Tag: Getty Research Institute

Exh: German Sales 1901 – 1929 (Berlin, 5 Sept, 2018)

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Kulturforum, Kunstbibliothek
Matthäikirchplatz 6, 10785 Berlin
Öffnungszeiten:
Mo 14 – 20 Uhr, Di – Fr 9 – 20 Uhr, Sa + So 11 – 18 Uhr

German Sales 1901 – 1929
5. Juli – 5. September 2018

Eine Sonderpräsentation der Kunstbibliothek – Staatliche Museen zu Berlin im Rahmen des Forschungsprojekts „Kunst – Auktionen – Provenienzen. Der deutsche Kunsthandel im Spiegel der Auktionskataloge der Jahre 1901 bis 1929“ in Kooperation mit der Universitätsbibliothek Heidelberg und dem Getty Research Institute, Los Angeles

Kunstversteigerungen etablierten sich in Deutschland, Österreich und der Schweiz ab der Mitte des 19. Jahrhunderts. Hochwertige Kunstwerke trafen auf internationale Käufer und erzielten Preise, die mit Pariser, Londoner und Amsterdamer Versteigerungsresultaten konkurrieren konnten. In der Sonderpräsentation „German Sales 1901 – 1929“ werden im Foyer der Kunstbibliothek erste Ergebnisse des von der Deutschen Forschungsgemeinschaft (DFG) geförderten Forschungs- und Digitalisierungsprojekts „Kunst – Auktionen – Provenienzen. Der deutsche Kunsthandel im Spiegel der Auktionskataloge der Jahre 1901 bis 1929“ vorgestellt.

Continue reading “Exh: German Sales 1901 – 1929 (Berlin, 5 Sept, 2018)” →

Reminder: TIAMSA at the CAA Los Angeles

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Dear TIAMSA Members,

we would like to remind you of upcoming events during the CAA conference in Los Angeles:

Wednesday, 21 Feb 2018, 6:30pm-8:30pm – Christie’s welcomes TIAMSA Members for a Lecture on Street Art by Lizy Dastin, followed by a Reception

Those who attended last year’s memorable TIAMSA CAA reception at Christie’s New York will not want to miss this event: Christie’s welcomes TIAMSA members for a lecture on “Street Art in Los Angeles: Controversy and Ethical Slippages” by Lizy Dastin (Christie’s Education alumna). The lecture will be followed by a reception. Address: Christie’s, 336 N Camden Drive, Beverly Hills, CA 90210.

Thursday, 22 Feb 2018, 2:00pm-3:30pm – TIAMSA Session at the CAA Conference (Los Angeles Convention Center, Room 404B)

TIAMSA recently joined the College Art Association (CAA, collegeart.org) as an affiliated society, entitling us to a session at the CAA conference. Our members Véronique Chagnon-Burke and Julie Reiss (both Christie’s Education, New York) will convene a session entitled ‘Changing Hands: When Art History Meets the Art Market’. The session will be followed by our trip to the Getty Center (see below). You need to register for the CAA conference in order to attend this session.

Thursday, 22 Feb 2018, 4.30pm-c.8.30pm – TIAMSA Visit to the Getty Archive and Provenance Index (by registration only)

On the occasion of the CAA Conference in Los Angeles 2018 TIAMSA is offering a two hours program with Gail Feigenbaum (Associate Director of the Getty Research Institute – GRI), Sally McKay (Head of Special Collections Services at the GRI), and Sandra van Ginhoven (Research Associate at the GRI) who will kindly host our members for a special tour of dealers’ archives, as well as the Getty Provenance Index and the Project for the Study of Collecting and Provenance at the Getty Research Center. At 7pm our group will join the CAA VIP reception in the Getty Museum Lobby.

Only two tickets left:
https://www.eventbrite.com/e/tiamsa-tour-and-reception-at-the-getty-tickets-41842741767?aff=eac2

Friday, 23 Feb 2018, 12.30pm-1.30pm – TIAMSA ‘Business Meeting’ at the CAA Conference (Los Angeles Convention Center, Room 410)

Our ‘business meeting’ during the CAA conference will not be a somber affair! Open to TIAMSA members and those interested in our association, this friendly gathering will be organized to share and discuss with you the plans for the year and to listen to your ideas and concerns. You need not register for the CAA conference in order to join this business meeting.

We look forward to welcoming members for a promising week in LA!

All the best,

Veronika, Johannes & Gretchen

GRI Public Program: Provenance Research – A Personal Concern (Los Angeles, March 1, 2018)

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The Getty Research Institute will host a public program, Provenance Research – A Personal Concern,  in conjunction with the 3rd exchange of the German/American Provenance Research Exchange Program (PREP) for Museum Professionals on Thursday, March 1st. GRI Director Thomas W. Gaehtgens will join Stephanie Barron (Los Angeles County Museum of Art), Simon Goodman (author of The Orpheus Clock), and James Welu (Director Emeritus of the Worcester Art Museum) to discuss their motivations for and experiences with conducting provenance research.

Tickets can be reserved here.
A video of the program will be available on The Getty website in the weeks following the event.

From February 25th – March 2nd The Getty Research Institute will host 26 German and American experts in art museum provenance for a week of discussions and workshops on methodologies of WWII-era research in museums, archives, and research institutions.  The PREP Exchanges are designed to increase mutual understanding of the academic, legal, museological, and cultural/historical systems which determine the research practices in both countries.

ProvResearchPublProg

CONF: Art Dealers, America and the Art Market (Los Angeles, 18-19 Jan 18)

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Los Angeles, CA
The Getty, 1200 Getty Center Drive
January 18 – 19, 2018

Art Dealers, America and the International Art Market, 1880-1930

 

The Getty Research Institute presents a symposium on the role of international art dealers in creating the collections, museums, and intellectual culture of the American art world in the late 19th and early 20th centuries. Bringing together rich archival resources from the Getty Research Institute and peer institutions, and capitalizing on new methodologies made possible by the extraordinary quantity of information contained in the documentary record, this symposium illuminates the ways in which art dealers contributed to making America a prominent arena in the international art market, and their role in creating the major private collections that became the foundation of great American museums. Continue reading “CONF: Art Dealers, America and the Art Market (Los Angeles, 18-19 Jan 18)” →

CONF: Art Dealers, America and the International Art Market, 1880-1930 (Los Angeles, Jan 18-19, 2018)

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The Getty Research Institute presents a symposium on the role of international art dealers in creating the collections, museums, and intellectual culture of the American art world in the late 19th and early 20th century. Bringing together rich archival resources from the Getty Research Institute and peer institutions, and capitalizing on new methodologies made possible by the extraordinary quantity of information contained in the documentary record, this symposium illuminates the ways in which art dealers contributed to making America a prominent arena in the international art market, and their role in creating the major private collections that became the foundation of great American museums.

Free tickets available beginning November 29, 2017 at www.getty.edu/visit/cal/talks.html
Separate reservation is required for each day of the symposium Continue reading “CONF: Art Dealers, America and the International Art Market, 1880-1930 (Los Angeles, Jan 18-19, 2018)” →

ANN: Lecture Series: Provenance Research / Provenienzforschung (Saarbruecken, 4 Oct 17-7 Feb 18)

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HERKUNFT UNGEWISS? – Kunstwerke und ihre Besitzergeschichte

Öffentliche Ringvorlesung zur Provenienzforschung in Kooperation zwischen der Stiftung Saarländischer Kulturbesitz und dem Institut für Kunstgeschichte der Universität des Saarlandes

Provenienzforschung ist ein zentrales Feld heutiger Museumsarbeit, das sich mit der Eigentumsgeschichte von Kunstwerken und Sammlungsobjekten beschäftigt. Heikle Fälle stellen insbesondere jene Werke dar, die in der Zeit des Nationalsozialismus ihren Besitzern entzogen oder während des Zweiten Weltkrieges geraubt und verlagert wurden. Schwierige Rechtsfragen und berührende persönliche Schicksale kennzeichnen die Arbeit der Provenienzforschung. Aber auch historisch gewachsene archäologische und ethnologische Sammlungen des 19. Jahrhunderts erfordern die Erforschung ihrer ursprünglichen Besitzerverhältnisse.

Die Sonderausstellung „Der Berliner Skulpturenfund“ im Museum für Vor- und Frühgeschichte am Schlossplatz wird auch das Schicksal der Saarbrücker Sammlungen in Krieg und Nationalsozialismus präsentieren. Eine eigene Ringvorlesung in Zusammenarbeit mit dem Institut der Kunstgeschichte der Universität des Saarlandes macht daher gehend das Forschungsfeld der Provenienzforschung einer breiteren Öffentlichkeit zugänglich. Namhafte Experten wie Prof.Dr.Dr.h.c.mult. Hermann Parzinger (Präsident der Stiftung Preußischer Kulturbesitz) und Dr. Andreas Hüneke (Forschungsstelle „Entartete Kunst“ der Freien Universität Berlin) geben Einblicke zu bis heute kriegsbedingt verlagerter Beutekunst in Russland und verfemten Künstlern im Dritten Reich. Continue reading “ANN: Lecture Series: Provenance Research / Provenienzforschung (Saarbruecken, 4 Oct 17-7 Feb 18)” →

STIP: Getty Residential Grants 2018-2019, Los Angeles

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Monumentality / The Classical World in Context: Persia (Villa)

Getty Research Institute Residential Grants and Fellowships 2018-2019

Application deadline: Oct 2, 2017

The 2018/2019 academic year at the Getty Research Institute will be devoted to MONUMENTALITY. Monuments and the monumental address fundamental questions of art and architectural history such as size and scale. Applicants are encouraged to address monumentality in all of its distinct forms, as embodied by various cultures and powers throughout history. Research trajectories to consider include the role of monumentality as a tool for nation building, the subversive potential of monument making, and the monumental in buildings, sculptures, installations, murals, and even small-scale objects.

The Classical World in Context: Persia (Villa)

For a second year, the 2018/2019 term of the Getty Scholars Program at the Villa will address the political, intellectual, religious, and artistic relations between Persia, Greece, and Rome from the ninth century BC to AD 651. The Greeks viewed the Persian Empire, which reached from the borders of Greece to India, as a vastly wealthy and powerful rival and often as an existential threat. When the Macedonian king Alexander the Great finally defeated the Persians in 331 BC, Greek culture spread throughout the Near East, but native dynasties—first the Parthian (247 BC–AD 224) and then the Sasanian (AD 224–651)—soon reestablished themselves. The rise of the Roman Empire as a world power quickly brought it, too, into conflict with Persia, despite the common trade that flowed through their territories.

Priority will be given to research projects that are cross-cultural and interdisciplinary, and that utilize a wide range of archaeological, textual, and other evidence.

For more information about the theme please visit: http://www.getty.edu/research/scholars/years/future.html
Detailed instructions are available online at: http://www.getty.edu/foundation/apply/

Please address inquiries to:
Phone: (310) 440-7374
Fax: (310) 440-7703
E-mail: researchgrants@getty.edu

Reference: STIP: Getty Residential Grants, Los Angeles. In: ArtHist.net, Sep 24, 2017. <https://arthist.net/archive/16197>