Frances Carey – Independant scholar
Organised by Dr Klara Kemp- Welch – The Courtauld Institute of Art
Over a fifty-year period from 1894, Munch produced some 850 different printed compositions with as many as 30,000 impressions. His prints were exhibited on at least 268 occasions between 1895 and 1942 and a catalogue raisonné had been published by the end of 1907. Who was his audience and what capital, cultural as well as financial, did the work require?
The seminar anticipates the British Museum’s print exhibition (in association with the Munchmuseet in Oslo): Edvard Munch: Love and Angst from 11 April – 21 July 2019.
Continue reading “ANN: Seminar: THE MARKET FOR MUNCH, Monday 11th 17:00-18:00, The Courtauld Institute of Art, London”