CONF: Tra arte e industria: la serialità della scultura nel Quattrocento (Università di Trento – 6 / 7 Nov 2024)
Il Quattrocento fu una fase di fervente rinnovamento nel campo artistico che non riguardò solo il piano delle idee e della cultura, ma anche – a un livello più pratico – le tecniche…
PUB: Valuing sculpture: art, craft and industry, 1660–1860 (Sculpture Journal 32.4; open access)
Volume 32.4 of the Sculpture Journal is a Special Issue titled ‘Valuing sculpture: art, craft and industry, 1660–1860’. Contributions reconsider the significance of the interrelationships between art, craft & industry from the seventeenth…
EXH: Rodin in the United States. Confronting the Modern (The Clark, 18 Jun-18 Sep 2022)
This exhibition explores how American collectors embraced Rodin’s art over time, assembling collections of his sculptures and drawings and often giving them to public institutions. Rodin’s reputation is firmly established in the United States…
CFP: Presences and Processes in Latin American Sculpture (College Park, 26-27 Oct 2022)
Re·cast / Re·fundiciones: Presences and Processes in Latin American Sculpture College Park, Maryland, 26–27 Oct 2022Deadline: 15 Aug 2022
CONF: Georg Kolbe im Nationalsozialismus. Kontinuitäten und Brüche in Leben, Werk und Rezeption (Berlin, Georg Kolbe Museum, 1-3 Sep 2022)
Georg Kolbe, einer der bedeutendsten Bildhauer der ersten Hälfte des 20. Jahrhunderts in Deutschland, war in vier politischen Systemen künstlerisch erfolgreich. Doch insbesondere die Erforschung seines Wirkens im Nationalsozialismus ist – auch aufgrund…
ANN: Lynn Catterson – Stefano Bardini and the Manufacture of Authenticity (live online / Forum Kunst & Markt, TU Berlin, 31 Jan 2022, 18:15-19:45 CET; in English)
In November 1888, writing to the German museum official, Wilhelm Bode (1845-1929), the dealer Stefano Bardini (1836-1922) stated that he was certain that “eight marbles and 12 terracottas” in South Kensington (V&A) were fake,…
TIAMSA Member News: Discount for the newly published “Sculpture Collections in Europe and the United States 1500-1930. Variety and Ambiguity”, ed. by Malcolm Baker and Inge Reist
This post or area is restricted to our paying members. If you are a member, please log in. Not a TIAMSA member yet? Have a look at our benefits and become a member here.
TIAMSA News: The Hugo Helbing Lecture 2021 to be held by TIAMSA Board Member Lynn Catterson: “Stefano Bardini and Wilhelm von Bode: A Case of Collaborative Contamination of the Canon and the Scholarly Literature?” (online / Zentralinstitut für Kunstgeschichte Munich, 28 Apr 2021, 18:30-20:00)
Operating out of Florence, but active all around Europe and across the Atlantic, Stefano Bardini (1836 – 1922) built a business that could claim nearly a thousand clients and which transacted many thousands of…
PUBL: Jeremy Warren – From Florence to Paris: new evidence for Giovanni Bastianini and his work (Burlington Magazine, Mar 2021)
Jeremy Warren – From Florence to Paris: new evidence for Giovanni Bastianini and his work Burlington Magazine, March 2021