Wadsworth Atheneum Museum of Art
November 10th-11th, 2017
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J. Pierpont Morgan (1837–1913) spent over 20 years traveling the globe gathering the largest collection of art and cultural artifacts of his time. Estimated to have exceeded 20,000 works of art, Morgan’s collections represent a broad historical, artistic and geographic range. Acting on his father’s wishes, Morgan’s son donated more than 1,350 works collected by his father to the Wadsworth Atheneum in his native Hartford. Continue reading “Conf: MORGAN: MIND OF THE COLLECTOR (Hartford, 10-11 Nov, 17)”
The latest number of the journal Visual Resources, published by Routledge/Taylor and Francis, presents a Special Issue Guest-Edited by MEAGHAN CLARKE and FRANCESCO VENTRELLA (University of Sussex), entitled ‘Women’s Expertise and the Culture of Connoisseurship’.
This issue has many articles that may interest the historian of the art market (especially appealing for those concerned with the linkages between the market and art historiography), such as ‘Mrs. Berenson, Mrs. Gardner and Miss Toplady: Connoisseurship, Collecting and Commerce in London (1898–1905)‘ by MACHTELT ISRAELS, and ‘“This Feminine Scholar”: Belle da Costa Greene and the Shaping of J.P. Morgan’s Legacy‘, by art market scholar FLAMINIA GENNARI SANTORI.
Visual Resources Vol. 33 Continue reading “Visual Resources, Volume XXXIII, Nos. 1-2, 2017”