ANN: Free Institutional Trial for “Bloomsbury Art Markets. Protagonists, Networks, Provenances“ (launches in Mar 2023)
“Bloomsbury Art Markets. Protagonists, Networks, Provenances” will launch as an online database this March. Initiated by Johannes Nathan (TIAMSA Co-Chair 2016-2022), it is the first resource to provide comprehensive information on thousands of…
ANN: New York City changes its rules for the art auction market, lowering requirements for transparency
Artnet News recently reported on a change in New York City’s rules for the art auction market. The new rules, which lower some requirements for transparency, could become defining for the auction market…
TODAY: TIAMSA Live Book Discussion No. 6 – Anne-Sophie V. Radermecker: Anonymous Art at Auction. The Reception of Early Flemish Paintings in the Western Art Market, 1946–2015 (online 14 April 2022, 6:30pm CET)
TIAMSA welcomes you to our 6th Live Book Discussion. Respondents: Sandra van Ginhoven (Getty Research Institute) and Hans van Miegroet (Duke University)As usual, the event will be moderated by Kim Oosterlinck (Université libre…
CFP: Auctions and households. Comparative perspectives across the globe, 17th-20th centuries (Session at the ESSHC, 12-14 April 2023, Univ. of Gothenburg)
The aim of this session is to engage in a very specific secondary market outlet – the auction – and to unravel its importance for household strategies from the 17th to the 20th…
CONF: Hugo Helbing: Art Gallery and Auction House “of world renown“ 1885-1938; art market research with digital sources (online / Zentralinstitut für Kunstgeschichte München, 26 Jan. 2022, in German and English)
This conference presents current research on Hugo Helbing’s auction house, on objects which were sold through his firm, and on the art market. It combines a variety of perspectives which have recently been…
PUBL: The World of Galleries. Contemporary art, market structure and internationalisation / Le monde des galeries. Art contemporain, structure du marché et internationalisation by Alain Quemin (in French)
Alain Quemin, Le monde des galeries. Art contemporain, structure du marché et internationalisation, Paris CNRS Editions, 2021, 470 p. In an era of so-called globalization, marked by the rise of major international fairs,…
CFP: The Rise (and Rise) of the Digital Art Market – Session at the 2022 Annual Conference for Art History (Goldsmiths, University of London, 6-8 April 2022)
In recent years the global art trade has experienced a radical transformation, driven to a large extent by digital technology. Across the board, artworks are bought and sold online in increasing numbers by a…
CONF: Provenance Research – Max Liebermann and His Network (Villa Liebermann / TU Berlin, online; 5 Nov 2021, 10:00-17:00 CET; in German)
Das durch das Deutsche Zentrum Kulturgutverluste geförderte Forschungsprojekt der Liebermann-Villa am Wannsee untersucht seit Dezember 2020 systematisch die Kunstsammlung der Max-Liebermann-Gesellschaft Berlin e.V. im Hinblick auf NS-verfolgungsbedingt entzogenes Kulturgut. Seit ihrer Gründung 1995 hat die Max-Liebermann-Gesellschaft eine Sammlung für…
CONF: Annotated Catalogues of the Helbing Auction House – Introduction and Dialogue (Zentralinstitut für Kunstgeschichte / online, 5 Oct 2021; in German)
Online-Workshop // Handexemplare Aus Dem Auktionshaus Hugo Helbing – Einführung Und Dialog Der Forschung sind aktuell etwa 1.100 sogenannte Handexemplare und Protokollkataloge der Auktionskataloge der von 1887 bis 1937 im Auktionsgeschäft tätigen Münchner Galerie…