CFP: Provenance Research (Paris/online, 9-10 Dec 27)
Provenance Research: Perspectives on Archaeology, Collections and Circulation of Antiquities from the West Asia and North Africa Region Provenance research today occupies a major place in the study of antiquities from West Asia…
CFP: Rembrandt’s Material Worlds (Bader College, Queens University, Herstmonceux Castle, 3-6 Jun 27)
With generous support from Bader Philanthropies, the Bader Chair in Northern Baroque Art at Queen’s University, in collaboration with the Alfred Bader Research Centre at the Rembrandt House Museum, Amsterdam, is seeking papers…
CFP: 30 Years After the Washington Principles: Taking Stock, Looking Ahead (University of Bonn)
The year 2028 is the 30th anniversary of the Washington Conference Principles on Nazi-Confiscated art, agreed at the Washington Conference on Holocaust-Era Assets in December 1998. This summer, the interdisciplinary Research Centre for…
CFP: Impressionism Now: New Directions in the Field (5 Oct, 2026)
Bringing together museum professionals, academics, conservators and emerging scholars, Impressionism Now: New Directions in the Field aims to highlight new avenues of enquiry and ask where the most vital directions in the study of Impressionism…
CFP: Women’s Eyes. Patronizing the Arts in Rome from the 5th to the 21st Century (Fondazione Ernesta Besso, Rome – 1 Dec 2026)
The growing attention devoted to women in art history has profoundly reshaped the interpretative paradigms of the discipline over the past decades. Alongside the recovery of women artists, patrons, and collectors who had…
CFP: 1920s | 2020s: Art Markets – War Conflicts – Economic Crises (Free University Berlin – 3-4 Dec 2026)
The Research Center “Entartete Kunst” at the Freie Universität Berlin, the Kunsthaus Dahlem, and the Brücke-Museum in Berlin are pleased to announce a symposium dedicated to the art markets today and a century…
CFP: Mapping Markets and Tastes Outside the Canon (CAA 115th Annual Conference / online – 3-6 Feb 2027)
“The history of masterpieces has become largely synonymous with the history of art itself.”– Walter Cahn, Masterpieces (Princeton UP, 1979), xvii. To better understand past artworlds, we might investigate once-popular and collected artists…
CFP: Provenance data for archaeological objects: specific features, sources, methods, challenges (NFDI4Objects, Archäologisches Zentrum, Berlin – 12/13 Nov 2026)
Provenance data relating to archaeological objects is a key component of information for their scholarly interpretation, legal assessment and ethically responsible handling. It forms the basis for addressing questions of origin, ownership history,…
CFP: S/Objects in Motion in Cultural Heritage: Circulation, Borders, and Transformations (Turin, 12-13 Apr 27)
The doctoral students in Cultural Heritage and historical-artistic, audiovisual and multimedia production of the University of Turin are pleased to invite you to the first doctoral conference titled S/Objects in motion in cultural…