CFP: Routes and Contact Zones. Artistic Mobility and Exchange (Munich, 11-13 Oct 18)

Routes and Contact Zones. Artistic Mobility and Exchange in Central Eastern and North Eastern Europe

Deadline: Mar 5, 2018

German and Polish versions of this text available online, see reference link below

Working Group of German and Polish Art Historians and Conservators
Art History Institute, Ludwig-Maximilian-University Munich
Böckler-Mare-Balticum-Foundation

26. Conference of the Working Group of German and Polish Art Historians and Conservators / Homburger Colloquy (Homburger Gespräch) of the Böckler-Mare-Balticum-Foundation, Munich 11.-13. October 2018

The mobility of people, objects and ideas determined the art scene in Central Eastern and North Eastern Europe for centuries and promoted transregional exchange. In contrast, art historiography in the countries of these regions has long been influenced by nationally defined political concepts that posit clearly distinct cultural developments. If, however, art is understood as a product of cross-border, transcultural exchange, then any scholarly investigation must also consider the transfer routes and the meeting places found along them. Continue reading “CFP: Routes and Contact Zones. Artistic Mobility and Exchange (Munich, 11-13 Oct 18)”

CONF: Art Dealers, America and the Art Market (Los Angeles, 18-19 Jan 18)

Los Angeles, CA
The Getty, 1200 Getty Center Drive
January 18 – 19, 2018

Art Dealers, America and the International Art Market, 1880-1930

 

The Getty Research Institute presents a symposium on the role of international art dealers in creating the collections, museums, and intellectual culture of the American art world in the late 19th and early 20th centuries. Bringing together rich archival resources from the Getty Research Institute and peer institutions, and capitalizing on new methodologies made possible by the extraordinary quantity of information contained in the documentary record, this symposium illuminates the ways in which art dealers contributed to making America a prominent arena in the international art market, and their role in creating the major private collections that became the foundation of great American museums. Continue reading “CONF: Art Dealers, America and the Art Market (Los Angeles, 18-19 Jan 18)”

REV-CONF: The Art Fair – The 2017 TIAMSA Conference

This review is in German

Sotheby’s Institute of Art
London
12. – 15.07.2017

Bericht von Helene Bosecker, Berlin

Die erste Konferenz der 2016 gegründeten International Art Market Studies Association (TIAMSA) widmete sich der historischen und aktuellen Forschung zum Thema Kunstmesse. Dieser zentrale Schauplatz des Kunsthandels wurde im Rahmen der dreitägigen Veranstaltung aus verschiedenen Perspektiven beleuchtet, in seinen Strukturen untersucht, kritisch reflektiert und diskutiert. [1] Continue reading “REV-CONF: The Art Fair – The 2017 TIAMSA Conference”

L: The art of insuring art, Art Market Lecture (Cologne, 9 Nov, 17)

Lecture Series ‘Art Market here and now’

Kai Kuklinski, “The art of insuring art” – “Die Kunst, Kunst zu versichern” (in German)

Thursday, 09.11.2017

Mr. Kuklinski, Global CEO von AXA ART &Member of the Board, will be speaking as part of the lecture series Kunstmarkt hier und heute: Akteure und ihre Tätigkeitsfelder (Cologne, Okt 17 – Jan 18)

(further information about the talk in German below)

Universität zu Köln
Kunsthistorisches Institut, Hörsaal E
Hörsaalgebäude
Albertus-Magnus-Platz
50923 Cologne

See the full program here
Continue reading “L: The art of insuring art, Art Market Lecture (Cologne, 9 Nov, 17)”

CONF: Il mercato dell’arte in Italia intorno al 1900 (Florence/Bologna, 14-15 Nov 17)

IL MERCATO DELL’ARTE IN ITALIA INTORNO AL 1900.
PROTAGONISTI, ARCHIVI, FOTOGRAFIE

Florence, Bologna, November 14 – 15, 2017

Study days promoted by Kunsthistorisches Institut in Florenz – Max-Planck-Institut and Federico Zeri Foundation.

The two study days, which will take place in Florence and Bologna respectively, aim to analyze the dynamics of the art market in Italy at the beginning of the twentieth century, intersecting the methods of the history of art, economic history and sociology.

In this fruitful research context, two particular aspects will be studied: the relationship between photographic practices and antique practices, the subject of the first day hosted by the Fototeca del Kunsthistorisches Institut, and the antiquarian world in the Savoy Rome, which will be studied on the second day at the Federico Zeri Foundation.

(days held in Italian)
Continue reading “CONF: Il mercato dell’arte in Italia intorno al 1900 (Florence/Bologna, 14-15 Nov 17)”

CFP: Dispossessions of Cultural Objects (Ljubljana, 19-21 Mar 18)

Dispossessions of Cultural Objects between 1914 and 1989/1991
– Alpe Adria Region in Comparative Perspective

International Conference

Ljubljana, France Stele Institute of Art History ZRC SAZU, March 19 – 21, 2018

Deadline: Nov 12, 2017

The research project team Transfer of Cultural Objects in the Alpe Adria Region in the 20th Century (TransCultAA) invites applications for papers to be presented in Ljubljana in March 19-21, 2018.

Transfer of Cultural Objects in the Alpe Adria Region in the 20th Century (TransCultAA) is a HERA – Humanities in the European Research Area – international and interdisciplinary research project of four countries (Germany, Italy, Slovenia and Croatia, together with the Commission for Provenance Research in Vienna, Austria, as associated partner). The four principal investigators are Christian Fuhrmeister, Zentralinstitut für Kunstgeschichte, Munich (project leader), Donata Levi, University of Udine, Barbara Murovec, France Stele Institute of Art History ZRC SAZU, Ljubljana, and Ljerka Dulibić, Strossmayer Gallery of Old Masters HAZU in Zagreb. The project is being funded by the European Union’s Horizon 2020 research and innovation programme under grant agreement No 649307. Continue reading “CFP: Dispossessions of Cultural Objects (Ljubljana, 19-21 Mar 18)”

Conf: Looted Art and the Art Trade, Raub & Handel – Bonn 11/17

Raub & Handel. Der französische Kunstmarkt unter deutscher Besatzung (1940-1944)

Bonn, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland
30.11.2017-01.12.2017
Registration deadline: 13.11.2017

 

Deutsches Zentrum Kulturgutverluste in cooperation with Deutsches Forum für Kunstgeschichte Paris and Forum Kunst und Markt, Technische Universität Berlin

This year’s conference topic of the German Center for Cultural Heritage, The French art market under German occupation (1940-1944), brings together renowned French and German experts on the systematic art looting in France and presents the most recent research in both countries on this topic.
The case of Hildebrand Gurlitt will feature prominently.

The conference takes place at Kunst- und Ausstellungshalle of the Federal Republic of Germany, Friedrich-Ebert-Allee 4, 53113 Bonn, from 30.11.2017 to 1.12.2017.

Conference languages: French and German, simultaneous interpretation is offered.

Programme below

Places are limited and the organisers strongly advise to book a place soon.

Please contact
Josefine Hannig
Deutsches Zentrum Kulturgutverluste
Humboldstraße 12
39112 Magdeburg
josefine.hannig@kulturgutverluste.de
FAX: 0391 72 77 63 6

registration deadline: 13.11.2017

Continue reading “Conf: Looted Art and the Art Trade, Raub & Handel – Bonn 11/17”