Tag: digital art history

CFP: Digital Art History, Methods /Practices / Epitemologies

Published on by Art Market Studies

Organized by the Institute of Art History, Zagreb, and SRCE – University of Zagreb, University Computing Centre, 

Subject Fields: Digital Art History, Digital History of Architecture, Visual Culture Studies, Museology, Digital Cultural Heritage, Social and Cultural History Studies, Design Research, Information Science, Network Science

​The second edition of the Conference Digital Art History – Methods, Practices, Epistemologies is aiming at bringing together established and early career scholars, independent researchers, and professionals involved with the transdisciplinary digital research initiatives, who are interested in critically examining most recent developments in the field of Digital Art History.​

Continue reading “CFP: Digital Art History, Methods /Practices / Epitemologies” →

CFP: Digital Art History Austria (Vienna 4-5 Jul 19)

Published on by Art Market Studies

University of Vienna, Department of Art History, July 4 – 05, 2019
Deadline: May 15, 2019

The Forum: Digital Art History Austria is part of the 4th Art + Science Conference on Empirical Methods in Art History and Visual Studies. The aim of this conference series is to provide a platform for new approaches in the art sciences and to support exchange among scholars interested in empirical approaches to art research.

Continue reading “CFP: Digital Art History Austria (Vienna 4-5 Jul 19)” →

ANN: Summer School: Data-Driven Analysis (Malaga, 29 Jul-3 Aug 19)

Published on by Art Market Studies

Málaga (Spain), July 29 – August 3, 2019
Deadline: May 28, 2019

IV Edition: Digital Art History Summer School: Data-Driven Analysis and Digital Narratives

We are pleased to announce that the International Summer School on Digital Art History (DAHSS), a joint initiative of the University of Málaga and the University of Berkeley, with the collaboration of the Ludwig Maximilian Universität of Munich, will celebrate the fourth edition from July 29 to August 3 (2019) in Málaga (Spain).

The application period is now open (until May 28). Please, visit: http://historiadelartemalaga.uma.es/dahss19/en/applications/

Continue reading “ANN: Summer School: Data-Driven Analysis (Malaga, 29 Jul-3 Aug 19)” →

ANN: Workshop “Watteau, Gersaint And The Art Trade In Paris Under The Regency: A New Contextualisation Offered By Digital Technologies”, 12th March, 2019, Vienna

Published on by Art Market Studies

The Vienna Center for the History of Collecting is very pleased to announce its forthcoming workshop “Watteau, Gersaint And The Art Trade In Paris Under The Regency: A New Contextualisation Offered By Digital Technologies” led by Prof. Sophie Raux.

Date: 12th March 2019, 10:00-12:00

Location: Institute für Kunstgeschichte, Seminarraum 4, Garnisongasse 13, 1090 Wien

Places are limited. Please register by 5.3.2019: darthistaustria@gmail.com

Sophie Raux WorkshopDownload

ANN: Summer School: Data-Driven Analysis and Digital Narratives (Malaga, 3-8 Sep 18)

Published on by Art Market Studies

International Summer School on Digital Art History (DAHSS)

Málaga, September 3 – 08, 2018
Deadline: Jun 21, 2018

We are pleased to announce that the International Summer School on Digital Art History (DAHSS), a joint initiative of the University of Málaga and the University of Berkeley, will celebrate the third edition from September 3 to 8 (2018) in Málaga (Spain).

The application period is now open (until June 21). Please, visit: http://historiadelartemalaga.uma.es/dahss18/en/applications/

Under the title of Data-Driven Analysis and Digital Narratives, DAHSS pursues two objectives:  a) to configure an interdisciplinary framework to expand the IT skills of students, scholars and professionals dealing with the production, representation and communication of knowledge in the fields of Art History, Visual Culture and Cultural Heritage; b) to build a environment where creative, innovative and collaborative research practices are encouraged and promoted. Continue reading “ANN: Summer School: Data-Driven Analysis and Digital Narratives (Malaga, 3-8 Sep 18)” →

Call for Papers: The Digital Lives of Art History, Call for Members (London/Athens, 2018/2019)

Published on by Gretchen Simms

London/Athens

September 3, 2018 – April 12, 2019
Deadline: Jun 1, 2018

Call for members: Major new Institute opens at King’s College London with Getty Foundation support

Institute in Ancient Itineraries: The Digital Lives of Art History

This 18-month Institute in Digital Art History is led by King’s College London’s Department of Digital Humanities (DDH) and Department of Classics, in collaboration with HumLab at the University of Umeå, with a grant support provided by the Getty Foundation as part of its Digital Art History initiative.

Continue reading “Call for Papers: The Digital Lives of Art History, Call for Members (London/Athens, 2018/2019)” →

CFP: Digital art history – methods, practices, epistemologies (Zagreb, 12-14 Nov 18)

Published on by Art Market Studies

Zagreb
University Computing Centre
November 12 – 14, 2018
Deadline: May 31, 2018

The conference organized in Zagreb, Croatia by the Institute of Art History, University Computing Centre, and DARIAH-HR is aiming at bringing together established and early career academics, the researchers from the independent digi-labs and professionals involved with the transdisciplinary research initiatives, who are interested in critically examining recent methodological, analytical and theoretical developments in the field of Digital Art History.

We invite proposals for individual papers on all aspects of the following, broadly defined subjects:

  • digital art history tools – the application of digital tools, techniques and methodologies drawn from Information Science and related disciplines used to create new approaches and understandings of art history, architecture, design and visual culture
  • digital art history infrastructures – institutional and technological framework of Digital Art History: development, and accessibility of digital research infrastructures, services and resources (libraries, archives, data repositories, databases, digital museum and cultural heritage collections); institutional support and availability of new technologies
  • digital art history practices – collaborative research groups, research networks and platforms; interdisciplinarity, transdisciplinarity, theories and epistemologies of Digital Art History
  • digital art history polices – ‘power centres’ and ‘new’ peripheries – economic, social, political and cultural dimension of Digital Art History and its capacity for self-reflection

Continue reading “CFP: Digital art history – methods, practices, epistemologies (Zagreb, 12-14 Nov 18)” →