CFP / JOB: 70 Years of Holocaust Compensation and Restitution / Doctoral and Post-Doctoral Fellowships (Tel Aviv University, Conference on Jewish Material Claims Against Germany, and Yad Vashem)
On September 10, 1952, historical agreements were signed in Luxembourg between the government of Israel, the Conference on Jewish Materials Claims Against Germany, and the government of West Germany regarding the provision of…
CFP: The Rise (and Rise) of the Digital Art Market – Session at the 2022 Annual Conference for Art History (Goldsmiths, University of London, 6-8 April 2022)
In recent years the global art trade has experienced a radical transformation, driven to a large extent by digital technology. Across the board, artworks are bought and sold online in increasing numbers by a…
CFP: Marchands d’antiques a Paris au XIXe siecle (Paris, INHA, 20 Apr 2022)
Au sein du marché des antiquités qui s’organise au XIXe siècle en Europe, les marchands ont joué un rôle central dans la circulation des œuvres comme dans la constitution des collections privées et…
CFP: Sammler*innen, Sammlung, Netz – Eine Tagung zu den Netzimplikationen von Sammlungspraxis und Sammlungsforschung (Herzog August Bibliothek, Wolfenbüttel; 30 Mar-1 Apr 2022)
Eine Sammlung trägt Objekte zusammen, verknüpft sie und spiegelt strukturell und funktional die Grundeigenschaft des Netzes. Mit Blick auf die Sammlungspraxis sind allenthalben Vernetzungsgeschehen zu beobachten. Gegenwärtig werden Objekte mit Hilfe moderner Technologien in…
TIAMSA Member News: CFP Born from the Margins: Women Gallerists Creating New Markets, 1800-1990 – Session at the 2022 Annual Conference for Art History (Goldsmiths, University of London, 6-8 April 2022)
In 1966, Linda Givon founded the Goodman Gallery in Johannesburg, South Africa, with the goal of championing contemporary art as an agent of social change and political activism. Her work as a gallerist serves…
CFP: Plunder: An Alternative History of Art – Session at AAH (London, Goldsmiths, University of London, 6-8 Apr 2022)
‘I place looting at the heart of the modern formation of what is called art, analyzing how it was obscured and transformed into the history of collecting.’ This session at The Association for…
CFP: New Challenges in the Field of Provenance Research (Vitromusée Romont, Switzerland 15 Sep 2022)
Going Global: New Challenges in the Field of Provenance Research Provenance research is not only a central field of museum activity, but has also increasingly become the focus of academic research. The topic…
CFP: The Art Museum in the Digital Age (Vienna, 17-21 Jan 2022)
The Belvedere Research Center invites proposals for the next in its conference series on the digital transformation of art museums. Although the topic of digitization was gaining ground before the pandemic, the measures…
CFP: Avant-Garde Art on Paper in Europe. 1905-1950 (Brussels, 23-25 Mar 2022)
The Royal Museums of Fine Arts of Belgium, in collaboration with the University of Leuven and the Université Libre de Bruxelles, is organizing an international symposium on the role of paper in European…