PUBL: The World of Galleries. Contemporary art, market structure and internationalisation / Le monde des galeries. Art contemporain, structure du marché et internationalisation by Alain Quemin (in French)
Alain Quemin, Le monde des galeries. Art contemporain, structure du marché et internationalisation, Paris CNRS Editions, 2021, 470 p. In an era of so-called globalization, marked by the rise of major international fairs,…
STIP: Contemporary Collecting / Sammeln in der Gegenwart, Mercator-Promotionsstipendium (University of Cologne)
a.r.t.e.s. Graduate School für the Humanities Cologne, Universität zu Köln, 01.04.2022–31.03.2026Bewerbungsschluss: 22.10.2021 Zum 1. April 2022 schreibt die a.r.t.e.s. Graduate School for the Humanities Cologne, die Graduiertenschule der Philosophischen Fakultät der Universität zu…
TIAMSA Member News: CFP Born from the Margins: Women Gallerists Creating New Markets, 1800-1990 – Session at the 2022 Annual Conference for Art History (Goldsmiths, University of London, 6-8 April 2022)
In 1966, Linda Givon founded the Goodman Gallery in Johannesburg, South Africa, with the goal of championing contemporary art as an agent of social change and political activism. Her work as a gallerist serves…
ANN: Digital symposium – Women Entrepreneurs: women asserting themselves in the art market (online, 22 Oct 2022)
On 10/22/2021, the digital symposium “Women Entrepreneurs: women asserting themselves in the art market”, jointly organized by Kunstmuseum Stuttgart and ZADIK, will take place. Research into the role of women in the art market in…
TIAMSA Member News: Lectures by Anita Eichenberger & Alain Quemin (Art Market Studies, University of Zurich; Thursday 14 October 2021)
UNIVERSITY OF ZURICH’S ART MARKET STUDIES cordially invites you to join the talks “Is There Gender Equality in the Swiss Contemporary Art Market?” by Anita Eichenberger, EMAMS Alumna, Art Passionate & Program Manager “The World of Galleries….
STIP: Research Grant DFK/INHA: Art market in France during the Occupation
The Institut national d’histoire de l’art and the German Centre for Art History (Deutsches Forum für Kunstgeschichte – DFK PARIS) are for the third time jointly awarding a scholarship to study the history…
CFP: Avant-Garde Art on Paper in Europe. 1905-1950 (Brussels, 23-25 Mar 2022)
The Royal Museums of Fine Arts of Belgium, in collaboration with the University of Leuven and the Université Libre de Bruxelles, is organizing an international symposium on the role of paper in European…
TIAMSA Member News – ANN: Book Workshop on Heritage & Debt: Art in Globalization with Professor David Joselit (Loughborough/Online, 26 Oct 2021, 14.15–17.00 BST)
Join us to discuss some of the most pressing issues facing contemporary creative practices, art markets, and museum cultures in a globalized world. Book Workshop on Heritage & Debt: Art in Globalization with…
CFP: The Art of Copying in Early Modern Europe (Florence, 21 Jan 2022)
In recent years, attention has been directed towards copies, with a particular emphasis on their meaning, function, provenance, production, patronage, collecting and dating. The aesthetic and conceptual tenets underlying this corpus of scholarly…