CFP: Gilded Age Art Market (Colnaghi Foundation, London, 5 Nov 2022)
Colnaghi Foundation will host a conference on the international Gilded Age art market on Saturday 5th November 2022, exploring the complexities of the art market at this period, the high-profile market for Old…
TIAMSA-CONF: The Image of the Art Market. Just What Is It that Makes the Art Trade Look so Different, so Alarming? (The 2022 TIAMSA Conference, Technische Universität / Liebermann Villa, Berlin, 12-13 Sept 2022)
The art trade has always been viewed with great fascination, but also with scepticism and even suspicion. Although its worldwide turnover is relatively modest in comparison with most other markets for luxury goods, the…
ANN: The “Art Market Dictionary” becomes “Bloomsbury Art Markets. Protagonists, Networks, Provenances”
Bloomsbury Publishing plc announces that it has signed an exclusive partnership to bring together the work of an international team of leading art historians in a ground-breaking new digital resource. Bloomsbury Art Markets – the former “Art Market…
CFP: Special Issue on “The Economics of Art History”, Journal of Cultural Economics
The Journal of Cultural Economics, with the support of the Association of Cultural Economics International (ACEI) and Springer, opens a Call for Papers for a Special Issue on “The Economics of Art History”…
ANN: Tricks of the Trade: Duveen Brothers and the Market for the Decorative Arts, 1880–1940 – Lecture by Charlotte Vignon (Getty Center / online, 5 May 2022, 12-1pm PST)
Drawing from her publication, Duveen Brothers and the Market for Decorative Arts, 1880–1940 (2019), curator and professor Charlotte Vignon discusses the commercial strategies and the relationships with preeminent collectors, including J. P. Morgan, that led this…
CFP: NFTs, Blockchain, Cryptocurrency, Metaverse: A Silent Digital Revolution That Has Transformed the Art Market (“Arts“ open access Journal)
The sale of Beeple’s Non-Fungible Token (NFT) artwork “Everydays—Everydays: The First 5000 Days” for over $69.3 million at Christie’s online auction on 11 March 2021 ruptured the contemporary art market, representing the coming…
TODAY: TIAMSA Live Book Discussion No. 6 – Anne-Sophie V. Radermecker: Anonymous Art at Auction. The Reception of Early Flemish Paintings in the Western Art Market, 1946–2015 (online 14 April 2022, 6:30pm CET)
TIAMSA welcomes you to our 6th Live Book Discussion. Respondents: Sandra van Ginhoven (Getty Research Institute) and Hans van Miegroet (Duke University)As usual, the event will be moderated by Kim Oosterlinck (Université libre…
ANN: Anne Helmreich: Charting our Future. Art Market Studies and Provenance Research in the Digital Age (The Hugo Helbing Lecture 2022, Zentralinstitut für Kunstgeschichte, Munich / online, 27 Apr 2022, 18:15-20:00 CET)
‘Here be dragons’, a trope used by western early modern map makers to signify uncharted or dangerous territories may also describe attitudes to digital approaches in art history within certain circles. But if we…
CFP: Auctions and households. Comparative perspectives across the globe, 17th-20th centuries (Session at the ESSHC, 12-14 April 2023, Univ. of Gothenburg)
The aim of this session is to engage in a very specific secondary market outlet – the auction – and to unravel its importance for household strategies from the 17th to the 20th…