International Summer School on Digital Art History (DAHSS)
Málaga, September 3 – 08, 2018
Deadline: Jun 21, 2018
We are pleased to announce that the International Summer School on Digital Art History (DAHSS), a joint initiative of the University of Málaga and the University of Berkeley, will celebrate the third edition from September 3 to 8 (2018) in Málaga (Spain).
The application period is now open (until June 21). Please, visit: http://historiadelartemalaga.uma.es/dahss18/en/applications/
Under the title of Data-Driven Analysis and Digital Narratives, DAHSS pursues two objectives: a) to configure an interdisciplinary framework to expand the IT skills of students, scholars and professionals dealing with the production, representation and communication of knowledge in the fields of Art History, Visual Culture and Cultural Heritage; b) to build a environment where creative, innovative and collaborative research practices are encouraged and promoted. Continue reading “ANN: Summer School: Data-Driven Analysis and Digital Narratives (Malaga, 3-8 Sep 18)”
September 3, 2018 – April 12, 2019
Deadline: Jun 1, 2018
Call for members: Major new Institute opens at King’s College London with Getty Foundation support
Institute in Ancient Itineraries: The Digital Lives of Art History
This 18-month Institute in Digital Art History is led by King’s College London’s Department of Digital Humanities (DDH) and Department of Classics, in collaboration with HumLab at the University of Umeå, with a grant support provided by the Getty Foundation as part of its Digital Art History initiative.
Continue reading “Call for Papers: The Digital Lives of Art History, Call for Members (London/Athens, 2018/2019)”
University Computing Centre
November 12 – 14, 2018
Deadline: May 31, 2018
The conference organized in Zagreb, Croatia by the Institute of Art History, University Computing Centre, and DARIAH-HR is aiming at bringing together established and early career academics, the researchers from the independent digi-labs and professionals involved with the transdisciplinary research initiatives, who are interested in critically examining recent methodological, analytical and theoretical developments in the field of Digital Art History.
We invite proposals for individual papers on all aspects of the following, broadly defined subjects:
- digital art history tools – the application of digital tools, techniques and methodologies drawn from Information Science and related disciplines used to create new approaches and understandings of art history, architecture, design and visual culture
- digital art history infrastructures – institutional and technological framework of Digital Art History: development, and accessibility of digital research infrastructures, services and resources (libraries, archives, data repositories, databases, digital museum and cultural heritage collections); institutional support and availability of new technologies
- digital art history practices – collaborative research groups, research networks and platforms; interdisciplinarity, transdisciplinarity, theories and epistemologies of Digital Art History
- digital art history polices – ‘power centres’ and ‘new’ peripheries – economic, social, political and cultural dimension of Digital Art History and its capacity for self-reflection
Continue reading “CFP: Digital art history – methods, practices, epistemologies (Zagreb, 12-14 Nov 18)”
To strengthen our team at the Faculty of Education, Arts and Architecture/Department for Image Science we are looking, for an immediate placement until 14 September 2019, to start as early as possible, for a committed
Academic Assistant for 20 hours/week.
Advertisment No. SB17-0107
- scientific assistance of the project leader at the Digital Humanities Lab
- support of the project leader in the implementation of research projects in the field of Digital Humanities
- organisation and writing of funding proposals
- support in the preparation of a conference in 2017
- master’s degree in the field of media art histories or image science
- knowledge in Digital Humanities and Media Art Research, Archive of Digital Art thesaurus research
- experience of international research applications
- project experience is advantageous
- excellent command of spoken and written English
- high level of communicative and organisational competence
- ability to work indepently with team-orientation
You may expect a demanding job offering interesting opportunities of career development in a performance-oriented, creative and highly motivated environment.
Persons with disabilities who meet the required qualification criteria are expressly invited to apply for this position and their applications will be given special consideration.
We are looking forward to receiving your application by 21. July 2017
For more detailed information, please see:
Source: H-Net Job Guide, JOB: Wiss. Mitarbeit MediaArtHistories/Digital Humanities, Uni Krems, accessed 2017-07-18.
The Forum Kunst und Markt / Centre for Art Market Studies cordially invites you to attend the upcoming lecture of Dr. Anne Luther.
Dr. Anne Luther, New York/Berlin
Collecting Contemporary Art: Data Visualization in Qualitative Research
The lecture begins at 18:15 and is held in Room A 111, Architecture Building
of the TU, Straße des 17. Juni 150/152, 10623 Berlin.
The Conference Committee would like to invite proposals for panel sessions for the AAANZ 2017 Conference in Perth.
The deadline for session proposals is COB Monday 22 May 2017
Please see the submission instructions below. All enquiries to email@example.com.
This year’s conference theme Art and its Directions is broadly conceived against the backdrop of debates relating to national sovereignty and globalisation. Rather than purely a focus on politically based art in this context, we turn to the question of directions in art, where directions refer both to geography and chronology. The aim is to investigate artistic production and exchange in relation to the geographical, conceptual and imaginative relationships between north, south, east and west, so as to encompass discussion of transnational and global art histories; and the binaries of centre and periphery, modern and traditional. The theme takes account of the conference location in Western Australia – ranging from perceptions of the west to its distinct collections, and history.
There is also focus upon how art objects and art practices exist in different spatial and temporal contexts. This may include discussion of the mobility of objects and the materials of art, and of curatorial practices relating to the display of works of art.
Convenors of panel sessions might consider subject areas such as:
- The theorising of geographies in relation to art
- Art and the changing history of place
- Landscapes, travel and the sensory dimension of place
- Heritage, nostalgia and anachronism in art
- Contemporary curatorial practice and its global aspects
- Indigenous art and cultural objects in their original settings and in the museum
- The legacy of colonialism in historical and contemporary art practice
- Emigré and refugee artists, and cross-cultural exchange
- Representations of the cosmos, and the mapping of sea and land in Aboriginal art
- Aboriginal rock art and cross-cultural encounters
- Art and cartography, navigation, travel and trade
- The translocation of art through commercial forces and war
- The mobility of images in the digital age, including the role of photography
- The space of the studio and its relation to the outer world
Continue reading “Call for Sessions: Art and its directions, AAANZ (Perth)”
New Sales Data Trace the First Hundred Years
of the British Auction Market
The Getty Provenance Index has, for three decades, been a leading resource for scholarship on the history of collecting. Founded in the early 1980s by Burton Fredericksen, the first curator of paintings for the Getty Museum, the Provenance Index has evolved into a collection of online databases with 1.75 million records indexing the works of art described in source documents such as auction catalogs, archival inventories, and dealer stock books. This data can be used to trace the ownership of works of art and to examine patterns in collecting and art markets.
Read Eric Hormell’s full announcement about the exciting addition of 138,000 database records on ‘the Getty iris’.