JOB: Wissenschaftliche Assistenz Provenienzforschung (80%–100%) – Kunstmuseum Basel, Switzerland
Ihre AufgabenRecherche: Eigenständige Provenienzrecherche in nationalen und internationalen Archiven zu Sammler*innen und Werken des Bestands des Kunstmuseums Basel. Abklärung der Provenienzen vor Neuerwerbungen. Teilnahme an Treffen/Diskursen der Forschungsnetzwerke.
CFP: transfer – Zeitschrift für Provenienzforschung und Sammlungsgeschichte / Journal for Provenance Research and the History of Collection
The online journal transfer is an academic publication platform in the area ofprovenance research and the history of collection as well as adjacent fields ofinvestigation, like art market studies, reception history, cultural sociology,…
ANN: Release of digitized papers of Michel and Irma van Gelder, dealers and collectors (Wildenstein Plattner Institute, online)
The WPI has announced the release of the Michel and Irma van Gelder Papers, a collection of Art Collection and Personal Business records that document the history of the van Gelder collection and…
TIAMSA Member News: CFP – 1950-2020: Active Women in the Art Market. Mapping Gallerists, Collectors, Maecenas, Auctioneers, Curators from the Iberian Peninsula and Brazil and their contributions to the Global Art System (Online Workshop, 11-12 Oct 2023)
Papers are invited for this online workshop, organised by the TIAMSA Sub-Committee – Art Market and Collecting: Portugal, Spain & Brazil. Deadline: 22 Sep 2023 Organising Committee Adelaide Duarte, Bruna Fetter, Marta Pérez-Ibáñez
CONF: Art Law Unveiled: Navigating modern and contemporary art transactions (Institute of Art & Law, 9 Nov 2023)
This event will focus on the particular legal issues that face buyers, sellers and collectors of modern and contemporary art. This will cover topics such as copyright, artist resale rights, contractual terms and…
CFP: Transnational Collecting: Objects Crossing Borders, Objects Transformed (Online Session at 112th CAA Annual Conference, 14-17 Feb 2024 Chicago)
What happens to objects when they cross borders and enter collections located beyond the cultures or nations in which they were produced? Objects don’t have fixed meanings, and collectors are a vital source of…
ANN: A First Reconstruction of the Eclectic Art Collection of the Archaeologist and Art Dealer Ludwig Pollak (1868-1943); online-lecture by Federica De Giambattista (Society for the History of Collecting, 28 Jun 2023, 6pm BST)
On 28 June the Society for the History of Collecting hosts a Zoom lecture delivered by Federica De Giambattista on the topic of “A first reconstruction of the eclectic art collection of the…
ANN: Early Modern Collecting and the Shifting Cabinet of Curiosities – Lecture by Patricia Rocco (Collecting and Display, 15 May 2023 18:00 BST, zoom only)
Ulysses Aldrovandi had established one of the largest naturalist collections of his day in 16th century Bologna, including all manner of exotic flora and fauna. His collection was meant to be categorized, catalogued,…
CFP: Space – Museum – Gender. Material and Immaterial Manifestations of Female (Art) Collectors (1750-2024); a section of the 37th German Congress for Art History (Erlangen-Nürnberg, 13-17 Mar 2024)
During their lives, many women distinguished themselves as collectors and art patrons. Early examples like Isabella D’Este and Eleanor of Naples influence the collecting practices as well as artistic production of their times,…