CFP: Wilhelm von Bode and the Art Market (Bern, 8-9 Nov 18)

Department of Modern and Contemporary Art History Institute for Art History
University of Bern
08. – 09. November 2018

Deadline: Jul 31, 2018

Wilhelm von Bode and the Art Market

Wilhelm von Bode (1845-1929) belongs categorically to the group of the most influential actors in the late nineteenth and the early twentieth century art market. Despite the fact that Bode’s international agency has long been recognized, it has not sustained a focused attention. Certain aspects have received due scrutiny, for instance the acquisitions for the Royal Museums in Berlin, as well as Bode’s complex relations to particular art dealers and private collectors. To completely understand Bode’s agency within the art marketplace, however, a more detailed and de-mystifying analysis is required. Thus, the aim of the conference is to dedicate exclusive attention to Bode’s involvement in the art trade and his multi-faceted role in the art marketplace of his time. Bode navigated the international art market by adopting different, often contradictory identities: he was an expert, a connoisseur and an advisor, but also a strategic buyer and a ruthless competitor. How did these roles intertwine? Where and when was he an innovator, a precursor, a pioneer or a rule-breaker? Continue reading “CFP: Wilhelm von Bode and the Art Market (Bern, 8-9 Nov 18)”

CFP: The Collector and Cultural Narratives, SECAC (Birmingham, AL, 17-20 Oct, 2018)

The Collector and Cultural Narratives, 1845-1918

Birmingham, Alabama, United States, October 17-20, 2018
http://www.secacart.org/
SECAC Sessions (pdf)

 

Session Chair
Julie Codell, Arizona State University

From mid-19th century, a new kind of art history narrative about private collectors appeared in Europe and the US, e.g., Anna Jameson’s Companion to the Most Celebrated Private Galleries…,1844, Gustav Waagen’s Treasures of Art in Great Britain, 1854-57; Dumesnil’s multi-volume Histoire des plus célèbres amateurs…, 1853-1860; the Gazette de Beaux-Arts‘s series on “amateurs,” 1850s; F. G. Stephens’s 90 Athenaeum articles on British collectors, 1873-84; Edward Strahan’s (pseud. Earl Shinn) The Art Treasures of America (1879-1882); Continue reading “CFP: The Collector and Cultural Narratives, SECAC (Birmingham, AL, 17-20 Oct, 2018)”