CFP: Art within Reach: Photomechanical Reproductions of Works of Art from Print to Digital (Institute of Art History, Czech Academy of Sciences, Prague, 5-6 Dec 2023)
With the development of photomechanical printing techniques around 1900, the dissemination of visual information about art objects expanded on an unprecedented scale. For the first time, editors, publishers, gallerists, auctioneers, artists, art historians,…
CONF: Rubens in the Age of Mechanical Reproduction. (Un)packing the Rubenianum Library. Symposium and Film Screening (Rubenianum, Antwerp, 9-10 Feb 2023)
Rubens was one of the first Flemish masters who engaged with reproducibility to distribute his oeuvre to a broader audience. After his death, reproductions of his work gradually multiplied, as did the (private)…
CFP: Reproductions (Histoire de l’art, n° 92)
« Il est du principe de l’œuvre d’art d’avoir toujours été reproductible. » Depuis cette célèbre assertion de Walter Benjamin, la question de la reproduction en art s’est considérablement actualisée. Bien loin de susciter une…
CFP: Rubens in the Age of Mechanical Reproduction (Antwerp, 9-10 Feb 2023)
Rubens was one of the first Flemish masters who engaged with reproducibility to distribute his oeuvre to a broader audience. After his death, reproductions of his work gradually multiplied, as did the (private)…
CFP: Variety, Variation, Multiplication in Premodern Art (TU Berlin, 13-15 Apr 2023)
Printed images and moulded artworks have one thing in common: they refer to an “original form” to which they stand in a complex relationship. Produced in a mechanical process with the help of…
CFP: The Multiple: Hybridity at the Crossroads of Fields and Practices (From 1950 to the Present), Cahiers de Mariemont – Vol 44 (2022)
Call For Papers for Cahiers De Mariemont Vol 44 (2022)The Multiple: Hybridity At The Crossroads Of Fields And Practices (From 1950 To The Present Day) Echoing volume 43 of the Cahiers de Mariemont…
CONF: The Illustration of Art History and the Reproductive Print in the 18th and 19th Centuries / La storia dell’arte illustrata e la stampa di traduzione tra XVIII e XIX secolo (Online/Università di Chieti-Pescara, 10–11 Jun 2021)
«Un coup d’oeil sur l’objet ou sur sa représentation en dit plus qu’une page de discours». Così scrive Diderot nel 1751 nell’Encyclopédie, introducendo un concetto rivoluzionario nella metodologia storico-artistica, che dalla descrizione letteraria…
CONF: Early Modern Cultures of Copying (online / Rijksuniversiteit Groningen & Columbia University, 10–11 Jun 2021
This conference aims to shed new light on practices of graphic copying. Specifically, it aims to go beyond the classic framework of emulation and imitation and the connoisseurial topos of replica and forgery…
CONF: Original, Reproduction & Ownership / Original, Reproduktion & Eigentum (in German; Museum+Recht 2020; online, 11 Dec 2020)
Museum+Recht 2020: Original, Reproduktion & Eigentum Online, 11 Dec 2020 Registration deadline: 9 Dec 2020tinyurl.com/MUR2020 Museale Praxis trifft Recht