CFP: Variety, Variation, Multiplication in Premodern Art (TU Berlin, 13-15 Apr 2023)
Printed images and moulded artworks have one thing in common: they refer to an “original form” to which they stand in a complex relationship. Produced in a mechanical process with the help of…
CFP: Artistic mobility in the modern era: 17th and 18th centuries (Paris, Centre allemand d’histoire de l’art / DFK Paris, France, Oct 27–28, 2022)
International conference, co-organized by the DFK Paris and the Université Grenoble Alpes/LARHRA The spatial turn has greatly impacted our understanding of certain artistic phenomena. It has, among other things, allowed for a reassessment…
ANN: Amber Collections Workshop with Ruth Sargent Noyes, Tomasz Grusiecki and Rachel King (online / Collecting Central Europe, 22 Feb, 7pm CET)
The workshop features three ten-minute presentations followed by discussion: – Ruth Sargent Noyes (National Museum of Denmark): Amber materialities of Sanctity between the seventeenth-century Grand Duchy of Lithuania and Grand Duchy of Florence–…
PUBL: “Art Ownership in Leiden in the Seventeenth Century” by C. Willemijn Fock, Anne Baudouin (translator) in Journal of Historians of Netherlandish Art (13.1, Winter 2021)
“Art Ownership in Leiden in the Seventeenth Century” by C. Willemijn Fock, Anne Baudouin (translator) Journal of Historians of Netherlandish Art – 13.1, Winter 2021
CFP: Exhibition Histories from the 17th century to the present (Hydra, 5-8 Sep 19)
Athens School of Fine Arts & Hydra 21, September 5 – 08, 2019Deadline: Jul 1, 2019 The seminar series Exhibition Histories from the 17th century to the present and its parallel events will…
Symposium: Art as Commodity – Kunst wird Ware, April 27, Hamburg
Symposium zur Ausstellung „Kunst wird Ware. Die Geburt des Kunstmarktes im Goldenen Zeitalter der Niederlande“ 27. April 2017, 10 bis 17.30 Uhr Bucerius Kunst Forum, Rathausmarkt 2, 20095 Hamburg Ridiculous prices, greedy traders, exaggerated…
Brosens, Koenraad, review of Sandra Van Ginhoven’s ‘Connecting Art Markets’
Sandra van Ginhoven, Connecting Art Markets. Guilliam Forchondt’s Dealership in Antwerp (c.1632–78) and the Overseas Paintings Trade, Studies in the History of Collecting & Art Markets I, Christian Huemer ed., Boston (Brill) 2017….
You must be logged in to post a comment.