Posters do not necessarily have to focus on Spanish Decorative Arts in Britain, but can deal with any country/collection that includes Spanish Decorative Arts (see https://www.vam.ac.uk/research/projects/interwoven).

Please check the websites for more information, and/or contact Ana Cabrera at a.cabrera@vam.ac.uk

Reference: Collecting Spain

CFP: Art Histories and Digital Humanities (Montréal, 25-27 Oct, 2018)

Universities Art Association of Canada / Association d’art des universités canadiennes, University of Waterloo
October 25 – 27, 2018

Deadline: May 1, 2018

Présidence de séance / panel chairs: Édith-Anne Pageot / Dominic Hardy, Université du Québec à Montréal/ Laboratoire numérique des études en histoire de l’art du Québec

How do digital tools and modes of working impact on our ways of conceiving and writing art histories? How is the digital coming to contest conventional parameters of chronology, periodization, text/image relationships as well as the forms of knowledge that they involve? Do digital art histories encourage the integration of more inclusive approaches (docolonizing, feminist…?) We welcome proposals that engage with either the theoretical or practical concerns that underpin this panel.

Proposals can engage with conceptual issues surrounding paradigm shifts, epistemological critique and new modalities of reading (such as eye tracking) that arise with digital art histories. We also welcome case studies (and projects in the planning or pilot stage): cataloguing, adaptive technologies, image and reproduction rights… Under what conditions is the embedding of digital humanities into our research methodologies leading to a reorganization of our ways of knowing?

Submissions will be welcome via the form available on the following webpage: http://www.uaac-aauc.com/en/uaac-2018-conference-call-papers

Information:
Édith-Anne Pageot pageot.edith-anne@uqam.ca
Dominic Hardy hardy.dominic@uqam.ca

CFP: Max Slevogt und seine Netzwerke (Mainz, 29-30 Nov 18)

Landesmuseum Mainz, 29. – 30.11.2018
Deadline: Jun 15, 2018

Call for Papers

Max Slevogt und seine Netzwerke

2018 ist ein Slevogtjubiläumsjahr, das mit einem Reigen von Ausstellungen begangen wird. Angefangen mit “Max Slevogt. Impression und Phantasie – Zum 150. Geburtstag” (17. März 2018–13. Mai 2018) in der Pfalzgalerie Kaiserlautern, gefolgt von “Slevogt und Frankreich” des Saarlandmuseums Saarbrücken (1. September 2018–13. Januar 2019), dann der Retrospektive zum 150. Geburtstag des Künstlers im Landesmuseum Hannover (28. September 2018 – 24. Februar 2019) und schließlich endend mit “Ein Tag am Meer. Slevogt, Liebermann und Cassirer” (9. Oktober 2018–10. Februar 2019) im Landesmuseum Mainz. Continue reading “CFP: Max Slevogt und seine Netzwerke (Mainz, 29-30 Nov 18)”