Tag: art dealer

New Book out now: Markt und Macht. Der Kunsthandel im »Dritten Reich«

Published on by Art Market Studies

Markt und Macht. Der Kunsthandel im »Dritten Reich«

Ed. Fleckner, Uwe; Gaehtgens, Thomas W. and Huemer, Christian
Series: Schriften der Forschungsstelle “Entartete Kunst” 12
xvi, 434 pages
Language: German, English

Buy the book here – Markt und Macht

Die Geschichte des Kunsthandels im “Dritten Reich” zu schreiben, steht nicht nur aufgrund einer schwierigen Quellenlage vor besonderen Herausforderungen. Zwischen Komplizenschaft und Sabotage verstrickt sich das Handeln der Akteure in eklatante Widersprüche. Vom Alltagsgeschäft der Kunsthändler bis zum Widerstand gegen restriktive Vorschriften reicht das Themenspektrum, vom Auktionshandel bis zum Schwarz- und Schattenmarkt, von zahllosen Verbrechen nicht nur an jüdischen Sammlern und Händlern bis zum Kunstraub in den von deutschen Truppen besetzten Ländern. Kunst- und Wirtschaftshistoriker untersuchen in diesem Buch den Kunstmarkt und seine Mechanismen im Nationalsozialismus, die Rolle der Raubkunst sowie insbesondere moderner und “entarteter” Werke auf dem Kunstmarkt im “Dritten Reich”.

CONF: The Brummer Galleries in Paris and New York (NY, Oct 13-14, 2017)

Published on by Art Market Studies

Symposium

The MetMuseum

The Brummer Galleries in Paris and New York: From Antiquities to the Avant-Garde

Museum curators and other scholars consider the influence of the early 20th-century art dealers Joseph and Ernest Brummer and their galleries in Paris and New York.

Organized across six curatorial departments at The Met, this symposium provides an opportunity to highlight and assess original research on this renowned art dealing firm.

Program and Register here

New Book: Agnès Penot, La Maison Goupil, Mare & Martin publishers

Published on by Art Market Studies

La maison Goupil.
Galerie d’art internationale au XIXe siècle, by Agnès Penot

Between 1846 and 1884, one of the most successful French art dealers of its time, Goupil & Co, developed a marketing strategy that employed an international network of alliances to expand its sales of art – prints, paintings, drawings and sculptures. Their focus during that time was mainly on contemporary European Salon artists. Newly established offices in New York, London, The Hague, Berlin and Brussels were linked to the headquarters in Paris. For example, William Schaus and later Michael Knoedler concentrated on the American market while Vincent Van Gogh, an uncle of the painter, facilitated business relations with the Netherlands. The firm was a profitable business. Its many branches and its participation in most major international events, such as the Universal Expositions were an ever-renewable source of clients and artists. As a result, many international museums owned – and sometimes still own – at least one piece of artwork with a Goupil & Co provenance. This dissertation analyses the stock books that were used to record sales in Paris and which reveal themselves to be an invaluable source of the Nineteenth Century art market, especially as it relates to the history of taste and collecting.

Agnès Penot is an independent art historian and a specialist in 19th century French art, the art market, and provenance.

Published in French
ISBN : 979-10-92054-56-9
€ 39,00

La Maison Goupil – Buy the book here

 

CFP: Hucksters or Connoisseurs? CAA 2018

Published on by Art Market Studies

Hucksters or Connoisseurs?
The Role of Intermediary Agents in Art Economies
Call for Papers, CAA 2018

Chairs:
Titia Hulst, Purchase College, New York, titiahulst@gmail.com;
Anne Helmreich, Texas Christian University, alhelmreich@gmail.com

The roles of art dealers in the creation of art economies and the circulatory exchange of goods have come to increasing attention of late. However, much work remains to be done to counter the long history of the hagiographic treatment of dealers, which owes a great deal to the fact that histories of dealers were largely authored by dealers eager to write themselves into the history of art.

For this session, we seek to bring a critical and historical perspective to the role of intermediary agents in the primary and secondary markets. We seek papers that will examine dealers who mediated between the artist as producer and the consumer, whether conceived as an individual patron or broadly configured audiences.

We also seek papers that identify strategies developed by these intermediary figures in response to changing social-historical as well as geographical conditions. Relatedly, what role did dealers play in the emergence of art history as a discipline and the construction of its narratives given the vested interest of these agents in knowledge formation and collection building?

Since histories of art dealers have long been dominated by narratives drawn from the Western market, we are particularly interested in papers that examine the role of this figure in non- western art economies as well as topics that help us test and question standard models derived from the early modern and modern Western context. We encourage analysis of historically grounded strategies and practices, as opposed to anecdotal heroic narratives.

Paper proposals are due August 14. Please email your proposal to both chairs.

 

Invitation to Agnew’s Lectures at Spencer House, 1 July, London

Published on by Art Market Studies

As part of the 200th celebrations, Lord Anthony Crichton-Stuart and the Directors of Agnews invite you to a

Series of Lectures in the Great Room
at
Spencer House
27 St. James’s Place
London SW1A 1NR

Saturday, 1st July 2017

12.00pm
Barbara Pezzini: “Agnews as dealers of Nineteenth Century British Art in Manchester and London 1830-1890”

1.15pm
Light lunch and refreshments

2.00pm
Joseph Friedman: “Treasure Houses of London: The Golden Age”

3.15pm
Professor Liz Prettejohn: “Modern Painters, Old Masters: The Art of Imitation from the Pre-Raphaelites to the First World War”
A few spaces are still available and will be granted on a first come first served basis. Please specify which lecture(s) you would like to attend. RSVP asap to: lucy@goldensquared.com

6 St.James’s Place
London
SW1A 1NP

Tel: +44 (0)20 7491 9219
Website: www.agnewsgallery.com
Follow @agnewsgallery

Publ.: Agnès Penot, The Perils and Perks of Trading Art Overseas: Goupil’s New York Branch

Published on by Art Market Studies
Detail of Advertisement page, Collector and Art Critic 1, no. 1 (April 15, 1899): 16.

The peer reviewed online journal Nineteenth-Century Art Worldwide just published the article:
Agnès Penot, The Perils and Perks of Trading Art Overseas: Goupil’s New York Branch

 

10% Discount to ‘Prioneers of the Global Art Market’ Conference (NY, 17-18 March, 17)

Published on by Art Market Studies

Christie’s Education invites TIAMSA members
to join
Pioneers of the Global Art Market
 at a 10% Discount at check out.

 

The Promo Code can be found in the Members’ Only section of TIAMSA’s website after login.

The 2017 symposium has been convened and will be moderated by Christel Hollevoet-Force, PhD, Associate Research Curator in Modern and Contemporary Art at the Metropolitan Museum of Art. This two-day event will be organized and hosted by Veronique Chagnon-Burke, PhD, Academic Director at Christie’s Education New York. It will comprise 11 talks, including opportunities for Q&As and open discussions. Sessions will look at seminal dealers such as Durand-Ruel and Kahnweiler, artists like Cézanne and Picasso, and names still active in the art market, such as Gimpel and Lefevre.

Christie’s Education Website

Buy tickets here